Altamira

Like the trailer, which soars with a sense of greatness, this is a beautiful film that stayed with me, and keeps recurring to my mind weeks later. No spoilers in this review, I'll just recommend the story to original thinkers who know how hard it is to stand against the crowd and state the truth, because it is the truth. And to keep faith with yourself--against the universe if need be.

If you are religious and worry that this story will attack your love of God, I don't think that will happen. If you believe that God created existence; then exploring this beauty cannot be a threat to God. If you hold no beliefs but rely on reason to understand the world around you, then you will revere Marcelino de Sautuola's courage, vision and unbending spirit.

I take away his story to stay with me as I walk through life.

Pablo makes a fair point . But it was the family who owned the property that tried in vane to share this great discovery with the world and condemned as a fraud. As with anything discovery is not the be all and end all. A far more significant

point to this story is about is the efforts to share this magnificent artifact with the world in the face of complete skepticism. Yes a shepherd / hunter found it but the journey is in getting people to understand the value in the history of mankind amid claims of fraud. This is an effort to view the far bigger picture the efforts to learn human history and just how relevant this find was relating to preserving a chapter in early mankind's history. the effort to share with the world is the story .pablo is looking through a more political lens. But at the time it seems few other than a determined landowner cared about the historical value . His efforts saved these magnificent artifacts bring attention to the story of mankind's history

I give this movie full marks. It may not be Lawrence of Arabia or a block buster but it is fine cinema nevertheless. For what the producers did with their budget and the location and interior shots - they did very well. One reviewer remarked that the movie did not credit the true discoverer of the cave. However if you watch carefully it is clear that credit is given to the huntsman who actually did find the entrance in 1858.

I enjoyed the production thoroughly. this is the perfect movie for those who enjoy historical drama. Well paced with great photography and great location sets. I have family in the film industry living in Hollywood and it is often a great battle between the corporate financiers who want as much sex and nudity with blond bimbos to boost sales and are constantly ruining potentially good cinema by inserting complete dross into otherwise good scripts. Good cinema is becoming rare. Someone has taken a punt on this movie and my bet is that it won't rake in millions - but it gets my vote and I loved it.

In May 2017 I will be visiting Altamira and will remember this movie and certainly want to read more about its discovery. Chris Lachman, Adelaide, Australia

Great movie and I am sure it's not completely historically accurate but IT'S NOT A LIE!

It's no Hollywood block buster full of action with massive budget, it is a well made movie with good acting, good scenery & sets, good cinematography with loverly story based on historic fact. Well worth the watch.

Marcelino de Sautuola (Antonio Banderas) was a Spanish jurist and amateur archaeologist who owned the land where the Altamira cave was found . As his daughter Maria (as little girl : Allegra Allen and grown-up : Irene Escolar) , nine years old at the time, incidentally noticed that the ceiling was covered by images of bisons . Sautuola then started exploring the caves in 1875. He did not become aware of the paintings, however, until 1879, when Sautuola, having seen similar images engraved on Paleolithic objects displayed at the World Exposition in Paris the year before, rightly assumed that the paintings might also date from the Stone Age. Attempting to expose their discovery to the academic world for that they study the paintings , but he failed . Looking for the truth, Sautuola was the rest of his life fighting to prove that those paintings were real, attempting to restore his innocence from the accusations of falsehood launched against him by scientists , historians , geographers and priests (Rupert Everett) . As Marcelino , his wife Conchita (Golshifteh Farahani) and daugther (later she married into the Botín family of Cantabrian bourgeoisie, the current owners of Banco Santander are Sautuola's descendants) suffering distresses and unfortunes trying to demonstrate the reality of the fabulous paintings .The Altamira cave, now famous for its unique collection of prehistoric art, was well known to local people, but had not been given much attention until in 1868, when it was "discovered" .

Biography about existence and happenings of the man who realized one of the most important discoveries of the 19th : Altamira , Pateolithic paintings . As Marcelino Sanz de Sautuola y de la Pedrueca, in 1868, accidentally discovered Paleolithic paintings with the help of a hunter named Modesto Cubillas inside Altamira's caves, located in Cantabria, north to Spain . The flick concerns about confrontation between science and religion ; and between rationalism and faith . As Sautuola was panned and accused the paintings were made for the own Sautuola, in a effort to get richness . Dealing with his thunderous life when crashed against the skepticism and discredit of all scientists , geographers , and religious people , who claimed that the caves were false .

The picture displays an evocative and imaginative cinematography by José Luis Luis Alcaine who is deemed to be one of the best Spanish cameramen with a long and prestigious artistic career and Almodovar's ordinary cameraman , as he has photographed successes such as ¨Volver¨ , ¨The bad education¨ , ¨The skin I live in¨ , and ¨Women on the verge of a nervous breakdown¨ . He was first cinematographer to use fluorescent tube as "key" lightning in the 1970s . Jose Luis Alcaine thought a theory that the Frank Borzage movie A farewell to the arms (1932) after a story by Ernest Hemingway, was the main and total inspiration for Pablo Picasso in the creation of the "Guernica", one of the most important painting of the 20th century. He believes that several images of a sequence of 5 minutes long showing the exodus of countrymen and soldiers on an infernal rainy night was the inspiration of Pablo Picasso. Furthermore , a willingness almost perfect of the elements of each shot , every sequence , every space . Sensitive and rousing musical score by Mar Knopfler . The yarn was well directed by Hugh Hudson (Chariots of fire , Greystoke , I dreamed of Africa Irresistible, Revolution)

The picture is based on historical events about the discoverer of the Altamira paintings , these are the followings : Marcelino thanks to his daughter Maria , and the hunter Modesto discoverd the notorious caves . He therefore engaged an archaeologist from the University of Madrid to help him in his further work. Professor Juan Vilanova y Piera supported Sautuola's assumptions, and they published their results in 1880, to much public acclaim. But the scientific society was reluctant to accept the presumed antiquity of the paintings . The French specialists, led by their guru Gabriel de Mortillet, were particularly adamant in rejecting the hypothesis of Sautuola and Piera and their findings were loudly ridiculed at the 1880 Prehistorical Congress in Lisbon. Due to the supreme artistic quality, and the exceptional state of conservation of the paintings, Sautuola was even accused of forgery. A fellow countryman maintained that the paintings had been produced by a contemporary artist, on Sautuola's orders. It was not until 1902, when several other findings of prehistoric paintings had served to render the hypothesis of the extreme antiquity of the Altamira-paintings less shocking (and forgery less likely), that the scientific society retracted their opposition to the Spaniards. That year, the towering French archaeologist Émile Cartailhac, who had been one of the leading critics, emphatically admitted his mistake in the famous article, "Mea culpa d'un sceptique", published in the journal L'Anthropologie. Sautuola had died 14 years earlier, and did not live to enjoy the restitution of his honour or the later scientific confirmation of his premonitions. Modern dating techniques have since confirmed that the paintings of the Altamira cave were created over extended periods between 11,000 and 19,000 years ago. For the study of Paleolithic art Sautuola's discoveries must now be considered pivotal.