A look at the immense cultural impact of the Back to the Future trilogy 30 years after McFly and Brown went on an epic adventure.A look at the immense cultural impact of the Back to the Future trilogy 30 years after McFly and Brown went on an epic adventure.A look at the immense cultural impact of the Back to the Future trilogy 30 years after McFly and Brown went on an epic adventure.
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I would have to also say that the overall structure of the documentary was a little off. It wasn't really broken into sections and instead it kind of began talking about something and going off on a tangent before then bringing it back to what it was initially talking about and certain portions felt out of place. A better and more organised structure would have really helped to maintain interest. The tone of the film was something that i was unsure of what i was going to get. And i have to say i liked the tone they were going for, it definitely wasn't a fun and exciting tone but it worked as more of a slower, slightly more emotional tone. I'm not sure if they were actually trying to evoke those emotions or if it was just my reaction to seeing things that i recognise from the film and thus my childhood. But either way it was a nicely paced documentary that had a few moments where they were able to crack a quick joke to lighten the mood a little which was nice.
But where the documentary really excelled and where i was really loving what it was showing was when it began talking about the fans, and the imprint 'Back to the Future' has had on society and our culture over the last 30 years. Getting an insight into the many types of events that are aimed at bringing together fans of BTTF from all around the world was endlessly fascinating. Seeing people interact at BTTF fan conventions, and things like the DeLoreon Car Show really shows the love for this series even today. They even go into a few more personal stories talking about how BTTF inspired people to fight through their illnesses and how they found connections between the characters and were able to learn from the film to be stronger and help others. These were very heartwarming stories that i was happy to see the documentary put quite a bit of focus on.
In the end, for BTTF fans, a lot of the information about the films themselves and what went into the making of them is stuff that has already been featured in past interviews and DVD behind the scenes that you have probably already checked out. So if that is what you are looking to get out of this you may be disappointed. But for new BTTF fans, i think you can get a good kick of info that you might not have previously known. If there was a better overall structure and more of a focus on all 3 BTTF films this would have been very worthwhile, but apart from the fan stories and witnessing the films legacy over the last 30 years there's not much else to really pick out. - 6/10
The film is an enjoyable romp through the film but is decidedly flat in what it delivers. The first half like all these films just trawls over the making of etc. that has been done a thousand times over and seen in countless TV programs. I was hoping for more in depth analysis but that did not occur.
The second half of the film however is better talking to the fans, it's great to hear from other people with the same passions as you.
Overall it is worth a watch, but not something to keep going back to.
The marquee names involved are obviously great, but way too much time is spent on random fans and contributors. It's hard to believe that what we see in the final piece is the best they got out of the interviews with Fox, Lloyd, and Thompson; all of which appear on screen for a total of maybe 10 minutes total.
There are a few nice anecdotes and facts sprinkled throughout but overall the surface barely gets scratched on the depth of not only the movies themselves, but also the incredibly devoted subculture that has been generated over the years. To be fair, I am an above average fan so I know or am at least aware of the more behind the scenes stories and facts. However, even for the regular person with just basic knowledge of the films the documentary leaves a lot of holes.
Storywise the editing is not good at all and very fragmented. For example, the first part (it's split into 2 very unequal parts for some unclear reason. Part 1 is about the move getting made) ends on the topic of the iconic delorean. Then we see a title card for "Part 2: The Fans", and for a minute or 2 they talk to some people, but then somehow the topic gets back to the delorean and into a pretty long exposition about people replicating the cars etc. Now sure, technically this is fans who build the cars, but there is so much of it there really should have been an entire section just about the car. Then, another part about the subculture of fans. I really saw no point at the attempt to segment the film into actual parts, of which there are only 2.
There are some really nice nuggets and stories in there—like the private owner who actually owns the delorean from part 3 and 4x4 from part 1. But overall this really fell flat for me which is a big shame. I contributed because of my love for the movies. And although I'm sure the director is a passionate fan, it may have been better left in the hands of experienced story tellers.
Talking heads abound in the first part of the movie, as we see and hear from the masterminds of the classic: Robert Zemekis and Bob Gale, as well as Michael J Fox, Lea Thompson, Steven Spielberg, Huey Lewis, Christopher Lloyd, Claudia Wells, Alan Silvestri, Dean Cundey, Dan Harmon, Frank Price and others. Very little new information is served up, and in fact Mr. Zemekis doesn't seem especially excited to be involved, whereas Mr. Gale seems quite pleased and comfortable with his role in film history. The best "making of" anecdotes come from Michael J Fox, though it is interesting to note just how difficult it was for the film to get studio backing – "time travel" movies didn't have a successful box office track record.
The middle third of the movie is dedicated to the iconic Delorean car, and all that entails. This sequence would have been effective were it completed in 10 minutes, but instead it brings the film's flow to a dead stop. Sure, it's amazing that this many have a hobby related to this obscure car and its role in a classic film, but enough already!
Fan-based clubs and the accuracy of the film's "future" predictions for 2015 make up the final third of the run time, as we get a glimpse of how close we are to real hover boards and flying cars. The question that seems unanswered is just who is this film aimed at? Most of the insight has been long ago discussed in DVD "bonus" coverage or previous interviews with the key players. The fan communities are certainly of interest if one is part of it, but the vast majority of those who have held the film close to their heart for 30 years care little for the obsessive fringes, and only for the emotions and imagination delivered by the film that needs no roads.
This is a hit and miss documentary, though it is a lot more hit than miss. Some of it, like the fan segments, are not that great. Do we care about a man proposing to his girlfriend or a miniature golf course? Not really. But the background information on how no studio wanted the film, and hearing from just about everyone involved, this is great and this film should be included on all future releases of the trilogy.
And that is what strikes me as the most impressive -- that the series was never intended to be a trilogy, but only a single film. The way the three weave in and out of each other, it seems brilliantly intentional, but perhaps it is even more brilliant because of the way it looks natural. Maybe Dan Harmon thinks the sequels stink, but the general population loves them.
Did you know
- TriviaThis documentary was released on October 21, 2015, the same date that Marty McFly (Michael J. Fox), Doc Brown (Christopher Lloyd) and Jennifer Parker (Claudia Wells) traveled into the future in Retour vers le futur 2 (1989).
- Quotes
Dan Harmon: We actually use the same logic when we go to see movies as we do walking into a casino. We largely know we're gonna get ripped off, but the chance is worth it. If it were any other industry, we would have long ago shut it down and sued everybody. Because if it was cans of tuna, the equivalent would be like every third can had a human finger in it. Movies are so bad now.
- ConnectionsFeatures A Field of Honor (1973)
- SoundtracksTHE POWER OF LOVE
Written by Huey Lewis, Chris Hayes, and Johnny Colla (as John Colla)
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Published by ASCAP
- How long is Back in Time?Powered by Alexa
Details
Box office
- Budget
- $190,000 (estimated)
- Runtime
- 1h 35m(95 min)
- Color
- Aspect ratio
- 16:9 HD