8 Vasanthalu
- 2025
- 2h 15m
After losing her army father, writer/martial artist Shuddhi grows up in Ooty with her mother. She channels grief through writing, then experiences love and heartbreak with Varun, leading to ... Read allAfter losing her army father, writer/martial artist Shuddhi grows up in Ooty with her mother. She channels grief through writing, then experiences love and heartbreak with Varun, leading to personal transformation.After losing her army father, writer/martial artist Shuddhi grows up in Ooty with her mother. She channels grief through writing, then experiences love and heartbreak with Varun, leading to personal transformation.
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Featured reviews
"8 Vasanthalu" is more than just a film - it's a soft, poetic reflection of what love means in today's world. It gently unpacks the idea that love isn't about holding on tightly, but about how deeply we grow, change, and understand ourselves through it. The movie doesn't glorify perfect relationships, but instead shows how we unknowingly hurt some people and unknowingly heal others. And that's life - complex, bittersweet, and full of lessons.
Every scene made me pause, reflect, and realize: I don't want to carry anger or regrets. I don't want to live with what-ifs or wounds I keep reopening. I want to let go, not out of weakness, but with the quiet strength of someone who chooses peace.
This film reminded me to respect people's personal choices, and to never force a love that's meant to flow freely. I hold no grudges for my life - just gratitude for how far I've come.
I want to move forward now - with kindness, with dignity, and with a heart that still believes in love... the kind that transforms, not just stays.
Every scene made me pause, reflect, and realize: I don't want to carry anger or regrets. I don't want to live with what-ifs or wounds I keep reopening. I want to let go, not out of weakness, but with the quiet strength of someone who chooses peace.
This film reminded me to respect people's personal choices, and to never force a love that's meant to flow freely. I hold no grudges for my life - just gratitude for how far I've come.
I want to move forward now - with kindness, with dignity, and with a heart that still believes in love... the kind that transforms, not just stays.
Firstly, this is the most visually STUNNING film in recent times. Not even big budget films of tollywood usually look this beautiful. I'm a photographer and I kept smiling throughout the film thinking how beautiful the light, color harmony and composition are. Andhama song is peak in terms of capturing beauty and blending it with soulful music. I can only imagine how much thought, skill and effort went into creating those frames.
Secondly, music by Hesham complemented the visuals so wonderfully. I'm glad Phanindra preferred him over others. The costumes were also beautiful; someone in the team really understands how colors work.
Thirdly, the actors are fantastic. It's ironic to say this, since the film talks about seeing beyond beauty, but Anantika and the first actor look so good together. Their performances were very natural and they have attractive smile. The second actor who comes in later half, shines in the climax but his styling (makeup and hairstyle) was off.
Finally, I think this movie was wrongly promoted as an "art film," because it is not. It looks and feels artistic, but when people think of an art film, they expect dead slow scenes with focus on abstract ideas which don't cater to the masses, but this is not such film. It is very approachable, with love story that's easy to enjoy by majority of the people.
The second half, post Kasi episode, felt a bit off. I didn't feel a connection between leads, especially in contrast to how well "the butterflies in the stomach and longing in a relationship" was captured in the first half. I felt there should have been more scenes to establish connection instead of relying solely on the montage sequences in Parichayamila song, which is magnetic and visually charming. The second half felt a bit rushed and convenient without much drama. On paper, the scenes may appear like they have dramatic highs and lows, but it didn't translate well onto the screen.
The film bounced back in the end and gave a satisfying closure. However, I keep thinking how much more effective it would have been if there were more (well written) scenes between the leads in the second half. Nevertheless, it is a good film overall, and great effort by Phanindra. I'm a fan of his way of thinking and unique voice, so would love to see more films from him.
Secondly, music by Hesham complemented the visuals so wonderfully. I'm glad Phanindra preferred him over others. The costumes were also beautiful; someone in the team really understands how colors work.
Thirdly, the actors are fantastic. It's ironic to say this, since the film talks about seeing beyond beauty, but Anantika and the first actor look so good together. Their performances were very natural and they have attractive smile. The second actor who comes in later half, shines in the climax but his styling (makeup and hairstyle) was off.
Finally, I think this movie was wrongly promoted as an "art film," because it is not. It looks and feels artistic, but when people think of an art film, they expect dead slow scenes with focus on abstract ideas which don't cater to the masses, but this is not such film. It is very approachable, with love story that's easy to enjoy by majority of the people.
The second half, post Kasi episode, felt a bit off. I didn't feel a connection between leads, especially in contrast to how well "the butterflies in the stomach and longing in a relationship" was captured in the first half. I felt there should have been more scenes to establish connection instead of relying solely on the montage sequences in Parichayamila song, which is magnetic and visually charming. The second half felt a bit rushed and convenient without much drama. On paper, the scenes may appear like they have dramatic highs and lows, but it didn't translate well onto the screen.
The film bounced back in the end and gave a satisfying closure. However, I keep thinking how much more effective it would have been if there were more (well written) scenes between the leads in the second half. Nevertheless, it is a good film overall, and great effort by Phanindra. I'm a fan of his way of thinking and unique voice, so would love to see more films from him.
The movie started on a strong female charecter pratoganist Shruthi Ayodhya a strong brave , courageous women devoted to her passion and family, through the course of storyline it actually feels like the injustice to the main character but the climax it says it all "Someone's trash is others treasure" , it shows the dignity and responsibilities that women holds through the her life choices her responsibilities. Climax even justifies the title " 8 Vasantalu " ,every dialogue in this movies resonates to atleast one incident women goes through in her life
it captured something many people fail to do these days in these kind of love stories that is a positive side of failures , "moving on " phase of love incredibly shown
Also I personally felt even though the film was incredible it somewhere fed to the view of no matter how capable women are they always need be portrayed in a certain traditional way of course it was a film and that was all the charecter was about but yea seeing if from a different perspective , since it was a strong female charecter who is a writer justified the asthetics of the charecter This movie lands on a very important lesson that is --- We measure years by days 1 year is 365 days but measure your life by experiences that shape you into a better version of yourself.
Also I personally felt even though the film was incredible it somewhere fed to the view of no matter how capable women are they always need be portrayed in a certain traditional way of course it was a film and that was all the charecter was about but yea seeing if from a different perspective , since it was a strong female charecter who is a writer justified the asthetics of the charecter This movie lands on a very important lesson that is --- We measure years by days 1 year is 365 days but measure your life by experiences that shape you into a better version of yourself.
9Kp07
Phanindra Narisetti - I truly bow to you for this masterpiece. Every single dialogue you penned resonated deeply with me. The way you crafted the lead actress's character as bold, resilient, and incredibly inspiring is the true highlight of this story. You're the silent strength behind this. Congratulations and thanks for giving us such beautiful writing. Your storytelling evokes raw emotions, makes us reflect on life, love, and choices, and leaves an unforgettable impact. I genuinely wish to see more such heartfelt creations from you that celebrate human courage and silent battles within.........
"8 Vasanthalu" feels like a gentle breeze, occasionally stirred by emotional swirls that keep you immersed. The film's language is rich with poetic depth that resonates with the soul. While the presence of a few more familiar or experienced actors could have further enhanced the film, the director's storytelling truly shines - kudos for crafting such an authentic and moving narrative. The scenic visuals are beautifully captured, adding to the film's charm.
The lead actress stands out with her multi-talented performance - truly impressive and much appreciated. The strong moral values and well-defined characterization of the shero brought back memories of Shekhar Kammula's signature touch.
I thoroughly enjoyed the movie and genuinely connected with its soul.
The lead actress stands out with her multi-talented performance - truly impressive and much appreciated. The strong moral values and well-defined characterization of the shero brought back memories of Shekhar Kammula's signature touch.
I thoroughly enjoyed the movie and genuinely connected with its soul.
Details
Box office
- Gross worldwide
- $4,837
- Runtime
- 2h 15m(135 min)
- Color
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