Jimenshitachi

I was initially impressed by the production quality, screenplay and writing which dared to pull off twists which stir the emotions and keep you wondering what happens next. That and it was a fresh take on Japanese dramas which didn't have the usual anime-derived dramatisations.

However holes start to appear when it appears certain characters are so omnipresent but yet oblivious where the plot armour resides.

Then the season finale slips on its own banana peel in the last episode. There were so many unrealistic interactions as some characters and sequences suddenly suffer from the usual prolonging, dramatisations and silliness to force the series to end on a certain note and pave the way for a money grabbing 2nd season.

Rest assured it did not get my thumbs up from the choices given after the show ended.

I made an IMDb account specifically to review this show. I haven't watched such a gripping drama in a long time, and as an English native I honestly wasn't expecting a Japanese thriller no less. The pacing, the exposition, character development, lead actors; all top tier. At times the acting was alittle bit faked and overboard; but those moments are literally only 1min out of 420 min.

I think what works so well is how episode 1 is basically all you need: it summarises the MO of the entire series. The rest of the series then builds on this MO slowly, adding complexities and plot junctures that keep you clicking on the next episode.

Brilliant show.

This story is based on a real crime happened in 2017 in Tokyo. The criminal group was much bigger than in the TV series, but mostly the stories are real and it's well performed. The guy in charge (Harrison Yamanaka in the TV series) was a legendary land swindler in real story, and he committed so many real estate sales frauds in the past like in the TV series. It is an interesting show to watch.

I was not crazy about some fictional parts because some parts are so unrealistic like hitting by a car suddenly...etc.

But I enjoyed the castings and the series overall.

Btw, those criems are still actively going on in Japan 2024.

I thought this series was one of the best Asian drama series I've seen on Netflix since Squid Game. It features some amazing actors. Not a dud among the entire very large cast. One huge problem though: The voice dubbing actors for Harrison the ring leader and the guy who plays the swindleing attorney, aren't consistently convincing and come across as over-striving amateurs. Takumi's voice actor may be reasonably cool, but these 2 bad dub actors render the English dub version virtually unwatchable by the middle point of episode 1. So that being said, I'm reviewing the original Japanese with English subtitles "Tokyo Swindlers" from this point onward. The ever impressive Go Ayano stars as Takumi, a cat loving swindler with PTSD who acts as an inscrutable foil to a psychopath mentor mastermind (who could be the devil himself he's so evil). How this series is not higher rated may have to do with its raw treatment of some very dirty business and a continual flow of of violent repugnant weirdoes with sick execution fetishes. Bottom line is this series is SO not for the squeamish and/or those who watch crime shows to root for one heroic protagonist who miraculously dodges every bullet. Special props to the theme music composer Takkyu Ishino. His claustrophic techno-pop is perfect for biting your nails to while you watch each adrenaline-laced scam unfurl. (And if you get hooked on Ishino's theme music like I did, watch the credits at the end of every episode for 4 full minutes of its trance-inducing vibe.)

There's a growing disappointment that Japanese dramas have been declining in quality recently. Japanese TV stations commission dramas from external production companies four times a year, once each quarter. However, due to this long-standing tradition, they're now churning out predictable works that lack originality. The themes, stories, roles, and actors all seem to follow a formulaic pattern, resulting in Japanese TV series that are consumed and discarded without much impact.

In contrast, this Netflix original series is a rare gem with a solid story (based on an already highly acclaimed novel) as its foundation. The performances and unique characteristics of each role are well-portrayed, making it thoroughly engaging. Unlike the typical 10-episode structure of Japanese drama series, this one is compressed into 7 episodes, allowing for a streamlined and fast-paced narrative without unnecessary filler. This is definitely a strong point.

I'd like to praise how well the story, roles, and subject matter come together to create an excellent final product. The portrayal of the aging police detective, just six months away from retirement, is particularly noteworthy. It presents a realistic and convincing image of a seasoned investigator without falling into exaggeration. It's surprising to find charm in a gaunt, tired-looking old man, which makes this performance all the more impressive.