Former federal prosecutor from New York, Ted Black reinvents himself as a lawyer for L.A.'s powerful. His firm's crisis compels an ethical compromise to stay afloat.Former federal prosecutor from New York, Ted Black reinvents himself as a lawyer for L.A.'s powerful. His firm's crisis compels an ethical compromise to stay afloat.Former federal prosecutor from New York, Ted Black reinvents himself as a lawyer for L.A.'s powerful. His firm's crisis compels an ethical compromise to stay afloat.
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I watched the original Suits. I decided to be open minded about Suits LA...in fact 30minutes into the pilot I needed to change the channel. Oh honestly it had nothing to do with comparing the shows then and now. Suits LA is boring and disappointing. I like Stephen Amel but his character in this series doesn't work. He is annoying...sorry!! The rest of the cast and their characters...well let's just say are weak.
Now if I were to compare this Suits LA to the original Suits. I would be happier watching the reruns. I know I sound harsh but I was so excited for the series and I just feel so disappointed.
Now if I were to compare this Suits LA to the original Suits. I would be happier watching the reruns. I know I sound harsh but I was so excited for the series and I just feel so disappointed.
One episode in and all I could think was WTH is going on here! First, the "costumes" are ridiculous. The partner's hair and beard look like a bad Halloween custom. I couldn't watch him he looked so fake. Same with the father. Then, there was ZERO character development. It was very blocky, for a better term. One block here. Then another unrelated block. Then another unrelated block. It's like they tried to throw six seasons of the original Suits into one episode sans the good parts. No flow whatsoever. None. I found myself not even wanting to pay attention. At the end of the episode I had absolutely no vested interest in any of the characters. Not a single one was likable. Actually, I was relieved it was over. And the fun. What happened to the FUN? That was the whole Mike and Harvey thing ... Fun! And charm! And wit! None of that. The characters are robotic, tense and most definitely not enjoying themselves and I certainly did not enjoy them. Far from it. It was painful to watch.
So they've opened a can of (very, very) beautiful women, gave the Green Arrow a lawyer degree and that Stuart character the most hideous beard in beard history but then forgot to write a descent storyline that would create the same kinda magic the original version of the show did? I'm not comparing it with Suits but if it carries the name at least it should remind to its big brother/sister... It also lacks chemistry between the characters...
And pls, Stuart, pls shave that ugly thing you call a beard off... or don't glue it back on the next shootingday... You look like Zack Morris from Saved by the Bell in a school play...
And pls, Stuart, pls shave that ugly thing you call a beard off... or don't glue it back on the next shootingday... You look like Zack Morris from Saved by the Bell in a school play...
Suits: LA had a rocky beginning, but by the time the final episode rolled around, it had started to show real promise-and left me genuinely wanting more. What began as a shaky spin-off slowly found its footing, revealing flashes of the sharp wit, character dynamics, and legal drama that made the original Suits such a hit. Unfortunately, it seems the show wasn't given enough room to grow, which is a shame considering how much potential it showed by the end.
One of the most noticeable issues with Suits: LA was its pacing in the early episodes. A significant amount of time was spent establishing backstories-sometimes at the expense of forward momentum. While understanding a character's motivations and past is important, the show leaned a little too heavily on exposition, bogging down the narrative and making it hard for viewers to fully connect with the present-day storylines. The main character's traumatic past, the firm's murky ethical history, and various unresolved issues were all introduced early on, but rather than being woven naturally into the plot, they were dumped in a way that felt more like catching up than storytelling.
That said, once the show started moving past the setup and into actual legal cases, it began to shine. The courtroom scenes became more engaging, the dialogue sharper, and the character interactions more authentic. There were clear attempts to recapture the clever banter and morally gray decisions that made Suits compelling, and at times, Suits: LA managed to hit those notes well. By the time the finale aired, the characters felt more grounded, and the storylines had more emotional weight and legal complexity.
Casting-wise, the show had potential. The lead brought a quieter intensity compared to Harvey Specter's bold charisma, which created a different but interesting tone. Supporting characters also began to come into their own, especially in the latter half of the season. You could sense the beginnings of strong chemistry between team members, and there were several subplot seeds that could have flourished if given more time.
The biggest disappointment isn't the show's rocky start-it's the decision to pull the plug just as things were improving. Canceling Suits: LA now feels premature. It's not uncommon for a spin-off series to take a few episodes-or even a full season-to hit its stride. Just look at how many shows go from mediocre beginnings to cult favorites once the writers find their rhythm and the actors settle into their roles. There's every reason to believe Suits: LA could have followed that same trajectory.
Rather than canceling the show outright, NBC (or whoever holds the rights) should strongly consider moving it to a streaming platform like Peacock. The original Suits saw a massive resurgence in popularity thanks to its availability on streaming, and Suits: LA could benefit from that same long-tail audience engagement. With the right marketing and a little patience, the show could build a loyal fan base. In fact, a slower-burn drama like this might thrive better in a binge-watch setting where viewers can stick with it long enough to see it improve.
In conclusion, while Suits: LA didn't come out of the gate with the same swagger as its predecessor, it was clearly evolving into something worthwhile. It deserved more time to develop, and it's frustrating to see that journey cut short just as it was getting interesting. Hopefully, this isn't the end for the Suits universe-because there's clearly more story to tell, and more viewers ready to watch it unfold.
One of the most noticeable issues with Suits: LA was its pacing in the early episodes. A significant amount of time was spent establishing backstories-sometimes at the expense of forward momentum. While understanding a character's motivations and past is important, the show leaned a little too heavily on exposition, bogging down the narrative and making it hard for viewers to fully connect with the present-day storylines. The main character's traumatic past, the firm's murky ethical history, and various unresolved issues were all introduced early on, but rather than being woven naturally into the plot, they were dumped in a way that felt more like catching up than storytelling.
That said, once the show started moving past the setup and into actual legal cases, it began to shine. The courtroom scenes became more engaging, the dialogue sharper, and the character interactions more authentic. There were clear attempts to recapture the clever banter and morally gray decisions that made Suits compelling, and at times, Suits: LA managed to hit those notes well. By the time the finale aired, the characters felt more grounded, and the storylines had more emotional weight and legal complexity.
Casting-wise, the show had potential. The lead brought a quieter intensity compared to Harvey Specter's bold charisma, which created a different but interesting tone. Supporting characters also began to come into their own, especially in the latter half of the season. You could sense the beginnings of strong chemistry between team members, and there were several subplot seeds that could have flourished if given more time.
The biggest disappointment isn't the show's rocky start-it's the decision to pull the plug just as things were improving. Canceling Suits: LA now feels premature. It's not uncommon for a spin-off series to take a few episodes-or even a full season-to hit its stride. Just look at how many shows go from mediocre beginnings to cult favorites once the writers find their rhythm and the actors settle into their roles. There's every reason to believe Suits: LA could have followed that same trajectory.
Rather than canceling the show outright, NBC (or whoever holds the rights) should strongly consider moving it to a streaming platform like Peacock. The original Suits saw a massive resurgence in popularity thanks to its availability on streaming, and Suits: LA could benefit from that same long-tail audience engagement. With the right marketing and a little patience, the show could build a loyal fan base. In fact, a slower-burn drama like this might thrive better in a binge-watch setting where viewers can stick with it long enough to see it improve.
In conclusion, while Suits: LA didn't come out of the gate with the same swagger as its predecessor, it was clearly evolving into something worthwhile. It deserved more time to develop, and it's frustrating to see that journey cut short just as it was getting interesting. Hopefully, this isn't the end for the Suits universe-because there's clearly more story to tell, and more viewers ready to watch it unfold.
Suits LA had the potential to build upon the legacy of Suits, but unfortunately, it struggles due to its rushed storytelling and lack of proper character development. From the very first episode, the show moves at an unnecessarily fast pace, failing to give audiences a chance to connect with the new characters or understand their backgrounds.
Unlike Suits, where characters were introduced gradually, allowing viewers to relate to their motivations, Suits LA throws a completely new set of characters into a new setting without any proper buildup. The audience is left wondering about their personalities, work ethics, and relationships. This rapid storytelling makes it difficult to feel invested in the plot.
If the show slows down and allows its characters to develop organically, it might stand a chance. Otherwise, it risks losing the charm that made the original series so popular.
Unlike Suits, where characters were introduced gradually, allowing viewers to relate to their motivations, Suits LA throws a completely new set of characters into a new setting without any proper buildup. The audience is left wondering about their personalities, work ethics, and relationships. This rapid storytelling makes it difficult to feel invested in the plot.
If the show slows down and allows its characters to develop organically, it might stand a chance. Otherwise, it risks losing the charm that made the original series so popular.
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Did you know
- TriviaGabriel Macht reprises his "Suits" role as Harvey Specter.
- ConnectionsSpin-off from Suits, avocats sur mesure (2011)
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