Lost Phoenix

The movie offers a thrilling experience with its outstanding action sequences, stunning cinematography, and top-notch acting performances. The concept is intriguing and exceptionally well-executed, capturing the audience's attention from start to finish. Director James Couche has taken a unique approach, and I have immense respect for his vision and dedication. His distinctive style shines through, making the film stand out. The use of various locations adds depth to the narrative, while the music and sound effects enhance the overall atmosphere, making each scene more immersive and engaging. The combination of these elements creates a captivating and memorable cinematic experience.

An amnesiac awakens from a coma only to find that people want him dead for stealing a lot of money which he has no clue about, so basically throughout the movie he's being hunted down by a mysterious hit man squad and another mysterious sniper woman. All done around the Covid 19 plandemic and many are wearing masks. Lots of "OK" fight scenes and gunplay, but the bad guys always pause too long when they are about to kill "the good guy" so he gets the advantage, not realistic in the slightest, but still rather entertaining to watch. No questionable content or nudity, some foul language and fight violence, but no gore. OK watch while doing other things. Enjoy.

This was a pretty good B-Movie action flick.. On the downside, story was a bit muddled and cliched. The caliber of the acting was also uneven, but not too bad.

On the positive side there is some decent humor in here. The cinematography is a cut above what you'd expect in a movie like this. Action choreography was also good, and the editing was also excellent keeping everything fast paced in the action sequences. A standout was the guy who plays the main villain. He had a bit of that James Bond-esque style of villainy, and he was also very good in the action scenes.

On the whole, although not winning any academy awards, this was an entertaining flick, and I enjoyed it.

An Old school thriller fight film with a pandemic backstory. There are so many fight scenes here that it must have taken an age to choreograph everything but it works well even with all the swords. The lead actor has a believable script dialogue and his accent adds to the sense of amnesia that the character has. With many of the scenes taking part at night the lighting is well done and avoids darkened out visuals. Indie filmmaking is hard and the creators managed to pull off an action flick at a very hard time given pandemic restrictions. All that would have made this better are balsa wood takes to crash over heads and sugar glass bottles to smash!

Very interesting concept, and original in many ways - even when compared to films covering similar territory.

Cinematography is first rate. Scene compositions, fight sequences, pacing, sound effects, editing - considering its indie status and budgetary restraints, all very strong. Impressive. A great team of filmmakers came together on this. That is very clear.

Director James Couche most certainly has his own style. Great cinematic choices. Transitions. He has a touch, and I will most definitely be keeping an eye out for him.

The writing, overall, is good, but there were a couple of holes in the logic, and a few scenes seemed a touch overwritten - but that's just me.

As for performance standouts: Wan Dral (assuming acting debut) did a great job. His character had a lot going on, and he gave every facet his full attention. David Norton is as slick and sinister as they come. Eliza Kelley, being tasked with an emotionally and physically complex, multidimensional role, knocks it out of the park.

I hope these filmmakers come together again and again because they have something going here that really works.