Deep Cover

A British gangster film coming out with little publicity and going straight to streaming - that's normally a deeply unprepossessing prospect.

But this turns out to be a cracking little film. A daft light-hearted heist movie, 3 likeable leads with real chemistry and an entertaining supporting cast ranging from renowned acting heavyweights to young comedic talent, all doing a fine job.

The plot makes little sense - but who cares, it's just the framework for some silly comedy and the film rushes by with such pace and energy that you never have time to stop and think about how the trio got themselves into such ridiculous situations.

It's not a great film, it's certainly not going to win any critical awards, but it's so much better than most people will expect it to be and succeeds admirably at being good entertainment.

First off, I don't normally rate Amazon original films, they're usually toss to be honest, but this is pretty decent actually.

Cast was great, Orlando Bloom was brilliant, although his accent slipped a couple of times, but I suppose that's kind of the character... He's bang at the TRT though isn't he lol, me missus was loving it haha.

Nick Mohammed played his usual character, was great though and always been a fan of Bryce Dallas Howard. Some great cameos from some familiar faces of British telly. Sean Bean in it as well (always brilliant), did his usual thing... Poor fella lol. And I'll watch anything that Paddy Considine is in since '24 hour party people'.

Was pretty funny, very English humour, which is surprising, since I think the writers are American, either way; funny is funny...

Very minor nitpick, some of the slang was off, rat instead of grass etc, but again very minor and most people won't care and non English people won't even notice.

I was going into this happy to turn it off if it wasn't good after 20 minutes, but it kept me hooked and smirking all the way through.

Give it a chance, it's not even an hour 40.

Pretty decent, especially for an Amazon original!

7/10.

With a premise funny enough to sustain its entire running time, this action comedy directed by Tom Kingsley is positioned as one of the most rewarding surprises of the year with a satisfying comedy that makes you laugh out loud with its precise jokes placed in a script that allows its cast to shine at the appropriate and sophisticated moments.

Having a cast led by Bryce Dallas Howard, Orlando Bloom, and Nick Mohammed is already a plus, and if we add to this the fact that they play improvisational actors, the result is an effective and entertaining film that you'll have a wonderful time with. They are joined by actors like Paddy Considine, Ian McShane, and Sean Bean, creating a cast that will not disappoint in its intentions or actions.

The film takes us through a unique story, but one that makes the most of it, largely thanks to the direction, which never falters from the seriousness of its approach, even as it constantly seeks comedy to give us good moments. Its seriousness has the secret weapon of connecting with its main characters and convincing us at all times that they are surviving in a totally dangerous world, but in which they always manage to improvise to make us enjoy good moments.

It's a film that works equally much as comedy as action, managing to maintain the perfect balance of both genres to ensure a truly enjoyable and positive experience. We're in the presence of a film that, despite its imperfections, remains enjoyable and fun throughout. As viewers, we end up receiving a well-crafted piece of entertainment that keeps us having a good time and laughing at the hilarious actions and dialogues of its leading trio.

We're left with a film that will give you a fun time, a fun experience, and will leave you wanting more. This British comedy shines in a precise way, compared to a film that has an effective premise, despite being surrounded by the most common clichés of this type of film. However, it's handled well by everyone involved, resulting in a satisfying film that isn't perfect, but is very entertaining.

We've reached a point in cinema where simply telling a story without preaching feels almost radical. Deep Cover earns points for doing just that - it doesn't lecture, it doesn't moralize, it just spins a mildly absurd tale and has fun with it.

The plot revolves around Kat, a failed actress with a flair for melodrama; Marlon, her equally theatrical male counterpart; and Hugh, the mild-mannered tagalong who seems like he wandered in from another movie. The trio is roped into what appears to be an undercover operation by a cop named Billings, though "operation" might be too generous a word for what quickly unravels into chaos. Soon, they're knee-deep in actual criminal dealings, forced to "stay in character" as their improvisation turns into survival.

It's excessive and implausible, but somehow, it works. There are flashes of real fun, especially when Marlon, in full bluster, tries to blend in with two actual tough guys, only to be betrayed by a ridiculous commercial where he's in costume, mugging for the camera. It's silly, self-aware, and just meta enough.

Perfectly watchable popcorn fare, even if the scent of a sequel is already wafting in the air-and not in a good way.

Deep Cover is a lot better than expected, especially for a streaming original. The central premise of improv actors going undercover makes sense in a weird way and it's got enough laughs interspersed throughout as well as just being really good at the undercover stuff. It's tense, twisty and always moving forward whilst still finding time for some decent character arcs for the main three to make it an even more worthwhile watch.

Bryce Dallas Howard anchors all the chaos and Nick Mohammmed's awkwardness is endearing. Orlando Bloom is easily the best thing about this as his character who loves to take method acting too far consistently gets the biggest laughs and is the most watchable presence by far. Paddy Consadine is a likeable mobster plus screenwriters Ben Ashenden & Alexander Owen also make a fun comedic duo who get away with lampshading.

Tom Kingsley's direction imbues the film with a greater visual texture than something released straight to streaming usually has. It's clearly been shot on location and isn't constantly over exposed which aren't high bars to reach but are greatly appreciated considering how many films struggle to achieve them. There are undoubtedly luls between laughs, counterbalanced by how good they are when they arrive.