IMDb RATING
7.6/10
1.9K
YOUR RATING
An exploration of the profound impact of evangelism on Brazil's political landscape.An exploration of the profound impact of evangelism on Brazil's political landscape.An exploration of the profound impact of evangelism on Brazil's political landscape.
- Awards
- 2 wins & 4 nominations total
Henry Kissinger
- Self
- (archive footage)
Oscar Niemeyer
- Self
- (archive footage)
Michelle Bolsonaro
- Self
- (archive footage)
Damares Alves
- Self
- (archive footage)
Tomé Abduch
- Self
- (archive footage)
- (uncredited)
Featured reviews
From beginning to end, I felt something I hadn't felt in a long time. This documentary brought back memories of the terror Brazil experienced for four years under the previous administration and how we cannot allow that to happen again. It's easy to understand and the narrative is very easy to understand. Petra did a job that many will say is fabricated, but it's the naked truth that needs to be shown to the world, but mainly to show how capable Brazil is of evolving and achieving justice, and that no other country should blackmail an entire nation. Assista e aproveite a história sendo contada.
This is a very difficult but very necessary movie, which shows us upfront the destructive foolishness of allowing Christianity to dictate politics, and of enabling dangerous authoritarians to represent people.
Brazil has been - and still is - saddled with multitudes of delinquents with Christian discourse. There is no upside to that obscenity, and we all must strive to get rid of that disease.
The movie is a bit tedious, for sure. So much of what it shows we have painfully watched happens with our own eyes. But perhaps not enough people have the integrity to remember what has happened and how fiercely it must be stopped and corrected.
Brazil has been - and still is - saddled with multitudes of delinquents with Christian discourse. There is no upside to that obscenity, and we all must strive to get rid of that disease.
The movie is a bit tedious, for sure. So much of what it shows we have painfully watched happens with our own eyes. But perhaps not enough people have the integrity to remember what has happened and how fiercely it must be stopped and corrected.
First of my twenty films at the 48th São Paulo Film Festival, Apocalypse in the Tropics delivers more than its predecessor, The Edge of Democracy, in addition to consecrating (to keep with the theme) Petra Costa's pair of historical documentaries as masterpieces of Brazilian audiovisual.
In The Edge of Democracy, Petra's life is parallel to democracy in Brazil, and this makes her a co-protagonist of this national story, that goes from Juscelino to Bolsonaro. Here, in Apocalypse, the documentarist initially admits that she is not an expert on Paul or John of Patmos, and she wisely lets the story be told through the eyes of other figures. Some popular figures here and there get lost in a narrative that would gain more strength from their point of view, as the real highlight is the fearsome pastor Silas Malafaia. Using political terms to comment on your church, and religious terms to comment on democracy, Malafaia walks and rules at Alvorada, to the point of repeating Bolsonaro's speech, so that the president would not forget what he had to say, what Malafaia ordered him to say.
Four years of inadmistration are summarized, so that the projection does not become "look, gringo, how we suffered", but rather "look, Brasil, what you went through to get here", and by "here" I mean the real apocalypse.
I loved starting the Festival with this film, I would have liked to have enjoyed it more without the pressure of not catching the train to get home (obrigado, meu amor, por ter me ajudado, sem você isso não teria sido possível). Petra Costa, do more! Brazil will never tire of producing material for your filming (only criticism: Cabo Daciolo was missing, who made a cameo at the beginning of the film, back in 2016, and didn't even say "glória a deux!").
In The Edge of Democracy, Petra's life is parallel to democracy in Brazil, and this makes her a co-protagonist of this national story, that goes from Juscelino to Bolsonaro. Here, in Apocalypse, the documentarist initially admits that she is not an expert on Paul or John of Patmos, and she wisely lets the story be told through the eyes of other figures. Some popular figures here and there get lost in a narrative that would gain more strength from their point of view, as the real highlight is the fearsome pastor Silas Malafaia. Using political terms to comment on your church, and religious terms to comment on democracy, Malafaia walks and rules at Alvorada, to the point of repeating Bolsonaro's speech, so that the president would not forget what he had to say, what Malafaia ordered him to say.
Four years of inadmistration are summarized, so that the projection does not become "look, gringo, how we suffered", but rather "look, Brasil, what you went through to get here", and by "here" I mean the real apocalypse.
I loved starting the Festival with this film, I would have liked to have enjoyed it more without the pressure of not catching the train to get home (obrigado, meu amor, por ter me ajudado, sem você isso não teria sido possível). Petra Costa, do more! Brazil will never tire of producing material for your filming (only criticism: Cabo Daciolo was missing, who made a cameo at the beginning of the film, back in 2016, and didn't even say "glória a deux!").
As "Apocalypse In the Tropics" (2024 release; 119 min) opens, the movie's director, Petra Costa, herself Brazilian, recounts in a voiceover how surprised she was upon returning there in 2016 to fins that Brazil's political landscape was rapidly transforming as a result of the record growth of evangelicals (from 5% to 30% in the last 40 years). Costa decides to look into this phenom and was granted wide access. At this point we are 10 minutes into the movie.
Couple of comments: Oscar-nominated documentarian Petra Costa ("The Edge of Democracy") brings another highly-charged political documentary. This time reflecting on how evangelicals have overtaken the hard right, resulting in the astonishing election of Bolsonaro in 2018, and all the things that came after that. If is a fascinating watch. I was vaguely familiar with much of this, but to see it laid out as precise and clear as Costa does here, it all pits it into a new perspective. Also this: Bolsonaro copies pretty much every move by Trump, with a two year delay. Absolutely amazing. Please note that Brad Pitt is one of the movie's Executive Producers.
"Apocalypse in the Tropics" premiered at the Venice Film Festival in August, 2024, to immediate and universal critical acclaim. It is now streaming on Netflix, where I caught it just the other night. The documentary is currently rated 92% Certified Fresh on Rotten Tomatoes, and for good reason. If you are interested in geopolitics, or in the ever-growing influence of evangelicals, in this case in Brazil, over the political scene, I'd readily suggest you check this out and draw your own conclusion.
Couple of comments: Oscar-nominated documentarian Petra Costa ("The Edge of Democracy") brings another highly-charged political documentary. This time reflecting on how evangelicals have overtaken the hard right, resulting in the astonishing election of Bolsonaro in 2018, and all the things that came after that. If is a fascinating watch. I was vaguely familiar with much of this, but to see it laid out as precise and clear as Costa does here, it all pits it into a new perspective. Also this: Bolsonaro copies pretty much every move by Trump, with a two year delay. Absolutely amazing. Please note that Brad Pitt is one of the movie's Executive Producers.
"Apocalypse in the Tropics" premiered at the Venice Film Festival in August, 2024, to immediate and universal critical acclaim. It is now streaming on Netflix, where I caught it just the other night. The documentary is currently rated 92% Certified Fresh on Rotten Tomatoes, and for good reason. If you are interested in geopolitics, or in the ever-growing influence of evangelicals, in this case in Brazil, over the political scene, I'd readily suggest you check this out and draw your own conclusion.
This is the stark reality shown to the world. The photography is fascinating beyond its narrative, congratulations!
You can see Petra Costa's dedication to her research in the documentary, even though she brings her vision among the facts shown, she still shows partiality in many cases.
I hope that in this way, with this film by Petra Costa, we Brazilians can learn to be open-minded and that from now on we can open our eyes. Conservatism destroys, we know very well what happened to Germany and its conservatism in 1939.
This document deserves to be seen, not only as a film, but as an account of a nation in trouble!
You can see Petra Costa's dedication to her research in the documentary, even though she brings her vision among the facts shown, she still shows partiality in many cases.
I hope that in this way, with this film by Petra Costa, we Brazilians can learn to be open-minded and that from now on we can open our eyes. Conservatism destroys, we know very well what happened to Germany and its conservatism in 1939.
This document deserves to be seen, not only as a film, but as an account of a nation in trouble!
Did you know
- TriviaDirector Petra Costa met Brad Pitt at the Academy Awards nominee lunch, who would then become an executive producer on this film. She stated that because of the recognition of 'The Edge of Democracy,' they were able to finance this film independently, otherwise there would be no film because then President Jair Bolsonaro had come to power and had finished with the National Film Agency in Brazil and cut all fundings for films.
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- Apocalypse in the Tropics
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- See more company credits at IMDbPro
- Runtime
- 1h 50m(110 min)
- Color
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