Manhattan Nocturne

Crime, drama, mystery... no action. Not easy to make a good movie of such genre nowadays. And when reading story-line, one might think "haven't we seen them all?". Yes, we probably did.. but this one belongs to good ones.

Main role suits Adrien Brody perfectly. His "average guy" appearance gives the movie certain authenticity. But then, he never disappointed me. I never heard of Yvonne Strahovski before, though. In this movie however, she reminded me on Sharon Stone in Basic Instinct. Difference being, Yvonne doesn't appear that cool'n'smart -which is only good in this case.

Story, in general, is not that new. But it has interesting plot, which is presented very good and kept my attention all the time. Now, even this movie is categorized (also) as mystery, I wouldn't say there's any. There are just things we don't know till the end of movie. OK, I admit, I found relationship between Ivonne and her husband kinda "weird"...

And finally, movie ending. In my opinion, it's perfect!

So, if you like this genre and you're in the right mood, I recommend to give it a try. I give 8 stars.

Adrein Brody plays a washed up newspaper journalist whose claim to fame came from finding a missing girl, when even the police ran out of options. In hopes of finding another hit to keep his career alive, he accepts an invention from a beautiful woman to figure out her husband's death, but as he gets deeper evolved it complicates his life greatly.

Thought the actual crime is not that interesting, I was more taken by how the narrative was laid out while Brody was driving the wheel. He has a way of getting you into the mix of everything that was going on, some of his best work in a while.

I also loved the modern day film noir accepts I saw in the film. A very modern day twist of the crime orientated genre, with Brody deep in trouble with the Femme Fatale, played by Yvonne Strahovski, and modern day elements added to it. Yvoone's character Caroline's recently dead husband was a abusive filmmaker who documented everything, which was a big drive to the movie's story.

The overall crime was pretty weak but yeah, the whole movie with Brody as the centerpiece was done brilliantly

This very dark and erotic noir just contained too many incredulous and far-fetched plot elements for my liking. There seemed to be a better movie lurking within this one that never really came together and emerged.

Adrien Brody is fine as Porter Wren, the poker-faced investigative reporter and columnist for a daily New York City newspaper. When he's unable to resist the seductive advances of the gorgeous Caroline Crowley, portrayed by Yvonne Strahovski, Porter will find himself being led down a path of dark and demented secrets that will cost him dearly.

All in all, this movie, written and directed by Brian DeCubellis, based on a novel by Colin Harrison, had enough intrigue to keep me interested for the most part, but it seemed to fall apart as it progressed, with the filmmaker choosing shock value over plot elements that might have enhanced the story.

Film Noir like I like them. Even though there is not much action the movie is enjoyable to watch. It's all filmed at a slow pace, also with the calm narrating voice, but that's what this movie needs. It's a mystery drama that starts slow but once you're into the story it all gets better. The strange relationship between husband and wife Caroline and Simon Crowley played by Yvonne Strahovski and Campbell Scott is not the average day-to-day relationship and this is what makes the movie interesting. Add on that that Yvonne Strahovski is a candy for the eye. Adrien Brody plays like most of his roles, never flamboyant but always performing good. His character this time is also a very calm person that just tries to figure out some mysteries and solve some problems. But don't expect much action because there is hardly any, and the story doesn't really need action anyways. The story is strong enough for that. A good movie night assured.

"I'm always running to the place where the bad thing just happened, arriving just after the danger has passed, watching from a safe distance, searching for an angle, that little wrinkle, the kick to the heart that makes you want to put down the dollar and pick up the paper."

After seeing two not so good films with Adrien Brody ("Backtrack" and "American Heist") I noticed that sad look of him on the cover of "Manhattan Night". It might sound weird, but every time I see Brody's facial expression on a cover, at once a sense of gloom and sadness overtakes me. Examine once again the cover from "Backtrack" and that of, lets say, "Wrecked". Every time you see a person filled with melancholy. With those sad puppy eyes and a grim facial expression. He stares at you with a helpless and beseeching look. The man exudes melancholy.

Despite his distinctive physical traits, he reminded me of Jake Gyllenhaal hunting for sensational news in "Nightcrawler". The same profession, the same eagerness and the same melancholy look. The only major difference is that Porter Wren already had his victory moment in the past when a young girl was found after his journalistic work. Hence, he still takes care of a daily column in the New York Daily News. Even though the new owner of this newspaper isn't very enthusiastic about it. At first you might say that Porter is a boring and rational person. But then again, he hasn't taken Caroline Crowley (Yvonne Strahovski) into account. The moment he sees her at a party, he's lost and he becomes entangled in the seductive web of this blond vamp. Caroline's interest in Porter is also of a practical nature. She wants to use Porter's "Sherlock Holmes" skills to investigate the suspicious death of her husband Simon Crowley (Campbell Scott).

You'll experience something similar like "Basic Instinct" with Brody acting as a sort of Poirot who's persistent in solving a case. In addition, he has to deal with a case of extortion, so the whole thing gets even more complicated. A story full of intrigue and erotically charged scenes. Brody's daily column is about other people's misery. It looks like he's becoming the main character in such a column. Although all my attention should be drawn to the stormy affair between Porter and Caroline and the complicated developments gripping Porter, my attention went to the rather extravagant personality of Crowley. A slightly deranged movie producer with some absurd traits. A real weirdo with a weird sense of humor. Such a person who pretends to having commit suicide after swallowing a large number of pills. And then he gets up calmly and says it was just a joke. And a highly attractive, breathtaking erotic blonde falls in love with such an eccentric who looks like a bum? Women are unfathomable and inapprehensible. But the acting of Campbell Scott was beyond dispute extremely brilliant.

All in all not a bad movie. Not bad at all. But not a high flyer either. Turn it into a black and white film and you can place it between other Hollywood classics which are shown on a pay-per-view television-channel. It won't be noticed. You can call this film stylish though. "Manhattan Night" pretends to be a neo-noir film with a mystery build into. But in the end it isn't really mysterious.

More reviews here : http://bit.ly/1KIdQMT