Kenshin Kyoto Inferno

The Chief of Police Hajime Saito (Yôsuke Eguchi) and a team of policemen hunt down the outlaw Makoto Shishio (Tatsuya Fujiwara), who was betrayed by the government after defeating the Tokugawa shogunate; however Shishio and his men slaughter the police officers and only Hajime survives. Kenshin Himura (Takeru Satô) is summoned by the government to help them to find Shishio in Kyoto. He refuses first, but when a minister is murdered, he accepts to go and leaves the dojo of Kaoru Kamiya (Emi Takei) and the boy Yahiko Myojin (Kaito Ohyagi), his friend Sanosuke Sagara (Munetaka Aoki) and Dr. Megumi Takani (Yû Aoi). Kenshin meets the thief Makimachi Misao (Tao Tsuchiya) that tries to steal his sakabato on the way to Kyoto and they stumble upon a boy that tells that his brother and his parents are in danger. They find the trio murdered by Shishio's men and Kenshin defeats them in the nearby village. A man called Sojiro Seta (Ryûnosuke Kamiki) contacts Kenshin and brings him to meet Shishio that asks Sojiro to duel Kenshin. Their sword fight stops when Kenshin's sakabato is broken and Shishio and his men go away. Meanwhile, Kaoru decides to find Kenshin in Kyoto and Yahiko and Sanosuke follow her. When Kenshin arrives at Kyoto, Misao asks whether he would like to go to a cheap inn. Kashiwazaki Nenji (Min Tanaka), who was the ninja Okina that worked for the Tokugawa shogunate, runs the place and teams up with Kenshin. He seeks out the talented blacksmith Shakku Arai to repair his sakabato and finds that he is dead. Arai's son Keiku does not help Kenshin, but when the evil Sawagejo Cho (Ryosuke Miura) kidnaps his baby, he calls Kenshin to save his son and gives him a new sakabato. Kenshin defeats the Shishio's warrior and he is arrested by the police. Soon Hajime and Kenshin learn that Shishio intends to burn Kyoto down and they prepare the defense of the town. Is Sawagejo Cho telling the truth?

"Rurôni Kenshin: Kyôto taika-hen", a.k.a. "Rurouni Kenshin: Kyoto Inferno", is a spectacular sequel of "Rurôni Kenshin: Meiji kenkaku roman tan". The story follows Kenshin and his friends from the first film and introduces a villain more evil than in the first film. The sad moment is the unknown fate of the gorgeous and sweet Kaoru Kamiya. Every viewer and fan is certainly hoping she has survived. My vote is ten.

Title (Brazil): "Samurai X 2: O Inferno de Kyoto" (Samurai X 2: The Kyoto Inferno")

Based on the hugely popular 1994 manga/anime historical fiction romantic action drama series, Kyoto Inferno is the second instalment of the Rurouni Kenshin (also known as Samurai X in many western countries) trilogy, which tells the story of Himura Kenshin/Battosai, a retired samurai who seeks redemption for his past killings as an assassin to topple the Shogunate government and restore power to the emperor. However, his past soon comes back to haunt him. The sequel picks up where the original left off and the story continued with the Kyoto Arc adaptation, the series' best story arc. This time, stakes are higher as Japan is facing a larger threat imposed by Kenshin's evil successor, Makoto Shishio and Kenshin struggles to stop this impending threat to the newly established Meiji government he helped to restore. Finally, fans get to see their beloved characters brought to life on the big screen again.

As the first of the manga/anime adaptation's two-part finale (Kyoto Inferno - Part 1 and The Legend Ends - Part 2), Shishio, a samurai with formidable skills equivalent to Kenshin's, declared an all-out war against the new government and he intends to bring back the old days of the Shogunate - "survival of the fittest" where the strong shall live and the weak shall die. He is joined by his the Juppongatana (Ten Swords), a group of highly skilled, elite assassins and a huge army of warriors under his command to destroy everything that stands in his way. On the other hand, Kenshin is joined by many new allies, The Oniwabanshu (Hidden Watcher ninjas), a surviving remnant of the old Shogunate's spy network in Kyoto and Saito Hajime, the current chief of police of the Meiji government who was the former Shinsengumi head (military police protecting the Shogunate).

The film benefits from the strong performances from the lead characters. Takeru Sato did a great job portraying as the reluctant and conflicted hero Kenshin, who's unwillingness to kill is constantly challenged by his desire to protect the innocent at the same time. The same could be said for Tatsuya Fujiwara as the main antagonist Shishio, who managed to create a frightful and imposing presence every time he appears on screen. The goals for the characters were clear from the beginning of the film. Yosuke Eguchi and Ryunosuke Kamiki both stand out as the icy cool chief of police Hajime Saito and cheerful young assassin Soujiro Seta (who's also one of the Juppongatana members) respectively. However, I was quite particularly annoyed by Munetaka Aoki's over-the-top performance as Sanosuke. His character was not well-handled and there was a lot of forced acting and unnecessary movements whenever he appears on screen.

Despite the numerous deviations from the source material (especially with the origin of the Oniwabanshu leader Aoshi), there's a lot attention to detail went into this movie. The character designs used for the film were as close to the source material as it could possibly be. A lot of the important manga/anime plot scenes were recreated with some minor changes to keep the core of the story intact. Moreover, what's really surprising is that the details of etiquette and mannerism of samurai or ninja was taken quite seriously in the film, which makes it feels like a Japanese period piece.

The film is filled with intensely well-choreographed, well-filmed sword-fighting scenes. Many of the action scenes were tightly choreographed and the fast paced sword fights were performed with some rather inventive moves. The depiction of the various legendary kenjutsu Hiten Mitsurugi-ryu (Flying Heaven Govern Sword-Style) techniques such as Ryutsuisen (Dragon Hammer Flash), Ryushosen (Dragon Flight Flash), Ryusosen (Dragon Nest Flash) look realistic enough on screen. The fight scene as Kenshin swiftly takes down Shishio's army from all directions in a village was truly a sight to behold. Moreover, the fight between the Oniwabanshu ninja leaders Aoshi (Captain) and Okina (Elder) makes for a great action sequence as well.

As an adaptation, it is understood that it is necessary to pay homage to many of the well-known characters in the series for the fans. This results in a lot of characters are introduced in this sequel and some of them are less developed due to the limited screen time. Although the film did well in showing Kenshin's past struggles and Shishio's dark past, the subplot of the Oniwabanshu members, especially Misao and Aoshi doesn't fit in nicely to the story. Aoshi's motivations for searching and killing Battosai was unconvincing and feels downright flat. The presence of the Juppongatana (Ten Swords) was weak as other members hardly get any screen time at all (except Soujiro Seta and Cho of course). Hopefully we'll be able to see more of these characters in The Legend Ends, the last film in the trilogy.

Overall, Kyoto Inferno sets the pieces for the final epic showdown between Shishio with his Juppongatana and Kenshin with his allies. A lot of things are being pushed off for The Legend Ends and doesn't actually conclude by the end of this film, so it's rather difficult to judge this film on its own. We'll just have to wait and see.

Rating: 7/10

http://yjcool.blogspot.com/2014/11/movie-review-rurouni-kenshin- kyoto.html

I have some complaints with the first Rurouni Kenshin but this movie finally answered me. I have to attribute it to the fact that the movie already employed the most celebrated villain of Rurouni Kenshin, *drumroll* Makoto Shishio.

One aspect where the first movie failed, in my opinion, is its failed attempt at comedy. The manga/series was injected with comical scenes and lines and as much as the first one tried, it failed. However, with Kyoto Inferno, they have pulled it through. This burden mainly fell on Munetaka Aoki (Sanosuke Sagara) and fortunately, he was successful to elicit some laughs.

If there's anything which cemented this film's success as an adaptation, it would have to be on the character actors. The movie gave life to the characters which we only once saw in animated form. Even Makoto Shishio's ruthlessness, albeit covered in plaster, was very visible. Takeru Sato deserves his role. He gives out not only the Kenshin physique, he knows how to give the Kenshin aura...the playful yet skillfull Battousai. The most dangerous member of Juppon Katana (Shishio's hired assassins), Soujiro Seta, was brought to life courtesy of Ryunosuke Kamiki (probably with the most well-recognized filmography in this group). Everyone gave justice to the roles the were playing.

The movie was perfect in all its aspects. Don't take that too literally of course, but for someone who's a fan of the series, I can safely say that they did justice. They made some deviations from the source material, but they're harmless nonetheless. There's room for error but one cannot discount how the movie successfully made a good product. The soundtrack was very, very registrable and consistent that it will give the eerie feeling.

The fight scenes were well-choreographed it looked like they were literally dancing. The movie incorporates all essentials of a Rurouni Kenshin fight...from the speed, to the agility, to the technique. It had momentous fight scenes its hard to choose which one is the best.

And the best is yet to come as Kenshin Himura will still battle it out against Aoshi Shinomori, the Juppon Katana (with emphasis on Soujiro Seta), and ultimately Makoto Shishio. Kyoto Inferno left a good ending to what will be a legendary beginning in The Legend Ends.

I'm not a huge fan of the Samurai genre. The blood, brutality and cruelty that inhabits many of the films in this genre is, at times, very disturbing. It was a pleasant surprise therefore to encounter the Rurouni Kenshin series. These films follow the Samurai formula but depart from the norm in so much as they actively downplay the brutality in favour of a more peaceful, hopeful message.

The key character Rurouni Kenshin could best be described as a reformed Samurai. Rurouni has come to see the wastefulness of taking human life, choosing, instead, to take a less lethal approach to subduing the bad guys with the blunt edge of a double edged sword. Of course, there are always a few genuinely vile villains and these are dispatched with the swords sharpened edge.

Its my understanding this is the second in the live, as opposed to animated, Rurouni Kehshin series of films. I watched the first and enjoyed it immensely so I decided to give the second a go. This film is darker and more serious than its predecessor, possessing somewhat less humour. The violence is a little more intense too and occasionally sadistic but not overly graphic. The conspicuous fight scenes, as was the case in the first outing, remain remarkably polished and exceptionally well choreographed. Especially when you consider the large scale and numbers of people involved in many of the battles scenes scattered throughout the film.

The key fight scenes between central hero's and villains are of the highest caliber and its these moments of stirring swordplay and martial skill that make this film really shine. Combine this with solid, original storytelling, good pace and some novel plot twists and turns and you have a very engaging action flick.

I watched both this film and its predecessor from end to end without getting up once or feeling in any way bored.There are subtitles, unless, of course, you speak Japanese but I found this film, like the first, so engrossing they hardly felt like any effort at all.

Nine of of ten from me.

Asian studios have been trying to adapt manga/anime to live-action for decades. They all failed.

Finally, we can call all this pre-Rurouni Kenshin. The first movie had some flaws, some unbalance, but it ultimately delivered. Now, Kyoto Inferno is a great 2nd part leading the way to The Legend Ends.

The Shishio Makoto story-arc is super long in the manga. All the Juppongatana mini-story arcs were left behind because of that. This makes it possible to condense it to 2 movies.

So, do not expect deeper character development. The movie decided to focus on the very specific attempt to bring down the government and undo the Meiji Ishin (by the way, do read about it at Wikipedia, go look for the terms "Bakumatsu", "Meiji Restoration" and you will understand better the background about Sekigahara, Toba-Fushimi, and you will feel less lost in case you don't know Japanese History).

If you watched the anime or read the mangas (which I highly recommend), you will easily feel in the gaps with what you already know. The movie stitches together several memorable scenes from the source material.

Some parts had to be adapted, of course, and I think they did a good job, specially on how they fit the Oniwabanshu. Not sure how the Aoshi story-arc will fit in the next movie.

This movie had to remove several stuff from the source material in order not to look silly in a live-action, such as the special moves, screaming attacks ("Ryuutsuisen!"). But I'm most interested in how they will fit Kenshin's mentor of the Hiten Mitsurugi Ryu on the next movie (in the manga he will teach him the ultimate moves, Kuzuryuusen and Amakakeru Ryuu no Hirameki). He does show up very quickly so it's going to interesting how this unfolds.

The relationship of Kenshin and Kaoru, of course, had to be diluted to the bare minimum to give Kenshin the motivation to go forward (it was already diluted in the source material).

All in all, the filmography is superb, the casting is spot on, the story adaptation was very competent to compress a very complex source material.

If you're already a fan of the series, you will not be disappointed. If you're new to the series, this could motivate you to go read the original.