Together

"Humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves." Plato, The Symposium

Although the current horror film Together doesn't pretend to parse Plato's discourse on love, it relies heavily on the idea that true love is the comingling of minds and bodies that were once separated by Zeus out of envy. Tim (David Franco) and Millie (Alison Brie) spend time in a country house seeking to regain the passion they once had.

After a stroll that ends up in a cave (how very Platonic!), they devolve into maddened humans, literally getting under each other's skin. The visuals, even without excessive CGI, are body horror at its best, and allegorically land us in discussion about what love means and how it affects the struggling relationship the drama began with.

Thematically Together wishes to show how much the stressed couple loves each other, even willing to sacrifice their very flesh to reconcile their affections. No couple in the audience can ignore the commentary on the emotional demands of love, the millennial fear of commitment, and the strains that modern lonely life make on romance.

After all, Millie has sacrificed a higher teaching order to take a rural job while he is still at 35 years old trying to play in an indie-rock band. His intermittent impotency, while understandable given his lack of professional success, still seems like a major impediment to taking their love to the next level.

While treating the aud to some icky body horror, writer-director Michael Shanks comments on the challenges of modern living that needs the therapy of communal sharing, of overcoming horrors together to emerge from that cave together toward the future.

When real-life couples star together, the resulting film can take on a fascinating meta-layer. Although their offscreen bond doesn't necessarily blur into their characters, it inevitably hovers in the background. Mike Nichols' 'Who's Afraid of Virginia Woolf?' wasn't simply a searing portrait of marital warfare; it was also Elizabeth Taylor and Richard Burton, cinema's most famous spouses, sparring with a ferocity that audiences couldn't help but connect to their tempestuous private lives.

Likewise, Stanley Kubrick's 'Eyes Wide Shut' wasn't just a puzzle about desire and fidelity. Echoed against the backdrop of Tom Cruise and Nicole Kidman's highly publicized marriage, the couple's casting lent an extra layer of voyeuristic intrigue to the film. That extra-textual dimension doesn't alter the story, but it makes the fiction feel charged in ways it otherwise wouldn't.

This is also the case with Michael Shanks' 'Together,' starring the real-life couple Dave Franco and Alison Brie. A body-horror à la Coralie Fargeat's 'The Substance,' the film follows long-time partners Tim and Millie, who have been drifting apart. After relocating to the countryside, they encounter a mysterious force that starts to reshape their lives, forcing them closer than ever. Soon, their romance becomes a macabre affair, as the boundaries between co-dependence and monstrosity irrevocably blur.

Atmospheric, visceral and laced with dark humour, Shanks' film grips from start to finish. Essentially a Cronenbergian romantic comedy, it's bloody good fun, with some thematic weight. Shanks' narrative cleverly uses the language of body-horror to externalize the often-unspoken dynamics undermining relationships. More than an external threat, the disgusting entity that binds Tim and Millie embodies their neediness for, and resentment towards, one another.

Horror has always excelled at making the abstract tangible- whether it be desire as parasite, or intimacy as contagion- and Shanks leans into that tradition with gory relish. In 'Together', the spectacle of skin and sinew isn't there for shock alone, but as a metaphor for how love can devour, how co-dependence can trap partners in a suffocating cycle of intimacy. As proceedings intensify, the couple's bond is forced into a crucible, revealing both the strength and fragility of their connection.

Shanks' strong characterisation emphasises this point, especially when it comes to Tim. He is far from a traditional macho protagonist, being a vulnerable, tentative man marked by trauma. He can't work a compass or start a fire, and relies heavily on Millie in everyday situations. His hesitancy and fragility ground the film, making the couple's descent into grotesquerie more affecting than it otherwise might be.

Millie, too, is drawn with nuance; a smart young teacher who loves Tim and wants the best for him, but whose patience sometimes frays under the weight of his insecurities. Together, they feel less like genre archetypes and more a realistic couple. Their exchanges throughout are natural, laced with a dry wit that feels true to life. At its core, the film is a love story, which works because one believes in Tim and Millie's bond- the tenderness beneath the terror.

Visually, the film is as striking as it is unsettling. Germain McMicking's cinematography cloaks the rural setting in a pall of damp greys and muted greens, evoking both isolation and decay. Further, Nicholas Dare's production design makes the world feel intimate yet suffocating, deeply alive- disquietingly breathing.

In addition, the effects work is impressively tactile, leaning on practical gore and prosthetics rather than CGI, giving things a raw, clammy immediacy. Shanks doesn't flinch from grotesque detail, yet the imagery never tips into gratuity. Just as crucial are the sound design and score: the former wringing dread from creaks, squelches and silences, the latter pulsing uneasily beneath the action without overwhelming it. Further, Sean Lahiff's editing is sharp and economical, ensuring every shock lands with precision.

As Tim and Millie, Dave Franco and Alison Brie's real-life marriage lends their on-screen intimacy a raw authenticity, making Shanks' vision of closeness-turning-hideous even more disturbing. Both deliver powerhouse performances- Franco in particular, showing a vulnerability and range rarely glimpsed in his comedic work. Brie, meanwhile, plays Millie with a sharp mix of exasperation and tenderness, anchoring the film's emotional core. Damon Herriman also does fine work in a supporting role as Millie's work colleague Jamie, whose personable demeanour belies a hidden darkness.

In conclusion, Michael Shanks' 'Together' is bloody great: a grisly reflection of intimacy, co-dependence and the messy realities of love. Dave Franco and Alison Brie work wonderfully together, grounding Shanks' Cronenbergian vision in something startlingly human. With tactile effects, evocative cinematography and a keen ear for dread, the film shows how passion can curdle into possession, with devastating consequences. In short, in the realm of body-horror, 'Together' stands apart.

I'll be honest when I say that the trailers never properly sold me on this movie, it made it seem like a completely different movie than what we got.

The concept is really unique. While there's been some chatter online about possible plagiarism, that's not my place to weigh in on. What I can say is that this film stands on its own with a bold and bizarre approach. The effects are striking, and some moments hit a level of fear and discomfort that really stays with you. It does an excellent job portraying anxiety and the disorienting terror of dreams that blur into reality.

Dave Franco delivers what might be his best performance to date, giving the character a desperate vulnerability that anchors the whole thing. Alison Brie complements him perfectly, and their chemistry helps ground the madness with emotional weight and some dark humour.

It's disturbing, oddly beautiful and full of surprises. If you're into surreal horror with emotional undercurrents and a touch of body horror, it's absolutely worth checking out.

Going into this film completely blind is the play. Absolutely bonkers.

I appreciate an original horror story when it gets executed to perfection. Funny, cringey (in a good way) and downright absurd.

The story is interesting enough and follows cult/folk lore but the performances by Franco and Brie are the high point. Their chemistry is perfect and believable. The film highlights themes of co-dependency and fear of commitment in a truly insane way.

Granted, there are cliched moments that are usually present in the horror genre. And yes, such moments are in this film, but it definitely doesn't take away from the wild ride. This film reminiscences elements from "The Substance" but it warrants its own distinction.

Definitely up there with one of the best horror movies of the year.

It doesn't happen that often that we get genuinely fresh, original ideas in horror - and when it does, it feels so bloody good. 'Together' (2025) is exactly that. A grotesque, clever, and oddly funny little gem that had me cringing, laughing, and totally hooked the entire time.

The concept is unhinged in the best way: a couple moves to the countryside... and starts getting TOO attached. What unfolds is what I can best describe as a rom-com body horror (yes, really) that somehow makes co-dependency literal... and it weirdly works. So well.

Body horror isn't for everyone, but this is so well done. The practical effects are gnarly in the best way - just the right amount of gross to make your stomach turn while keeping you glued to the screen. It leans into the absurdity, but underneath the chaos is a surprisingly honest look at toxic love, compromise, and identity.

Alison Brie and Dave Franco are absolutely fantastic. You totally buy into them as a couple who love each other but maybe shouldn't be together. Or maybe should? I don't even know. That's part of the fun.

And I have to say - any film shot in Melbourne gets an automatic bonus point from me. There's something so satisfying about seeing our suburbs twisted into something this surreal.

Cringey in all the right ways. Disgusting in the best possible sense. 'Together' is one of the most original horror films I've seen in ages - and it will absolutely satisfy genre lovers looking for something bold, grotesque and new.