The Last Showgirl

Great movie but the camera movement gets a little annoying! The cast did an amazing job, I think they were the perfect cast! The only thing about the film was the constant movements and some of the glow and blur and too much unnecessary lights blinding the camera it was nice in some parts but they overdid it and it honestly ruined a really good movie! Which is Such a disappointment! I don't know if it was the director or camera guy who wanted to film it like that but that definitely ruined the film! There are some parts that were soft and nostalgic which I did really enjoy with some of the blur, the lights and the glow but it got annoying with the constant movements.

Have to really hand it to both Jamie Lee Curtis and Pamela Anderson for being absolutely original and real. Nothing fake here to see, all natural beauty. I lived in Vegas for 16 years and I always tell people that Vegas is a planet of its own. This movie definitely gives the feel of what it would be like to be young, hot, sexy, mouth watering and juicy to the men and boys, but when you reach those later late late years, and you can only stuff so much gel into your body, but even with doing that in Vegas, it eventually no longer makes you stand out like you were when you were younger, at least when you were younger in Vegas. If you live or have lived in Las Vegas, I would think you would definitely be able to relate to the heart and the feeling of this movie. This may not be a popular or a fan favorite of the young up and coming performing ladies, and heck maybe for the men as well, but definitely the ladies that live there now or who used to and I only say this because this would not be so much of a drama I would think, but more of a horror movie for them. Not one maybe they would want to be so quick to want to rush to and watch, maybe, maybe not. I'll say it like it is, I'll be real, I have travelled internationally and from city to city and in the countryside, and have lived all over too, but Vegas, Vegas is a beast of its own. The bright lights, the fun, the glitz and glamour, the drinks, the party's, but when do the lights actually go out, they don't, but it's normal and not something you can run from, but eventually all those lights eventually fade out whether you want them to or not, it's not your choice, it's just because of if you live in Las Vegas or have before and your one or were one of those bright and shining lights, eventually no matter what you try and do, your light will fade too like so many others before you. Great movie, it held a steady 8/10 throughout, I might could give it 8 1/2 even. It's definitely worth watching if you've been lost in Vegas for awhile.

Jamie Lee Curtis nailed it in one of her interviews. This is a movie about the degradation of women at the end of their lives. The use of the glamour of Las Vegas showgirls to show the slow decline with an eventual fall off a cliff edge - poverty, homelessness - when they are no longer young and sexy. Eddie gives us a view of how older women *are* sexy, but only when they are not being objectified.

The audience laughed quite often in poignant moments, and I suspect it was to cover their discomfort with the journey of the two older women.

The photography was often very close, and it created an intimacy, also showing the flaws of aging bodies that were at odds with the on-stage showgirls.

Some reviewers said the characters were superficial, but I think perhaps that's a lack of personal experience with the issues these women were facing. I enjoyed this movie. It's not tragic, but it is gently heartbreaking at times.

The beauty of this film lies in its simplicity but that doesn't mean it lacks complexity.

At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.

This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.

The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.

But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.

I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.

There's a lot to admire about The Last Showgirl, first and foremost the performance of Pamela Anderson. It's a role that seems made for her and it's a role she plays to perfection. The supporting cast of Jamie Lee Curtis, Dave Bautista, and more are all spot on too.

The style of the film is also hugely pleasing and absorbing. Despite the unnecessarily heavy hand on the blurry camera focus, the cinematography is largely very impressive. The sets and costumes are all perfect and the score compliments everything to a tee.

My only real criticism is that the story has no real depth to it. It traces over some familiar tropes to do with family and ageing, none of which are particularly groundbreaking or explored with any great depth. The film whizzes by in a flash with many missed opportunities to dive into Anderson's character even more.

It would be fair to say this film favours style over substance, but when the style is pretty damn impressive, this isn't necessarily a bad thing. Although it lacks depth, it presents a solid portrait of an ageing star and the realities of living a life on the stage.