In a near-future London, an eccentric murder suspect is linked to an unusual video game from the 1990s - a game populated by cute, evolving artificial lifeforms.In a near-future London, an eccentric murder suspect is linked to an unusual video game from the 1990s - a game populated by cute, evolving artificial lifeforms.In a near-future London, an eccentric murder suspect is linked to an unusual video game from the 1990s - a game populated by cute, evolving artificial lifeforms.
Jonny Lavelle
- Security Guard
- (uncredited)
Andy M Milligan
- Computer Virus Victim
- (uncredited)
Zachary Vaughan
- Tech Employee
- (uncredited)
Featured reviews
I watched Common People after seeing lots of rankings claiming it was the best example of "Oldschool Black Mirror". The same rankings put "Playthings" episode last.
Common People was pretty thought provoking, but as an episode it was super dull. It's about as Black Mirror as Nosedive, which was where the problems really began. This show lost so much quality from that season.
Playthings, on the other hand, felt dark and edgy, the British way. Back when this show was good. When it made you feel existentially uncomfortable.
Please Charlie Brooker, stop catering to Americans and go back to making dark episodes like this please. The nation will forever thank you for it.
Common People was pretty thought provoking, but as an episode it was super dull. It's about as Black Mirror as Nosedive, which was where the problems really began. This show lost so much quality from that season.
Playthings, on the other hand, felt dark and edgy, the British way. Back when this show was good. When it made you feel existentially uncomfortable.
Please Charlie Brooker, stop catering to Americans and go back to making dark episodes like this please. The nation will forever thank you for it.
What a great acting for this man. BUT, this episode felt like half-baked one... Honestly, I think it would can be much better...beside that, the casting is great, and the concept reminds me the good old black mirror... I truly recommend this episode but don't expect for a surprising end that will drop your jaw down. I have no doubt that the creators of the series could have made more out of this episode. Something there feels unfinished, it's hard to explain, maybe my expectations were too high. What is certain is that, as I wrote in the title, Peter is a true and true star. So, I'll hope that the other episodes will better than that.
I think Plaything will ultimately be remembered positively, akin to the way Metalhead became years later. It's definitely the closest this season comes to OG Black Mirror, gritty, pitch black, and British.
Lewis Gibbon really stole the show as the younger Cameron Walker, a man being interrogated for the murder with a mysterious connection to a 90s era video game. His performance was deeply uncomfortable and unsettling, in a very good way. The scenes have the energy of the Crank movies, and have a grit and grime to them that stands out.
I think this is the best looking episode of the series so far. I like how it generally felt like the 90s, when it was set. There was something about the film grain, and of course, the amazing set design and costumes, that was so evocative of the era. You can watch this episode with no audio and put on some industrial British sludge on, and it'd fit well.
Peter Capaldi as Cameron Walker in the present was...surprisingly unimpressive to me. I just didn't think he was doing anything I hadn't seen him do better. Those scenes definitely lacked energy in comparison and dragged the episode down.
I liked the ending, although it was very predictable. I was fine with how it ended as well, I know some found it to be too abrupt. To me, it really represented the bleak world the episode presents.
This, to me, is the best episode of Season 7, by a long shot.
Lewis Gibbon really stole the show as the younger Cameron Walker, a man being interrogated for the murder with a mysterious connection to a 90s era video game. His performance was deeply uncomfortable and unsettling, in a very good way. The scenes have the energy of the Crank movies, and have a grit and grime to them that stands out.
I think this is the best looking episode of the series so far. I like how it generally felt like the 90s, when it was set. There was something about the film grain, and of course, the amazing set design and costumes, that was so evocative of the era. You can watch this episode with no audio and put on some industrial British sludge on, and it'd fit well.
Peter Capaldi as Cameron Walker in the present was...surprisingly unimpressive to me. I just didn't think he was doing anything I hadn't seen him do better. Those scenes definitely lacked energy in comparison and dragged the episode down.
I liked the ending, although it was very predictable. I was fine with how it ended as well, I know some found it to be too abrupt. To me, it really represented the bleak world the episode presents.
This, to me, is the best episode of Season 7, by a long shot.
Loved the Trainspotting / Shallow Grave aesthetic for the 1994 scenes - I'm sure Danny Boyle and team would approve! Really caught the period beautifully.
Lewis Gribben as the young Cameron Walker was a compelling counterpoint to the shifting, shambolic older self in Peter Capaldi's brilliantly lurking performance.
Story structure was well put together, despite what others on here say about the ending. I beg to differ.
Black Mirror at its best wants you to think but I think the message here was crystal clear: The old cro-magnon core still drives us along, but technology has been worming its way inside our brain and changing our chemistry. How's that going to play out?
Lewis Gribben as the young Cameron Walker was a compelling counterpoint to the shifting, shambolic older self in Peter Capaldi's brilliantly lurking performance.
Story structure was well put together, despite what others on here say about the ending. I beg to differ.
Black Mirror at its best wants you to think but I think the message here was crystal clear: The old cro-magnon core still drives us along, but technology has been worming its way inside our brain and changing our chemistry. How's that going to play out?
Peter Capaldi is consistently world class. This is another stellar performance to add to his already pretty heaving canon of work. Plus, a very memorable & scene-stealing cameo from the always captivating Will Poulter. For this alone, I'd say this one's worth a watch.
BUT...
It doesn't have an ending. Like, it just doesn't. I dunno if that's Brooker deliberately setting up another sequel episode a-la Callister, or just running out of steam/ideas (6 episodes is a pretty incredible return given the low standard and briefness of the last couple of seasons), but it was frustrating. Like a lot of entertainment right now.
Still delighted overall by the massive increase in quality in this season compared the the last - but overall, it's been very hit and miss.
BUT...
It doesn't have an ending. Like, it just doesn't. I dunno if that's Brooker deliberately setting up another sequel episode a-la Callister, or just running out of steam/ideas (6 episodes is a pretty incredible return given the low standard and briefness of the last couple of seasons), but it was frustrating. Like a lot of entertainment right now.
Still delighted overall by the massive increase in quality in this season compared the the last - but overall, it's been very hit and miss.
Did you know
- TriviaAccording to information from security cameras, the year in which this takes place is 2034.
- GoofsWhen Cameron boots up his computer the CD drive is mounted as F drive however after inserting the cd he goes to D drive to run the install program.
- Quotes
Older Cameron Walker: Well, I'd learned early on to fear most people. So, to enjoy company, even emulated company via a screen, may be a bit sad... but it was water in the desert for me.
- Crazy creditsThere is a QR code shown during the end credits that when scanned leads to a mobile simulation game called Black Mirror: Thronglets.
- ConnectionsFeatures Street Fighter II' Turbo: Hyper Fighting (1992)
Details
- Runtime
- 45m
- Color
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