Sherlock & Daughter

Preposterous, hammily acted, the script often clunky as well, but suspend serious critical faculties and what you've got is a compelling entertainment.

David Thewlis of course steals the acting prize as Sherlock, well matched by Dougray Scott's Moriarty. Blu Hunt's wide eyed enthusiasm as his maybe daughter added plenty of fire to the tale and Ivana Milicevic wasn't given enough to do but had an authoritative presence which rooted the scenes at the US Ambassador's residence. Fiona Glascott was too stilted to carry off the Lady Bracknell accent as intended but that aside all the actors did their best to season the ham.

For me, Sherlock Holmes should notice all the small details, leave nothing to chance, and in the end you get an explanation of how how Holmes' conclusion was made.

Sherlock & Daughter did try to do all these things, but it felt like the writing used for the series was in iteration 2, when it needed to be iterated 10 times to be proper Sherlock Holmes.

It was entertaining, well paced and all that. Impressive how they can nail costumes and environment to the time period. A nick pick would be a lack of a realistic amount of bystanders / crowds, due to what I only can imagine to be budget costs.

I'll admit my expectations for a CW production are somewhat reduced compared to HBO, but Sherlock & Daughter is definitely a decent show worth watching.

There are a lot of little things done properly that show care and attention to detail. The little animation showing when characters move about London is simple and effective.

The sets and scenes in London and environs are top notch, particularly when I compare them to Miss Scarlett. The set designers performed excellent work here.

Where there is a bit of a letdown is the reliance on coincidence to further the plot. Amelia is definitely too much of a Mary Sue but I've seen far worse. The acting, other than Thewlis, is average at best. The actors read their lines rather than saying them, but, again, for a CW production this is not unexpected.

All in all, I'm enjoying this and I'd recommend it. Must see television, perhaps not, but if you're a Sherlock Holmes fan, this is worth giving a shot.

As a big Sherlock Holmes fan, I've always loved how smart he is and how he keeps his distance. To me, the original stories are great because he's all about logic, not feelings or family. So, when this new series introduces a daughter, it feels a bit off. It just doesn't seem like the Sherlock I know, the one who cares most about solving a good mystery.

It feels wrong because the original Holmes was so focused on his work, with no wife or kids. Adding a daughter brings in a lot of emotion, which I think changes what makes him unique. It might make him seem more like any other detective with family problems, instead of the special character he is. For me, the old stories are important, and big changes to the main character can be tough to accept.

But, I also see why the series creators did it. Giving Holmes a daughter adds something new. The idea of a "lonely genius" can feel old-fashioned now. A daughter pushes him to deal with feelings and relationships, which makes him seem more human. This can open up new kinds of stories, not just about solving crimes, but about family and what kind of parent Holmes would be. It helps keep the character fresh and interesting for today's audiences.

So, while my first thought is often "that's not the real Sherlock," I understand that a daughter can enliven and modernize him, making him more relatable and giving creators new ways to tell his story. It's a different take, but it does bring him to life for a new generation.

One of the endless iterations of Sherlock Holmes, this one comes with a young woman who may be his daughter. The story begins with Holmes mid-drama, trying to save persons at risk while feeling that greater risk may come from his efforts. Meanwhile, a young woman makes her way from New York City to London, hoping to meet Holmes, whom she regards as a personal hero.

The atmosphere of London, 1896, is convincing, so the viewer can relax into the story, which wastes no time developing. Holmes (David Thewlis) and the young woman, Amelia Rojas (Blu Hunt), begin the series as fully-developed characters. Their back stories and personality traits are quickly established. Holmes is self-important and surly, though considerations might be made due to his current situation. Amelia is bright, cordial, and eager to learn. When she makes her way to 221B Baker Street, her hopes are briefly dashed, but she finds a place in Holmes' situation.

Before long, the two are working together to solve a case, but not as equals. And the disparate duo competes with Scotland Yard and the Pinkertons.

The production is filled with graphics, which some viewers may like; others may find them distracting.

But the first two episodes are enjoyable, and there is potential for much more enjoyment if the script allows the main characters to grow into a relationship of depth and warmth, if only grudgingly.