A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.A mother transforms into the goddess Kali to battle a demon's curse involving fear, blood, and betrayal.
- Awards
- 2 nominations total
Featured reviews
There is not much I wanna say, My Rating is 6.5/10... This movie is not something very Extraordinary but a Good Movie I Can say. One of the best things was its background score which will make you feel the gravity of the scenes. Also, Camera Work is great. This Movie could be better if it wasn't lazy... Laziness is the biggest flaw of this movie in my opinion... CGI was like, acceptable for me but AI videos.... I was seriously Irritated because of those Ai scenes, There is a full sequence which was made by AI and it disappoints... and Another Flaw is Set Pieces, which looked very, very artificial... Now Talking about Horror, this movie had jump scares, and many spooky moments... TBH, I wasn't really much affected by jump scares or any other cinephile will not be much affected, but still I can't complain much about it because I saw the effort they made on the Horror element! Now, What's the best Thing I saw in this movie was using mythology to set up its plot which was not much greater but also not bad... it was good, I liked It... Overall, this is a good watch but not something extraordinary, obviously better than most of the SO CALLED HORROR MOVIES OF BOLLYWOOD.
Vishal Furia's "Maa," starring Kajol in her first full-fledged horror outing, attempts to blend mythological horror with a potent tale of a mother's fierce love. While the premise is intriguing, and Kajol delivers a spirited performance, the film struggles to maintain a consistent tone and often falls prey to genre cliches, leaving it more muddled than truly terrifying.
The film's ambition often outweighs its execution. The narrative, while rooted in compelling mythology, becomes predictable. The demon, despite ample screentime, fails to evoke genuine terror, often resembling more of a mid-budget CGI creation than a truly menacing entity. The writing is a significant weakness; despite tackling powerful themes of patriarchy and female strength, the script feels bland and repetitive in parts, losing its grip, particularly in the muddled second half and climax extremely disappointing. Better to watch on ott rather than going theatres.
The film's connection to the "Shaitaan" universe is present but doesn't necessarily elevate "Maa" in a significant way. While it aims for a compelling horror experience with a beating heart of maternal love, the inconsistent pacing, reliance on conventional horror tropes, and a surprisingly weak emotional core prevent "Maa" from reaching its full potential.
The film's ambition often outweighs its execution. The narrative, while rooted in compelling mythology, becomes predictable. The demon, despite ample screentime, fails to evoke genuine terror, often resembling more of a mid-budget CGI creation than a truly menacing entity. The writing is a significant weakness; despite tackling powerful themes of patriarchy and female strength, the script feels bland and repetitive in parts, losing its grip, particularly in the muddled second half and climax extremely disappointing. Better to watch on ott rather than going theatres.
The film's connection to the "Shaitaan" universe is present but doesn't necessarily elevate "Maa" in a significant way. While it aims for a compelling horror experience with a beating heart of maternal love, the inconsistent pacing, reliance on conventional horror tropes, and a surprisingly weak emotional core prevent "Maa" from reaching its full potential.
I watched Maa yesterday, but honestly, I didn't really enjoy the film. The storyline was weak right from the beginning. They tried to hold suspense until the end, but it didn't work-because the audience could already predict what was going on.
Also, the main issue was the terrible VFX and absolutely zero acting. It looked rushed and unpolished. And let's talk about that random "Shaitan" song at the end - it didn't fit at all. It felt like two completely different movies stitched together for no reason.
On top of that, they portrayed "Kali Mata" in a way that doesn't align with how Hindu deities are respectfully shown. It felt forced and culturally off. The last scene was way too exaggerated.
This film was messy, over-the-top, and tried too hard to be something it's not. Watch it yourself and let me know what you think - but for me, it's a definite miss.
Also, the main issue was the terrible VFX and absolutely zero acting. It looked rushed and unpolished. And let's talk about that random "Shaitan" song at the end - it didn't fit at all. It felt like two completely different movies stitched together for no reason.
On top of that, they portrayed "Kali Mata" in a way that doesn't align with how Hindu deities are respectfully shown. It felt forced and culturally off. The last scene was way too exaggerated.
This film was messy, over-the-top, and tried too hard to be something it's not. Watch it yourself and let me know what you think - but for me, it's a definite miss.
This movie is dull and slow. The story is very basic and doesn't have anything new or exciting. It feels like it was just put together without much thought. The main cast seems to have been picked based on popularity, not actual acting talent.
Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.
Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.
The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.
Kajol, in particular, looks outdated and shows very little range in her acting. In the past, her weak performances were easy to overlook because stronger male actors carried the films. But in this movie, her limitations are very clear.
Surprisingly, the extras and background actors do a much better job. They feel more real and help move the story along more than the leads do. There are also some truly talented actors in the film, but their roles are so small that their skills go to waste.
The pace of the movie is another big issue-it drags on and on. It takes forever for anything meaningful to happen. Overall, this movie is a missed opportunity and a disappointment.
I recently watched Maa, expecting a touching story about motherhood, emotions, and sacrifice. What I got instead was a confused, melodramatic mess that felt more like a punishment than a film.
From the very first scene, the film struggles to find direction. It tries to be emotional, but ends up being over-the-top, unrealistic, and painfully stretched. What should have been a heartfelt tribute to mothers turns into a shallow and forced tear-jerker.
Storyline - Overdone and Underwritten
The plot is simple but handled poorly. A mother goes through challenges for her child - something we've seen in countless movies.
Instead of offering a fresh take or deeper meaning, the movie uses every emotional cliché in the book.
Characters cry, shout, sacrifice, and suffer - but none of it feels genuine.
There's no depth or connection. The story keeps jumping from one dramatic scene to another with zero build-up.
Acting - Too Much or Too Little
The lead actress clearly tries hard, but most of her performance ends up looking exaggerated.
Supporting actors either overact or feel like they're sleepwalking through their scenes.
Emotional moments don't land because the reactions are either too loud or too fake.
A good emotional film depends on subtlety, but here everything is so loud and dramatic, you feel drained rather than moved.
Direction - Lost and Lazy
The director doesn't seem to trust the audience. Every emotion is spoon-fed.
The camera lingers too long on crying faces, dramatic music plays every 2 minutes, and every situation is pushed to the extreme.
Instead of telling the story naturally, the movie feels like a forced collection of "emotional scenes" stitched together without purpose.
Music - Manipulative, Not Meaningful
Background music is loud, repetitive, and used like a hammer to force emotion out of you.
Instead of enhancing scenes, the music distracts and irritates. Every sad scene is followed by the same type of violin or slow tune.
Editing and Pacing - A Drag
The film feels much longer than it is. There are too many unnecessary scenes and dialogues.
Some scenes could've been 10 seconds but are stretched to 2 minutes just to "look emotional."
By the second half, I was checking the time and hoping it would end soon.
Overall Experience - Emotionally Exhausting for the Wrong Reasons
Maa had potential. A movie about mothers always has room for deep storytelling, soft moments, and inspiring character growth.
But this film chose the loudest, messiest, and most unrealistic path possible.
It's not moving. It's not heartwarming. It's just tiring.
From the very first scene, the film struggles to find direction. It tries to be emotional, but ends up being over-the-top, unrealistic, and painfully stretched. What should have been a heartfelt tribute to mothers turns into a shallow and forced tear-jerker.
Storyline - Overdone and Underwritten
The plot is simple but handled poorly. A mother goes through challenges for her child - something we've seen in countless movies.
Instead of offering a fresh take or deeper meaning, the movie uses every emotional cliché in the book.
Characters cry, shout, sacrifice, and suffer - but none of it feels genuine.
There's no depth or connection. The story keeps jumping from one dramatic scene to another with zero build-up.
Acting - Too Much or Too Little
The lead actress clearly tries hard, but most of her performance ends up looking exaggerated.
Supporting actors either overact or feel like they're sleepwalking through their scenes.
Emotional moments don't land because the reactions are either too loud or too fake.
A good emotional film depends on subtlety, but here everything is so loud and dramatic, you feel drained rather than moved.
Direction - Lost and Lazy
The director doesn't seem to trust the audience. Every emotion is spoon-fed.
The camera lingers too long on crying faces, dramatic music plays every 2 minutes, and every situation is pushed to the extreme.
Instead of telling the story naturally, the movie feels like a forced collection of "emotional scenes" stitched together without purpose.
Music - Manipulative, Not Meaningful
Background music is loud, repetitive, and used like a hammer to force emotion out of you.
Instead of enhancing scenes, the music distracts and irritates. Every sad scene is followed by the same type of violin or slow tune.
Editing and Pacing - A Drag
The film feels much longer than it is. There are too many unnecessary scenes and dialogues.
Some scenes could've been 10 seconds but are stretched to 2 minutes just to "look emotional."
By the second half, I was checking the time and hoping it would end soon.
Overall Experience - Emotionally Exhausting for the Wrong Reasons
Maa had potential. A movie about mothers always has room for deep storytelling, soft moments, and inspiring character growth.
But this film chose the loudest, messiest, and most unrealistic path possible.
It's not moving. It's not heartwarming. It's just tiring.
Did you know
- TriviaKajol and Ronit Roy worked 30 years after Hulchul together.
- ConnectionsSpin-off from Shaitaan (2024)
Details
Box office
- Gross worldwide
- $282,403
- Runtime
- 2h 13m(133 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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