The Last Showgirl
- 2024
- Tous publics
- 1h 28m
A seasoned showgirl must plan for her future when her show abruptly closes after a 30-year run.A seasoned showgirl must plan for her future when her show abruptly closes after a 30-year run.A seasoned showgirl must plan for her future when her show abruptly closes after a 30-year run.
- Nominated for 1 BAFTA Award
- 7 wins & 25 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'The Last Showgirl' delves into aging, identity, and career sacrifices in entertainment. Pamela Anderson's Shelly is lauded for authenticity. Jamie Lee Curtis and Dave Bautista's performances are acclaimed. Some find the plot predictable, while others value its raw portrayal. Cinematography and design evoke nostalgia and melancholy, enhancing emotional impact. It's a poignant character study, though not universally appealing.
Featured reviews
The beauty of this film lies in its simplicity but that doesn't mean it lacks complexity.
At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.
This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.
The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.
But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.
I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.
At a time when movies try so hard these days to be bigger and glossier, both in budget and running time, it's a breath of fresh air to find a film under 90 minutes that tells a relatable human story without needing to resource to hyper stylised visuals or an overcomplicated plot.
This movie is about real people going through real hardships. We are invited to be bystanders as we follow the life of the titular character (Pamela Anderson's Shelly) as she faces the end of a chapter in more ways than one, and she's in fact the last of a kind.
The director Gia Coppola gets close enough to her subjects using handheld cameras but never indulges in the drama talking place. This movie is a drama, no doubt, but it isn't melodramatic. It is profoundly sad but it doesn't linger. It's heart breaking because we all know a Shelly, or we've been one ourselves... We recognise these characters, and the actors do a great job bringing honesty to each and every part.
But lets be clear, this movie works because of Pamela Anderson. Not only she does a great job here; the nuances in her choices as an actress, the physicality, the voice. But it is the old classic Hollywood style of acting that is so rare to see these days that really caught me by surprise and that I'm afraid will pass some viewers by. She reminds me of Marilyn Monroe, Lana Turner, Ingrid Bergman. She is vulnerable jet commanding of the screen. She is the closest to a Katherine Hepburn if she had worked in an indie film. She really is that good, without needing a big tear jerking scene, of which there are many 'close-to' moments. The dinner scene with with Dave Bautista's character is a great example of the complex and layered acting we're talking about here. So is the first scene in which Shelly meets her daughter.
I hope this movie finds its audience and that Mrs Anderson gets her well deserved flowers.
Like said Mickey Rourke in 'The Wrestler' Pamela Anderson makes a solid comeback where she wears her age well and isn't afraid to show lines, warts and body change but still manages to give herself a devil may care attitude to a profession she has spent years enjoying and honing just to keep the ' fans' happy. It's a touching brave performance and ranks alongside Demi Moore in 'The Substance' as a substantial age of reinvention for those over 50.
Jamie Lee Curtis (looking very much like Auntie Jo!!) provides able support as the cocktail waitress whose dreams faded long ago-her dance on the table to 'Total Eclipse of The Heart' is rather moving. She should have been getting more awards for this than the tiresome 'Everything, Everywhere, All At Once'.
I'm always interested in the twilight years of those who have made a living using their musical talents/movie star image and bodies for entertainment and fame whether it pornography or not-The Rialto Report is a thorough exploration in this.
Gia Coppola shows the brash colour of Las Vegas mixed with drab bungalows with plastic garden furniture and empty bottles highlighting these empty unfulfilled lives.
There is also a decent score by Andrew Wyatt.
Jamie Lee Curtis (looking very much like Auntie Jo!!) provides able support as the cocktail waitress whose dreams faded long ago-her dance on the table to 'Total Eclipse of The Heart' is rather moving. She should have been getting more awards for this than the tiresome 'Everything, Everywhere, All At Once'.
I'm always interested in the twilight years of those who have made a living using their musical talents/movie star image and bodies for entertainment and fame whether it pornography or not-The Rialto Report is a thorough exploration in this.
Gia Coppola shows the brash colour of Las Vegas mixed with drab bungalows with plastic garden furniture and empty bottles highlighting these empty unfulfilled lives.
There is also a decent score by Andrew Wyatt.
This movie definitely makes you think about life and what you make of it!
I enjoyed it, but it is definitely heartbreaking and hard to watch at times. Makes you think of your priorities in life and how following your dreams doesn't always pay up in the long term. Shelly is 57 years old Las Vegas dancer at the end of her career with nothing else going on for her in life. Her life long dream to be a dancer in the spot lights made her sacrifice everything she had in life. Marriage, the connection with her daughter, life and money stability, health insurance and retirement benefits. She did it all for her passion for the job, but once the show was over her life pretty much ends with it. Its a great movie showing how not everyone makes it ok in life and actually following your dreams can end you with nothing even if you were happy while doing it.
Pamela Anderson acting is great beginning to end! Definitely the right choice for the part. Jamie Lee Curtis is great as ever and even Bautista steps out of his regular character.
Overall great movie, but not everyones cup of tea, for sure!
I enjoyed it, but it is definitely heartbreaking and hard to watch at times. Makes you think of your priorities in life and how following your dreams doesn't always pay up in the long term. Shelly is 57 years old Las Vegas dancer at the end of her career with nothing else going on for her in life. Her life long dream to be a dancer in the spot lights made her sacrifice everything she had in life. Marriage, the connection with her daughter, life and money stability, health insurance and retirement benefits. She did it all for her passion for the job, but once the show was over her life pretty much ends with it. Its a great movie showing how not everyone makes it ok in life and actually following your dreams can end you with nothing even if you were happy while doing it.
Pamela Anderson acting is great beginning to end! Definitely the right choice for the part. Jamie Lee Curtis is great as ever and even Bautista steps out of his regular character.
Overall great movie, but not everyones cup of tea, for sure!
I was looking forward to this, hearing much about Pamela Anderson finding her form in the film. It is true that this is by far the best I have ever seen her, let's not get over excited as she is no Meryl Streep as yet, but she was great to watch. Fortunately or unfortunately, Jamie Lee Curtis polls up to steal the show on the acting front with a superb character piece. Props also to Dave Bautista (who knew), who also showed he can act with a great portrayal of the gentle giant, who when it comes to the old time show girl and the meaning there-in "gets it". It's a simple story of age and decay of an aging ex beautiful young showgirl, still treading the boards, and also reflects parts of Vegas in a similar light, with its own age and decay. Friends holding close within this melancholic tale of broken individuals. The film helps us see, and maybe reflect on our own ticking clock. Very worthy watch 7/10.
Have to really hand it to both Jamie Lee Curtis and Pamela Anderson for being absolutely original and real. Nothing fake here to see, all natural beauty. I lived in Vegas for 16 years and I always tell people that Vegas is a planet of its own. This movie definitely gives the feel of what it would be like to be young, hot, sexy, mouth watering and juicy to the men and boys, but when you reach those later late late years, and you can only stuff so much gel into your body, but even with doing that in Vegas, it eventually no longer makes you stand out like you were when you were younger, at least when you were younger in Vegas. If you live or have lived in Las Vegas, I would think you would definitely be able to relate to the heart and the feeling of this movie. This may not be a popular or a fan favorite of the young up and coming performing ladies, and heck maybe for the men as well, but definitely the ladies that live there now or who used to and I only say this because this would not be so much of a drama I would think, but more of a horror movie for them. Not one maybe they would want to be so quick to want to rush to and watch, maybe, maybe not. I'll say it like it is, I'll be real, I have travelled internationally and from city to city and in the countryside, and have lived all over too, but Vegas, Vegas is a beast of its own. The bright lights, the fun, the glitz and glamour, the drinks, the party's, but when do the lights actually go out, they don't, but it's normal and not something you can run from, but eventually all those lights eventually fade out whether you want them to or not, it's not your choice, it's just because of if you live in Las Vegas or have before and your one or were one of those bright and shining lights, eventually no matter what you try and do, your light will fade too like so many others before you. Great movie, it held a steady 8/10 throughout, I might could give it 8 1/2 even. It's definitely worth watching if you've been lost in Vegas for awhile.
Did you know
- TriviaPamela Anderson's agent turned down the script without showing it to her. Anderson's son Brandon Thomas Lee came across the script by chance and got it to his mother. She read the script quickly and said she wanted to do the film. Soon after, Anderson fired her agent.
- ConnectionsFeatured in The 7PM Project: Episode dated 10 December 2024 (2024)
- SoundtracksBeautiful That Way
Written by Andrew Wyatt, Miley Cyrus, Lykke Li
Performed by Miley Cyrus
Music by Andrew Wyatt
Produced by Andrew Wyatt
Arranged by Andrew Wyatt
Orchestrator and conductor Matt Dunkley
Orchestra: Chamber Orchestra of London
Musicians contractor: Gareth Griffiths
Music preparation: Simon Whiteside
Details
Box office
- Budget
- $1,800,000 (estimated)
- Gross US & Canada
- $4,799,804
- Opening weekend US & Canada
- $77,589
- Dec 15, 2024
- Gross worldwide
- $6,923,295
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 2.39 : 1
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