Desierto

"The United States is that way. Good luck." Moises (Bernal) and a group of Mexicans are headed to America to start a new life. When the truck breaks down they must find a way to cross themselves. When Sam (Morgan) sees them attempting to make their way over he takes it upon himself to stop them. This is a difficult movie to review. First off, this is a very good movie that is full of great acting and one that I do recommend. On the other hand, the movie feels like it forgot to put in a beginning. There is a tiny scene where Moises explains why he wants to go to America. Sam simply sees a group of people walking and starts shooting. I think the movie takes into account the fact that this is such a hot button issue that it assumes the audience knows the character motivations. That being said, the lack of this aspect really hurts in the character development and you really don't connect on any other plane but Sam is mean and Moises is innocent and has done nothing wrong. Just adding this small but important detail may have really helped the movie. All that said though, the movie is still very much worth watching. Overall, a movie that is tense and exciting and will bring up some intense feelings. I give this a high B.

Gael García Bernal is one of many migrants who tries to cross into the United States in 'Desierto'. While he and many other migrants attempt to enter the United States via badlands and flat desert, the majority of them are picked off by a crazy, racist sniper. Bernal and a few others attempt to flee the crazy racist before they're left to rot in the desert.

This film pretty much had no script. What ever little dialogue it had wasn't terribly important, and the villain of the piece talked either to himself or his dog about getting out of the Hell that he lived in while near the border. This was confusing, considering how much he was defending his land from migrants, yet he wanted to leave the Hell that he was living in.

Also, when one watches a film in a packed theatre and people are laughing at important scenes, then either something was lost in translation, or the movie is a farce, and this movie wasn't lost in translation by any means. The villain was plain terrible.

At the Toronto International Film Festival, it won the the FIPRESCI Prize for Special Presentations. Feel like I need an explanation about this.

While it was shot in a decent way, one hopes that Jonás Cuarón pieces together a better script in the future.

Chase movies can be a hit or miss genre - this one has exciting hit possibilities but misses on just about all the points it should score on. We know basically nothing about any of the characters - what drives them, where they are from, or quite why they do the things they do. The hapless runners are all Mexicans fleeing poverty - on their way to the USA via the 'back door' of the badlands (Donald's wall would actually have helped them!) and the Hunter...well, he's somehow just driving around the desert looking for people to murder. With him, he has his trusty dog - trained to hunt down and kill whatever his master sends him after - human or otherwise. Once the murderous chase is on you know exactly what's about to happen every bloodied step of the way.

No subtleties here, just people led to the slaughter - and so it goes, repetitively and soullessly on and on. Some nice visuals, a promising opening and a curious music score can't add any more to the threadbare script. Only a famous movie-making father (Alfonso Cuaron) could fund this, his son Jonas Cuaron's minor attempt at fame - surprisingly, this was Mexico's entry as 'best' foreign language film at 89th Acadamy Awards (must have been a very light year indeed!) Lovers of mindless excitement won't be too disappointed - thinkers can expect to be.

Moises (Gael García Bernal) is crossing the American-Mexican border with a group of other illegals. Their truck breaks down and they're walking across the desert. Moises helps those who have fallen behind. The leading group is massacred by lone gunman Sam (Jeffrey Dean Morgan). Moises and the remaining survivors are pursued by Sam and his dog.

It's a simple man hunting man movie. It's basic B-movie. The premise gets on the political radar and both sides find fault in this. One should ignore trying to make a policy statement from a pulpy B-movie. That's all this is and it can't support more than that. More than anything, I would change some of the events. Moises seems to be the helpful type at first. When the dog first attacked, he should go back to help. Somebody should pick up a rock at least. He seems to be smart and calm. He should be able understand that with a dog, the gunman will track them down one by one without a doubt. Later, there is a moment when Moises abandons Adela. It may be logical but it's ill-fitting emotionally. Those are the only two scenes with which I have a problem. Otherwise, this is simple B-movie and Gael is a great actor.

Terrific experience here this movie which is a sort of mix-up between Don Medford's HUNTING PARTY and BEYOND THE REACH, released last year and starring Michael Douglas. But beware, BEYOND THE REACH is far far far lesser than this pure jewel from Mexico. Do not even dare to compare the two features, except for the basic script line, that's all. A brutal, powerful piece of work, folks. But I admit that I would have preferred a different ending, such as the one you had in HUNTING PARTY, back in 1970. THIS WAS AN ENDING.

But nevertheless, this movie is awesome. In the last fifteen minutes, I felt my heartbeat as a war drum.

Serious.

Go for it...