En fanfare

I don't have an easy tear, but my eyes were shining as I left the hall.

Masterful performance by Benjamin Lavernhe. The story is very nice, light but not superficial, never dull.

Many melodies run through the film, the comedy, the drama, the 'protest' film (it reminded me of Kean Loach).

The red thread is music, in its purest manifestations from classical to jazz. The popular declination is very successful, making it a film for everyone. I will take my 9- and 12-year-old children to see it.

I think the only "flaw" in the film is the direction. Some parts of the film are not tied together well. But the rendering is still effective and, above all, emotionally impactful.

I was moved by this film in many ways (even though I saw it dubbed over in German in a German cinema), but one quality stood out to me: the care that had been given to really portraying music in the making: The rehearsal scenes of both the orchestras seemed very real to me, no-one was mimicking to play an instrument, they could all really play and apparently seemed to do so. For real! This is quite exceptional, for it isn't easy to find people who can both act and play an instrument.

The composing scene, with the 'composer' working with pencil and paper on the piano, was the only scene that musically struck me as a bit unrealistic, for it would be hard to find a composer under 50 that doesn't use a computer to write the notes.

It was also really moving to see how even the most different styles in music can travel straight to the heart and have an important function in peoples lives.

For the rest I found the story moving, original and well performed.

This film does not waste time to get into the story and felt a bit rushed but it didn't matter as you do get to know the characters and their motivations in the end. I would say the film is still a bit choppy here and there but it had a lot of emotion and genuinely touching scenes.

By the time the last scene of the film reaches crescendo I could not hold tears. This film is a reminder to us all to remember to show people you care. We all feel that.

On the last note, I can't remember when I saw a French film in the cinema. What a treat. It's very very refreshing to see actors looking like real people with lines on their faces and the odd misaligned teeth. Bravo!

It's only the beginning of 2025 and already I feel like I've seen the best movie of the year.

It's one of the best movies I have ever seen.

'En Fanfare' reminds me a bit of 'Brassed Off', also about a brass band but then in a coal mine in The United Kingdom.

The beautiful classic music ties in nicely with the beautiful song 'Emmenez moi' of Charles Aznavour, my favourite French singer. The two leading actors - Benjamin Lavernhe and Pierre Lotin - are excellent in their roles of two brothers who only verly late in live know that they are brothers. It's a drama but with a lot of warmth and some laughs.

One can completely empathize with this realistic and deeply human story.

I highly recommend everyone to watch this beautiful film, but on the big screen in the cinema.

And when the film ended, there was applause from part of the almost full hall. I had never experienced this before in cinema, and I have been going for many years.

En Fanfare takes us on a profoundly human journey filled with generosity and hope. This touching and luminous film transforms a familiar premise into an inspiring reflection on brotherhood, adoption, and altruism.

// A classic story, reimagined The plot centers on two estranged brothers who meet late in life-one thriving in a world of prestige, the other leading a modest existence. While the theme feels timeless, En Fanfare stands out with its nuanced storytelling. Combining tender moments with delicate humor, it entertains while provoking thought. The narrative raises universal questions about our ability to live together and create meaningful connections.

// A cinematic and musical triumph The direction is polished, featuring visually striking scenes enhanced by an enriching soundtrack. Music plays a key role, almost as a character in itself, heightening the emotional impact. The cinematography's subtle contrasts reflect the dualities of the film, such as wealth and humility, isolation and solidarity. The balance between story and music creates a deeply immersive experience.

// Exceptional performances The cast delivers outstanding work, with Benjamin Lavernhe excelling as the conductor. He portrays a figure of authority who evolves with unexpected depth and sensitivity. Opposite him, Pierre Lottin shines as the humble yet quietly resilient brother, embodying authenticity. Their chemistry breathes life into heartfelt scenes, navigating tension and growing connection with ease.

// A hopeful and timely message In a time of societal division, En Fanfare feels like a necessary breath of fresh air. It challenges the narrative of individualism, offering an uplifting portrayal of empathy and mutual support. This optimism, deeply rooted in complex characters and realistic scenarios, reminds us of the best humanity has to offer.

En Fanfare is a joyous and inspiring film for anyone who believes in the power of connection and generosity. Delicate yet powerful, it is a must-watch.

Final score: 9/10 A deeply human film that will leave you feeling uplifted.