The Last Showgirl
- 2024
- Tous publics
- 1h 28m
A seasoned showgirl must plan for her future when her show abruptly closes after a 30-year run.A seasoned showgirl must plan for her future when her show abruptly closes after a 30-year run.A seasoned showgirl must plan for her future when her show abruptly closes after a 30-year run.
- Nominated for 1 BAFTA Award
- 7 wins & 26 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Featured reviews
I enjoyed it, but it is definitely heartbreaking and hard to watch at times. Makes you think of your priorities in life and how following your dreams doesn't always pay up in the long term. Shelly is 57 years old Las Vegas dancer at the end of her career with nothing else going on for her in life. Her life long dream to be a dancer in the spot lights made her sacrifice everything she had in life. Marriage, the connection with her daughter, life and money stability, health insurance and retirement benefits. She did it all for her passion for the job, but once the show was over her life pretty much ends with it. Its a great movie showing how not everyone makes it ok in life and actually following your dreams can end you with nothing even if you were happy while doing it.
Pamela Anderson acting is great beginning to end! Definitely the right choice for the part. Jamie Lee Curtis is great as ever and even Bautista steps out of his regular character.
Overall great movie, but not everyones cup of tea, for sure!
The audience laughed quite often in poignant moments, and I suspect it was to cover their discomfort with the journey of the two older women.
The photography was often very close, and it created an intimacy, also showing the flaws of aging bodies that were at odds with the on-stage showgirls.
Some reviewers said the characters were superficial, but I think perhaps that's a lack of personal experience with the issues these women were facing. I enjoyed this movie. It's not tragic, but it is gently heartbreaking at times.
Jamie Lee Curtis (looking very much like Auntie Jo!!) provides able support as the cocktail waitress whose dreams faded long ago-her dance on the table to 'Total Eclipse of The Heart' is rather moving. She should have been getting more awards for this than the tiresome 'Everything, Everywhere, All At Once'.
I'm always interested in the twilight years of those who have made a living using their musical talents/movie star image and bodies for entertainment and fame whether it pornography or not-The Rialto Report is a thorough exploration in this.
Gia Coppola shows the brash colour of Las Vegas mixed with drab bungalows with plastic garden furniture and empty bottles highlighting these empty unfulfilled lives.
There is also a decent score by Andrew Wyatt.
At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.
This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.
The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.
But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.
I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.
Did you know
- TriviaPamela Anderson's agent turned down the script without showing it to her. Anderson's son Brandon Thomas Lee came across the script by chance and got it to his mother. She read the script quickly and said she wanted to do the film. Soon after, Anderson fired her agent.
- Quotes
Shelly: I mean, Las Vegas used to treat us like movie stars. The iconic American showgirl. The Las Vegas showgirl. We were ambassadors for style and grace. You know, it was just... the costumes. I mean, it makes you feel like you're stepping out of the pages of Vogue magazine. I think that's why women like to come to the show. The glamour is undeniable.
Mary-Anne: 'The glamour'. I think I can deny the glamour.
Shelly: Well, maybe times have changed, but...
Mary-Anne: [cutting off] Yes, Shell. They've changed. Times are brand-spanking different.
- ConnectionsFeatured in The 7PM Project: Episode dated 10 December 2024 (2024)
- SoundtracksBeautiful That Way
Written by Andrew Wyatt, Miley Cyrus, Lykke Li
Performed by Miley Cyrus
Music by Andrew Wyatt
Produced by Andrew Wyatt
Arranged by Andrew Wyatt
Orchestrator and conductor Matt Dunkley
Orchestra: Chamber Orchestra of London
Musicians contractor: Gareth Griffiths
Music preparation: Simon Whiteside
Details
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $4,799,804
- Opening weekend US & Canada
- $77,589
- Dec 15, 2024
- Gross worldwide
- $6,928,430
- Runtime
- 1h 28m(88 min)
- Color
- Aspect ratio
- 2.39 : 1