Love & Friendship
- 2016
- Tous publics
- 1h 30m
IMDb RATING
6.4/10
27K
YOUR RATING
Lady Susan Vernon takes up temporary residence at her in-laws' estate and, while there, is determined to be a matchmaker for her daughter Frederica--and herself too, naturally.Lady Susan Vernon takes up temporary residence at her in-laws' estate and, while there, is determined to be a matchmaker for her daughter Frederica--and herself too, naturally.Lady Susan Vernon takes up temporary residence at her in-laws' estate and, while there, is determined to be a matchmaker for her daughter Frederica--and herself too, naturally.
- Awards
- 7 wins & 54 nominations total
Lochlann O'Mearáin
- Lord Manwaring
- (as Lochlann O'Mearain)
Jordan Waller
- Edward, Head Footman
- (as Jordan S. Waller)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Here's my beef with Love and Friendship. They told the story. Emphasis on told. Not sure if they didn't know how to build the character backgrounds and cultural implications into an hour and a half-ish flick or what. It's like they assumed you understood some things but, needed to explain the bulk of the story via Lady Susan. Instead of building the story via scenes and acting and playing out the idea and letting the audience think and work out the connections....leave a little to figure out if you got it right or not, Beckinsale's character basically narrarated everything that was going on. As we walked out, I said to my wife, Downton Abbey left a pretty high bar for period pieces. The Jane Austin story of relationships and status and morality was interesting enough. The presentation just plain left it all in the book. You read a book, and you know you're reading a book. Director Stillman just had the book read to us by actors. It wasn't as interesting as that may sound either. I don't know if it was budget over directing but, this was a disappointing movie-fication of a book. Even the period environment was stumbling and stiff. Oh yeah, a hand maiden should do this. Oh yeah, the footman or, doorman or butler would do this. It came across as a poorly staged amateur play, where there was no fluidity. Other reviews said you'd be laughing out loud. Maybe a few snickers and giggles. I was glad it was only 90-ish minutes. If you're coming to this because Downton Abbey made you a fan of that period of England, I'm sorry to tell you, you won't be satisfied by Love and Friendship.
The funniest character in the film is James Martin. He steals every scene he's in and each time he was on the screen I couldn't stop laughing. Unfortunately, he isn't in a lot of the film, and the rest of the movie's humor comes in the form of pithy one liners at the end of every scene. Sometimes I'd chuckle at those, but that'd be about it. There aren't any weak links in the cast, they all do a great job with what they're given, but I wish they were given something better. The movie moves at an incredibly slow pace, and with not a lot ever going on, it often feels like I'm being read a Jane Austen novel rather than watching a movie adaptation. The movie isn't "bad" by any means but there's so little going for it that I would consider noteworthy I can't really find myself ever wanting to sit through Love & Friendship again. Maybe if you absolutely LOVE period dramas from a design standpoint or are a huge Jane Austen fan, you'll get more out of this movie than I did, but otherwise there isn't much here.
Something is tonally off about "Love & Friendship," Whit Stillman's screen adaptation of a Jane Austen novella. Stillman treats the film like a satire of Jane Austen, with all of the actors moving through the film practically winking at the camera to acknowledge they're playing dress up. The problem with that approach is that Austen was already a crack satirist herself. Therefore, the film doubles the emotional distance between the audience and the characters, so we have a hard time caring much about what happens to any of them.
Another big problem is the casting. Kate Beckinsale is a lovely actress, and she does imperious and haughty well. But her character is in virtually every scene, and she's supposed to be so irresistible that she can manipulate anyone to do anything she wants. Beckinsale doesn't have that kind of allure; she's technically proficient at hitting her marks, but she doesn't have the screen presence to carry this really rather despicable character off. I'm stumped to think of a modern-day actress who could, but Vivien Leigh would have been perfect in a role like this. The poor casting extends to other members of the cast as well, most egregiously to Chloe Sevigny, who is far too contemporary an actress to be believable in a period piece. Most everyone else in the film is a drip, with the sole exception of Tom Bennett, who plays a bumbling suitor brilliantly and enlivens the picture every time he's on screen. Would that the whole film had been as funny and engaging as his performance.
With Stillman maintaining too much of an ironical distance from the action, the film turns into a talky succession of drawing rooms conversations that don't amount to much of anything save a procession of pretty period gowns.
Grade: B-
Another big problem is the casting. Kate Beckinsale is a lovely actress, and she does imperious and haughty well. But her character is in virtually every scene, and she's supposed to be so irresistible that she can manipulate anyone to do anything she wants. Beckinsale doesn't have that kind of allure; she's technically proficient at hitting her marks, but she doesn't have the screen presence to carry this really rather despicable character off. I'm stumped to think of a modern-day actress who could, but Vivien Leigh would have been perfect in a role like this. The poor casting extends to other members of the cast as well, most egregiously to Chloe Sevigny, who is far too contemporary an actress to be believable in a period piece. Most everyone else in the film is a drip, with the sole exception of Tom Bennett, who plays a bumbling suitor brilliantly and enlivens the picture every time he's on screen. Would that the whole film had been as funny and engaging as his performance.
With Stillman maintaining too much of an ironical distance from the action, the film turns into a talky succession of drawing rooms conversations that don't amount to much of anything save a procession of pretty period gowns.
Grade: B-
Kate Beckinsale trades in her latex for hats and crinolines to take on Jane Austen in this moderately tongue-in-cheek adaptation of her posthumously-published novella in which pert modern misses Beckinsale & Sevigny dress up in a succession of magnificent period creations and sit about talking (and talking) about, well, love and friendship rather as Whit Stillman's characters used to do in twentieth century Manhattan.
It's all agreeable and good-looking, although the settings feel totally unlived in and everybody sounds as if they're simply reciting dialogue they've memorised in advance. Which of course they have.
It's all agreeable and good-looking, although the settings feel totally unlived in and everybody sounds as if they're simply reciting dialogue they've memorised in advance. Which of course they have.
There's something very satisfying about a period piece that actually feels like a film that lives in another time and place. While Love & Friendship certainly isn't the thinker or entertainer that most of the films released in May, it has its fair share of laughs and uses its gorgeous locales and famous source material to its benefit as much as it can.
I don't consider myself the avid Jane Austen reader or fan of the media adaptations. In fact, I usually don't care for them much at all, but with rave reviews and a heavier reliance on comedy than romance, I decided to give Love & Friendship a shot. For the most part, it's an enjoyable film. I don't know how closely the writers attempted to stay to Austen's work, but one of the main issues to the film is the overabundance of characters. We are introduced to almost every single character within the first few minutes via opening credits, and it became overwhelming as a viewer.
I caught on to the characters after a while, but trying to remember everyone's names was quite the challenge, especially when they all talk, dress, and look relatively the same. With that said, it's far and away Kate Beckinsale's film as she plays the infamous Lady Susan Vernon. The story mainly focuses on Vernon's attempt to give her daughter and herself a new match, after being recently widowed. If not for anything else, Love & Friendship is entertaining just to purely watch Lady Susan manipulate just about everyone she crosses. The beauty being that you don't truly know if she's being manipulative or sincere, which is why the abundance of characters actually works in the film's favor.
Distracting the audience with new characters scene to scene keeps our attention away from what Susan is up to, hence surprising us with the next reveal. I can't say I was all that invested in the story itself, as it sometimes falls under the clichéd-romantic genre, but watching Beckinsale and the others have fun with the source material proved to be worth a viewing.
I also appreciated the film's keen sense of humor at just the right moments. There are moments when the comedy could steer towards over-the-top, but veteran director Whit Stillman kept it from getting out of hand. In all, if you're into Jane Austen or period piece romantic dramas in general, Love & Friendship is probably for you. If not, perhaps the humor and performances can reel you in.
+Timely humor
+Fun performances
+Witty writing
-A lot of characters can muddle the plot at times
7.0/10
I don't consider myself the avid Jane Austen reader or fan of the media adaptations. In fact, I usually don't care for them much at all, but with rave reviews and a heavier reliance on comedy than romance, I decided to give Love & Friendship a shot. For the most part, it's an enjoyable film. I don't know how closely the writers attempted to stay to Austen's work, but one of the main issues to the film is the overabundance of characters. We are introduced to almost every single character within the first few minutes via opening credits, and it became overwhelming as a viewer.
I caught on to the characters after a while, but trying to remember everyone's names was quite the challenge, especially when they all talk, dress, and look relatively the same. With that said, it's far and away Kate Beckinsale's film as she plays the infamous Lady Susan Vernon. The story mainly focuses on Vernon's attempt to give her daughter and herself a new match, after being recently widowed. If not for anything else, Love & Friendship is entertaining just to purely watch Lady Susan manipulate just about everyone she crosses. The beauty being that you don't truly know if she's being manipulative or sincere, which is why the abundance of characters actually works in the film's favor.
Distracting the audience with new characters scene to scene keeps our attention away from what Susan is up to, hence surprising us with the next reveal. I can't say I was all that invested in the story itself, as it sometimes falls under the clichéd-romantic genre, but watching Beckinsale and the others have fun with the source material proved to be worth a viewing.
I also appreciated the film's keen sense of humor at just the right moments. There are moments when the comedy could steer towards over-the-top, but veteran director Whit Stillman kept it from getting out of hand. In all, if you're into Jane Austen or period piece romantic dramas in general, Love & Friendship is probably for you. If not, perhaps the humor and performances can reel you in.
+Timely humor
+Fun performances
+Witty writing
-A lot of characters can muddle the plot at times
7.0/10
Did you know
- TriviaAll of Kate Beckinsale's costumes and the majority of Chloë Sevigny's were custom-designed, despite a limited budget.
- GoofsLady Susan puts perfume in one hand, but smells the other.
- Quotes
Lady Susan Vernon: Facts are horrid things.
- Crazy creditsAt the conclusion of the end credits, there is a line encouraging viewers to read the novel, "in which Lady Susan Vernon is thoroughly vindicated."
- SoundtracksLove and Friendship Harp Theme
Composed by Benjamin Esdraffo
Featuring Dianne Marshall (harp)
(P) 2016 Sony Classical
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Lady Susan
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Gross US & Canada
- $14,016,568
- Opening weekend US & Canada
- $133,513
- May 15, 2016
- Gross worldwide
- $21,401,949
- Runtime1 hour 30 minutes
- Color
- Aspect ratio
- 1.85 : 1
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