Five years post-Jurassic World: Le monde d'après (2022), an expedition braves isolated equatorial regions to extract DNA from three massive prehistoric creatures for a groundbreaking medical... Read allFive years post-Jurassic World: Le monde d'après (2022), an expedition braves isolated equatorial regions to extract DNA from three massive prehistoric creatures for a groundbreaking medical breakthrough.Five years post-Jurassic World: Le monde d'après (2022), an expedition braves isolated equatorial regions to extract DNA from three massive prehistoric creatures for a groundbreaking medical breakthrough.
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Dylan Bickel
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As someone who's watched every entry in the Jurassic Park and Jurassic World franchises, I have to say, this latest installment is the most disappointing of them all. But should you skip it entirely? Absolutely not. It still works as a decent popcorn flick if you're just in the mood for some dino-action without expecting much else.
When Scarlett Johansson was announced as part of the cast, I had high hopes for a standout performance, especially given her strong track record and the charisma Chris Pratt brought to the previous Jurassic World films. Unfortunately, the film doesn't give her much to work with, and her potential feels underutilized.
What really lets this movie down is its tone. The signature humor that helped balance the tension in earlier films is noticeably absent. Even worse, the horror and suspense hallmarks of any good dinosaur movie are dialed way down, leaving the action feeling flat.
The story itself is a mess. It stumbles at the start, never quite finds its rhythm, and ends without impact. The plot feels disjointed, and the characters are poorly developed, you never feel emotionally invested in what's happening.
And then there's the CGI. For a franchise known for groundbreaking visual effects, this entry is shockingly subpar. The effects are shabby and unconvincing, which really takes you out of the experience.
Bottom line: it's a missed opportunity in almost every way. Still, if you're a fan of the series or just want to see dinosaurs on screen, it's worth a one-time watch, just lower your expectations.
When Scarlett Johansson was announced as part of the cast, I had high hopes for a standout performance, especially given her strong track record and the charisma Chris Pratt brought to the previous Jurassic World films. Unfortunately, the film doesn't give her much to work with, and her potential feels underutilized.
What really lets this movie down is its tone. The signature humor that helped balance the tension in earlier films is noticeably absent. Even worse, the horror and suspense hallmarks of any good dinosaur movie are dialed way down, leaving the action feeling flat.
The story itself is a mess. It stumbles at the start, never quite finds its rhythm, and ends without impact. The plot feels disjointed, and the characters are poorly developed, you never feel emotionally invested in what's happening.
And then there's the CGI. For a franchise known for groundbreaking visual effects, this entry is shockingly subpar. The effects are shabby and unconvincing, which really takes you out of the experience.
Bottom line: it's a missed opportunity in almost every way. Still, if you're a fan of the series or just want to see dinosaurs on screen, it's worth a one-time watch, just lower your expectations.
We've seen this before.
Rich folk want more money and dinosaurs are the answer. Random team put together to get what the rich folk need.
Horror results ... big bad dinosaurs chase the humans. Throw in a random family who are lost at sea and random team members start getting a conscience.
If you want jumpy, horror style animal chase movie with big CGI dinosaurs then fill your boots. Oh and the family are some kind of extreme survivors. A lot of the action is based at night in a jungle full of mutated dinosaurs but of course that's no issue for these folk.
Time to let Jurassic World franchise go extinct ... there is honestly no where else to take this franchise as even this movie was one too many.
Rich folk want more money and dinosaurs are the answer. Random team put together to get what the rich folk need.
Horror results ... big bad dinosaurs chase the humans. Throw in a random family who are lost at sea and random team members start getting a conscience.
If you want jumpy, horror style animal chase movie with big CGI dinosaurs then fill your boots. Oh and the family are some kind of extreme survivors. A lot of the action is based at night in a jungle full of mutated dinosaurs but of course that's no issue for these folk.
Time to let Jurassic World franchise go extinct ... there is honestly no where else to take this franchise as even this movie was one too many.
Five years after the mess that was Jurassic World: Dominion (2022), we're back in the land of toothy nostalgia. This time, an expedition heads into remote equatorial regions to extract DNA from three colossal prehistoric creatures in the name of a "groundbreaking medical breakthrough."
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
Chris Pratt and Bryce Dallas Howard are mercifully gone (finally), and in their place we get Scarlett Johansson, stepping in as the new face of the franchise for round seven of the Jurassic Park/World saga. Gareth Edwards takes the director's chair, and while he's always known how to stage a good spectacle, even his talents can't fully save this dino-soaked popcorn flick.
Let's talk visuals. There's certainly no shortage of giant set pieces and dinosaur mayhem-but when your dinosaurs look like glossy, overcooked cartoon rejects, all the action in the world can't make it feel real. Hollywood still hasn't learned that audiences are burnt out on soulless green-screen overloads, and the actors, forced to react to nothing, stumble through half-baked expressions of terror. You can practically see them wondering where the tennis ball on a stick went.
Character-wise, it's a wash. Most of them are either grating or entirely forgettable, spouting cringey, rapid-fire dialogue that exists solely to shuttle us from one set piece to the next. And while Rebirth does manage to attempt something new and different, it still feels like we're just circling the same prehistoric drain. It's entertaining, sure-but it just isn't that exciting.
That said, it's still a step up from Fallen Kingdom and Dominion, which isn't saying much, but at least it's something. At this point, though, it's time Universal grew a pair and gave us the R-rated, blood-splattered dinosaur horror epic we deserve-because the stakes never feel high when your carnivores are sanitized for mass consumption.
Here's hoping the next one finally evolves. But I'm not holding my breath. It's best to turn your brain off and enjoy this one for what it is.
6/10.
It's rare I see films on their opening day, opening weekend is relatively common but - as I'm otherwise engaged this weekend, I decided to see "Jurassic World Rebirth" on a Wednesday evening. I wish I could say it was because of enthusiasm for the series, but that has largely been beaten out of me at this point. I wish I could say that Rebirth was a film that reignited my love of the franchise but, whilst it's fine, it's largely another retread.
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
Dinosaurs have proven ill adjusted to the climate of most modern countries, with those that have survived clustering around the equator. Martin Krebs (Rupert Friend) representative of ParkerGenix believes that genetic material from three live dinosaurs will help with the research into heart disease that his company are planning. He hires Zora Bennett (Scarlett Johannson) and Henry Loomis (Jonathan Bailey) as lead and scientific expert of his expedition, and they head to the island of Ile Saint-Hubert. But the island was InGen's genetics experiment hub, abandoned following an incident years earlier.
To stress, I didn't think that "Rebirth" was a bad film. I thought the central performances were good and I liked the chemistry between Johansson and Bailey and the endless charisma of Mahershala Ali. I thought the film looked really good Gareth Edwards is a great visual film maker and has plenty of experience with large scale creatures.
The problem is that it's essentially 'another' Jurassic movie and feels like its plot is cribbed almost entirely from existing elements of the series. The stranded family from "Jurassic World 3", the experts from "Lost World", the really dangerous 'final boss' creature from "World" - with a nod towards the jails underneath Jabba's palace.
Without any sort of new angle the word I kept coming back to when thinking about the film was 'inessential' and, once again whilst this was fine, I do feel like the whole franchise could benefit from a lengthy break.
The first part of Jurassic World: Rebirth was fun, but nothing crazy. It had a decent pace, some entertaining moments, and the dinosaurs looked great as always. It gave off that familiar Jurassic vibe, which made it enjoyable enough to keep watching. However, as the movie went on, it started to lose its grip. The plot became predictable and lacked any real suspense or originality. Character development was minimal, and some scenes felt like recycled ideas from earlier films. While the action had its moments, it wasn't enough to carry the film. Overall, it started okay, but ended up being underwhelming.
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Did you know
- TriviaScarlett Johansson has been a huge fan of the franchise ever since she was a child. She spent the last ten years before this film was announced trying to join the franchise, saying she would have been fine with appearing in one only to die in the first five minutes if it meant she could be part of it.
- GoofsThe massive Titanosaurs are somehow completely hidden in grass that is not even tall enough to cover the human characters.
- Quotes
Dr. Henry Loomis: Survival is a long shot
- ConnectionsFollows Jurassic Park (1993)
- SoundtracksMovin' On Up
Written by Bobby Gillespie, Andrew Innes, Robert Young
Performed by Primal Scream
Courtesy of Reprise Records/Creation Records
Licensed by Warner Music Group Film & TV Licensing/Sony Music Entertainment UK Limited
Details
- Release date
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- Also known as
- Jurassic World: El Renacer
- Filming locations
- Thailand(location)
- Production companies
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Box office
- Budget
- $180,000,000 (estimated)
- Gross US & Canada
- $232,113,710
- Opening weekend US & Canada
- $92,016,065
- Jul 6, 2025
- Gross worldwide
- $529,462,710
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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What is the Canadian French language plot outline for Jurassic World: Renaissance (2025)?
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