Primitifs

Almost uniquely odd, "Sasquatch Sunset" won't appeal to all. Jesse Eisenberg, Riley Keough, Christophe Zajac-Denek & Nathan Zellner (unrecognisable all under heavy & impressive prosthetics) are a family of sasquatch (aka bigfoot and/or yeti) seen roaming the Californian jungles over a year in the '80s. The screenplay (from David Zellner - who co-directed with brother Nathan) is divided into the four seasons, thru which the four forage, fish, re-produce, and curiously react to their surroundings. Having no narration it's not a mockumentary, but also with no dialogue (except grunts etc) it won't easily engage everyone, despite being interesting & relatively well made.

There are some beautiful things about this film. The photography is one of them. The music is also fitting. The rest is meh.

I guess one could dig deep and try to find as many meanings as one wants into this movie and that is certainly something that we should cherish. Spoon-feeding movies are not the solution. However, I'm pretty sure we can find a balance between an on-the-nose flick and this.

It is categorized as a comedy/drama/action/adventure, depending what website you check. Truthfully, if you have the sense of humor of a 12 year old, I can see the fun in it. However it becomes old quite quickly. When it comes to the drama...I don't know? When something bad happens is because the creatures are just stupid.... And when it comes to action or adventure? The most action-like moments happen off-screen and how can there be any sense of adventure when there is no sense of purpose. Meaning, direction, discovery, and desire?

There is no momentum, there is nothing going on but eating, having sex (or trying to), and pooping. I guess these are all worthy things to explore in a film, but making a feature film out of this is a bit ridiculous. I could this being a short film from some filmmakers trying to establish their style and showcase their skills, but a feature film? What for? We had at least a dozen eating scenes and none were substantially different than the others or had any particular implication.

I still give it a 5/10 because, as mentioned at the beginning, it is a movie that looks and sounds good. Too bad there is no story or rhythm or anything going on really.

Rating: 6.1 Overall, a decent film that mimics a nature documentary as we use to lens of the camera to look into the lives of sasquatches and how they parallel humans, but this movie was not really for me because of the excessive use of bodily fluids and grotesque comedy.

Decent to Pretty Good Direction (The direction on a macroscale is pretty good as they set the scenic shots well and show the beauty in secluded nature; the direction on a microscale is decent as they get a lot out of their actors through action-based acting (because there's no dialogue); storytelling is very slice-of-life (making it feel somewhat like a documentary), but there are some moments where they try to move the story forward)), Pretty Good Acting (Pretty Good from the cast (The whole cast acted as a unit to portray Sasquatches going about their day, and showed how they do have a good amount of humanity to them)), Decent to Pretty Good Story (The concept is interesting as it's a slice of life look into sasquatches (which helps give them humanity and show parallels to humans); the plot structure is not really present as the movie tries to be mostly slice of life, while also shoving in shock and grotesque humor; flow between sequences is pretty bad as lot of the movie feels disjointed; character writing is decent as it helps show the parallels between humans and sasquatches), Decent Screenplay (the humor is pretty overt as they try super hard to shock and show grotesque subjects (with this sometimes hitting and sometimes not); the symbolism is decent as it's about looking at humanity from the lens of Sasquatch; the foreshadowing is nonexistent), Pretty Good Score (Used well in the establishing shots), Pretty Good to Good Cinematography (Used well in the scenic/nature shots as it helped make the movie seem like a documentary), Pretty Good Editing (The way they cut the movie gave it a nature doc feel), Pretty Good Sound (Helped show the actions of the characters), Decent Visual Effects (Uses Practice effects well), Pretty Good Production Design (The nature setting is nice and helps show the wilderness), Very Good Makeup (Good use of full body makeup), Makeup (Good use of full body makeup), Very Good Costumes (Good use of costumes to make the actors look like sasquatches), Costumes (Good use of costumes to make the actors look like sasquatches), Pacing is very slow as a lot of the movie drags with its elongated/repetitive scenes, Climax is decent but just feels like a continuation of the rest of the movie, Tone is very similar to nature documentaries (with some comedic flavors), This movie was really not for me with the excessive bodily fluids and grotesque scenes; saw the Texas Premiere at SXSW.

Well, I didn't actually knew what to expect, but in the end it was a quite entertaining experience.

The Zellner brothers introduced the movie to the audience at the Berlinale and said it probably is the weirdest Sasquatch movie. It is.

While some scenes are excessively obscene, we had some good laughs over the blunt portrayal of this family living in the woods. You will probably say WTF a dozen times. I understand that some people walked out of the theater. However, in my opinion, the movie manages to balance obscenity, humor and drama quite good.

Personally, I was pleasantly surprised how much story one can tell without using a single spoken word, and with only little facial expression. I believe the actors tried their best, but one could see that the costumes limited overall movement and expressions.

I would probably not pay 15 bucks again to watch the movie in a theater, but it wasn't too bad after all. A solid 7/10.

Sasquatch Sunset starts off as a laugh riot. For the first hour, the Zellner brothers deliver a surprisingly hilarious portrayal of a Sasquatch family navigating the trials and tribulations of...well, Sasquatch life. From their hilariously primal attempts at courtship to their unrefined digestive habits, the film finds humor in the unexpected, and anyone with a decent sense of humor will find themselves snorting with laughter.

Then, the sun inexplicably sets on the comedy. The light-hearted mood takes a sharp turn in the second half, venturing into surprisingly serious territory. Themes of life, death, and the struggle for survival come crashing in, leaving the audience with a gut punch where there were once guffaws. Here's the problem: the tonal shift feels unearned. Sasquatch Sunset spends so much time establishing itself as an absurdist comedy that the sudden seriousness feels jarring, like two entirely different movies stitched together.

It's a shame. The first hour is pure comedic gold, and the Zellner brothers deserve credit for their audacious premise. But the jarring shift into somber territory leaves the viewer feeling cheated. It's like being promised a cupcake and then getting served a bowl of lukewarm broccoli instead. If you're looking for a laugh-out-loud comedy, you'll have a blast with the first half of Sasquatch Sunset. Just be prepared for the unexpected emotional downpour in the final act.