Olive Kitteridge

Olive Kitteridge is a fable regarding original people in original situations. The subtlety with which Lisa Cholodenko carries the four-hour mini-series is what emphasizes the story about a woman who is childish yet cruel, sappy yet caring, wildly honest yet deeply depressed.

I like Frances McDormand very much. Her cheekbones speak more than her mouth, and in here, the air she adopts of the titular character is splendid. She makes you wanna hate her and love her at the same time. Supported by the great Richard Jenkins and amusing Bill Murray, the story of the life of Mrs. Kitteridge is what we can relate to with our own lives. Elizabeth Strout's Pulitzer Prize winning novel gleams originality and its adaptation doesn't lag any behind.

The four episodes each talk about certain periods of her life and it ends with a very good moral. The characters hold truth in them and we start becoming judgmental, without even knowing it. Themes such as bereavement, depression, and paranoia is rampant in the series and you will be stunned to find connections between them.

The actors have been directed and shot well. The countryside locations serve as the perfect background for the story. I must say I am impressed by the whole cast and crew for giving me a piece of pie called Olive Kitteridge.

BOTTOM LINE: Not many people know about this series, and it will be my duty to recommend it to people who love original dramas that are not just crime-related a la Fargo (2014) and True Detective (2014).

Can be watched with a typical Indian family? YES

This is an extra-ordinary piece of television. Where so many mini-series are constantly driven by a thread that drives it forward with momentum, this doesn't have that same urgency, which allows it to explore its themes in a way I don't think many TV series or mini-series have done. It's so wonderfully crafted, in all aspects. But really, it's the writing and performances where its true power soars. The acting is magnificent, McDormand might've just outdone her work in Fargo. A truly soulful, aching, incredibly heartfelt performance. We see Olive and her various flaws, and yet we can't help but sympathize with her and like her despite everything she does. The mark of a true revelation. Kind of hard to describe in words, but the acclaim is justified.

If you liked McDormand's performance in Fargo, Olive Kitteridge will surely not disappoint. I look forward to reading the book now and only wish that perhaps I'd read it before watching the mini-series. I loved much about this mini-series but most especially the straightforward way that depression is handled. Olive is a complex character (not all bad or all good) and while her behavior might be tough to swallow, McDormand treats us to a realistic portrayal of the disease of depression and how is affects every facet of her life and those around her. Some well played foreshadowing moments and times of contradictory behavior make the plot and characters more interesting. I gave it a 10/10 because this is the kind of movie I enjoy, but know that it might not appeal to everyone, especially if you just want to watch a feel good or relaxing movie. This one will challenge you to think a bit more and examine your own dysfunctional behavior (and/or that of your family) which may not be too comfortable. Also enjoyed the other characters, especially Henry and Christopher.

Family dysfunction reigns supreme in this oft-uncomfortable psycho-drama set in bucolic Maine over the course of 25 recent years. Nice, gentle, middle-aged pharmacist and sensitive, caring man married to a hard=edged, stern and very often mean schoolteacher who knows she is sick and "a beast" but cannot change her hurtful and often hateful ways, even to her own son who is obviously more like his dad, a nice boy scarred forever by his mother's mean words and insensitive nature. Depression "runs" in her family, she said, and it is easy to spot throughout in her as she suffers progressively from it as the story develops.

Frances McDormand shines bright in her demanding role as the hard-as-nails wife and mother who finds it so hard to show love or even "like" to her family, and she is always more than ready with a scathing snipe no matter the occasion or person, even at their son's wedding. Richard Jenkins is also very impressive as her good guy husband who is always nice, friendly and comforting to those around him who need it most. His Yin to her Yang, totally.

Coastal Massachusetts scenery subbing for Maine is stunning and beautifully shot. The script, though excellent and always engrossing, is often discomforting to watch, as there is little levity in it and things often get very serious and mean-spirited. No everyman crowd-pleaser this one, but it is very intelligently done and packs a hard and lasting, dysfunctional family/mental health punch for viewers expecting more from premium channel TV than silly laughs and chuckles from junk programming. Not many laughs here, just quality storytelling you will not easily forget.

You could watch this series along with "Terms Of Endearment" and get a really good dose of dysfunctional family dynamics. And learn something about growing old. And that we're not all that different. You can learn a lot from tough ol' broads. Or you can resent them. The one thing we know is, they will outlive their supposed time on Earth.

The titular character is played pitch perfect by Frances McDormand. Already an old soul when we first seen her in the Coen Brothers movies, she is the epitome of hard as rock stubborn New Englander. Educated by life experiences, her harsh reality is that tragedy has shaped her into a flawed diamond. Indestructible in her set ways, she lives with regret and unknowing to her (but every clear to us) projects her resentment towards the people who actually love her. Unfortunately, in her path is her kind hearted husband Henry Kitteridge (Richard Jenkins), in a stunningly sympathetic and patient man who reaches out to help lost young girls, but does so with the distancing manner of a father. There appears a sexual predator is a foot, but that isn't Henry's nature. He is the town pharmacist who we can see may have had bigger dreams in life, but is content to fulfill his duties to the community. He's seen first as a step rug, then a sounding board, but finally…a man. All the parts of which make up a marriage in a small town community dynamic. We could've/would've/should've is pushed so far into the backburner as to cause conflict. And the developments of our youth are shaped by the overwhelming need of parents to control. You will reap what you sow. There wasn't a false moment in this mini-series. It's often painful, a lot of humor, bittersweet moments, tragedy and a lot of moments as I watched the outcome of their history turn to foreshadowed misery that I mutter "Damn…that sucks that happened." Not out of pity, but that it is a universal storyline that we all get sickened by.

There are a lot of moments of grimness. In particular, the ease of resolution and mental issues. Even as late as my own generation, mental illness was seen as an embarrassment. People were considered spazzes if they were hyperactive. Or if their parent had drug addiction or drinking problems, they'd be ignored. The kids tend to shrug that off. That's the issue though. Cause life will give us obstacles in the form of relatives or spawn. We are owed nothing, but seem to carry on this notion we're suppose to be living someone else's life. We suppress our needs, if we genuinely care about people. Lost are the times when we hold back, now is the time when people often give up too soon. Is Olive's decision to power through life unhappy the right course for you? Probably not. But it's something to be admired. This mini-series is amazing.