Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.Valentín, a political prisoner, shares a cell with Molina, convicted for public indecency. An unlikely bond forms as Molina recounts a Hollywood musical plot starring Ingrid Luna.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Gayle Artino
- Villager
- (uncredited)
Alicia Benavides
- Villager
- (uncredited)
Matthew Boyce
- Villager
- (uncredited)
Kevin Michael Brennan
- Shady Mocambo Man
- (uncredited)
Thomas Canestraro
- Desiderio's henchman
- (uncredited)
Debra Cardona
- Singing Villager
- (uncredited)
Valentina Castellano
- Villager
- (uncredited)
Noah Davidson
- Villager
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
... such are the eyes through which we see the world nowadays. Nonetheless, a story of two people catching each other in their own webs and becoming more than just cellmates. Superbly acted and directed, if not a little dated.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
We've come a long way since this was written and released, we see the world through different eyes, have different perspectives on what is acceptable and what is not. This film would not be made today, like so many films of the past that had themes that were challenging, but subsequently turn out to be considerably different from what society will tolerate some years later. You decide, read between the lines.
Just got out of the first screening for this film at Sundance 2025. I am beyond blown away, the film is such a beautiful rendition of a familiar story, the cinemetography is so grand and upscale and are matched by grand and terrific performances by the films cast but the real start of this film of course is Jennifer Lopez. The choreography, the singing and the character work here is splended. I anticipate this will very likely garner her a 3rd Golden Globe nomination (Hopefully Win!) and hopefully her first Oscar Nomination. After the tumultuous and very forced hate train of last year (Which was clearly orchestrated and manufactured) Jennifer Lopez deserves to have the praise she will without a doubt receive from this role. Bravo!
I'm going to have to say this wasn't what I hoped it would be. Although I appreciate to forge your own path like Condon did with this, he just got lost. The performances from both the main characters were good. But Jennifer Lopez was just ok for me, as usual. There's so much attention that goes to her with every project she does and that it robs the other true talent of their spotlight. I'm hoping this doesn't happen here because it will ruin the whole story for so many musical fans. I believe using another less known actress would have better suited the Ingrid Luna character. I give it a generous 6/10.
10Yeah-268
Jlo the general publics eye has been as someone who has aot of acting and dancing skills but not singing for the most part but with kiss of the spider woman directed by man himself who made dreamgirls starring Beyonce and Oscar winner be Jennifer Hudson and Chicago with Oscar winner Catherine zeta Jones Jennifer absolutely shines in this you don't think mhmhm jlo is playing the part (unconvincing) she is not trying to cosplay it's her totally honning the roal.
Watched at the 2025 Sundance Film Festival.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
The original "Kiss of the Spider Woman" from 1985 is pretty good, while it does have it's fault, it's an ambitious tale of romance, politics, and meta-fiction. Based on the musical version of "Kiss of the Spider Woman", this adaptation is a mixed bag for me. I appreciate several aspects as the camerawork, the production designs, and a new direction approach from Bill Condon does offer a grand and new upscale vision of the source material. Orchestrated with some interesting musical numbers and score compositions throughout.
The performances are mostly solid as they are able to offer their emotions and attachments. What makes this not fully work is due to it's narrative being uneven with how it wants to approach it's themes and the characters, unlike the original movie (yes, I understand it is based on the musical adaptation and it's different), felt lacking with any emotional connections. Condon direction seems to struggle with certain aspects that don't feel fully balanced and ends up feeling more unstable and unmemorable.
Despite good musical score, some of the musical lyrics don't really hit a punch. Many aspects are too recapture the period times of musical eras and while I do appreciate the new approach, it doesn't feel memorable and at times, feels repetitive. Alongside with some strange dialogue choices that felt out of place.
Overall, I am left with more mixed feelings as I do love the atmosphere and the new direction it takes, but it's uneven narrative and lack of emotional connection doesn't work for me.
Did you know
- TriviaJennifer Lopez portrays the lead female role that was originated by Sonia Braga in the 1985 film adaptation. Braga played Lopez's mother in Angel Eyes (2001) and Shotgun Wedding (2022), as well as appearing alongside her in Les Oubliées de Juarez (2007).
- ConnectionsRemake of Le baiser de la femme-araignée (1985)
- SoundtracksPrologue
performed by Jennifer Lopez
written by John Kander
written by Fred Ebb
produced by: Matt Sullivan
published by: Kander & Ebb, Inc.
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Поцілунок жінки-павука
- Filming locations
- Kearny, New Jersey, USA(10 Basin Studios)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 8m(128 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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