Black Coffee

Director, Mark Harris has taken another leap forward in his career with this latest addition of "Black Coffee."

The delicate balance of black relationships is hard to capture in an authentic and heart felt way for most filmmakers, but Mark's command of subtle nuance pulls it off brilliantly here. I am particularly impressed with the way the storyline remains entertaining and sexy without ever going "raunchy". I appreciate Marks level of sophistication and taste.

Black Coffee is a great relationship film for anyone of any background and especially those brothers and sisters in the world looking for love today. Great insights into the minds of men and women.

A must rent for date night.

This film begins with a young man by the name of "Robert" (Darrin Dewitt Henson) getting fired from a job at a company his father started, but now being managed by a man named "Nate" (Josh Ventura). Needless to say, since he is a hard worker and Nate was his friend, this news comes as quite a shock to him. Not only that, but when he returns to his home, he finds that his girlfriend "Mita" (Erica Hubbard) is leaving him as well since, now being unemployed, he obviously cannot continue to support her in the manner she is accustomed to. He later discovers that Mita has been cheating on him with Nate. It's during this time that he meets an attractive female lawyer by the name of "Morgan" (Gabrielle Dennis), and sparks fly between them. The problem is that Morgan's ex-husband, "Hill" (Lamman Rucker), is pressuring her to reconcile with him, and this makes any romance with Robert extremely difficult. Now, rather than reveal any more, I will just say that this was a cute rom-com, helped in large part by the chemistry between Darrin Dewitt Henson and Gabrielle Dennis, along with the comedy supplied by Christian Keyes (as Robert's cousin "Julian") and Erica Hubbard. Admittedly, the focus seems to be geared more towards a black audience, but even so, I still enjoyed this film, and I have rated it accordingly. Slightly above average.

When Mark Harris's Black Coffee ended, I felt like I was still waiting for the film to begin. The film's poster, trailer, and title give it the impression that there will be themes and ideas about black entrepreneurship and private enterprise, that would've made for a wickedly entertaining subject that has never, to my knowledge, been articulated in film. Instead, writer/director Harris gives us something we've seen far, far too often; a relationship drama where all the characters are flat as a board and all there is a cloying artificiality to the characters, their motivations, and their interactions with one another.

The film concerns Robert (Darrin Dewitt Henson), an amiable man who gets fired from his own father's company and simultaneously loses his money-hungry girlfriend Mita (Erica Hubbard) all in the same day. Robert sticks by his cousin Julian (Christian Keyes) for personal guidance after meeting and falling for an attractive woman named Morgan (Gabrielle Dennis) as well as trying to find gigs as a painter. Furthermore, trouble brews like a cup of piping-hot coffee when Morgan's ex-husband Hill (Lamman Rucker) attempts to get her back, as well as Mita revealing she had been in a relationship with Robert's now ex-boss the whole time and is hungering for his company (meaning his money) once more, throwing everything into a dramatic tailspin.

There is enough melodrama in this picture to sustain two consecutive Tyler Perry films and a TV show, and Harris attempts to introduce the film's many characters, get us to like the ones we're supposed to and loathe the ones we don't, show numerous instances of betrayal, drama, intensity, and connections, and give us an ending we believe all in the time frame of eighty minutes. Quite a lofty ambition, but it should come as little surprise that the film is just short of being completely and totally abysmal. Simply put, the motivations had by characters - especially Robert's cloying and unrealistic "forgive and forget" attitude towards his ex-girlfriend's treatment of him when she comes groveling back, even offering her a place on his couch - aren't the least bit believable.

The squeaky-clean dialog is also not a very accurate portrayal either. Not every film needs to have excessive amounts of cursing, but Black Coffee's constant desire to possess an annoyingly sunny, look-on-the-bright-side definition isn't only unrealistic but delusional. These characters dangerously approach the lines of being completely unfazed by anything, deluding and sugarcoating current events in their lives as if cheating, deception, and betrayal are normal, every-day "it happens" sort of deals. It's frightening how the characters never seem to get that aggravated or hurt by their peers' actions, and when they do show it, it's in a contrived and disgustingly phony manner.

Aside from the film's grave amount of flaws, it at least looks unbelievably gorgeous, with an indescribable antiseptic slickness to the cinematography, done by Adam Lee. The film has no problem in the looks department, portraying society as if we're viewing it from a crystal-clear, recently-washed window, again adding to my idea that the film has a constant desire to keep on the sunny side, downplaying disgusting moments of human deception as if they're not really anything to bat an eye at. As an adolescent with a short-fuze, high-anxiety, and an often low self-esteem, I wish I had the restraint and control the characters in Black Coffee have. Unfortunately, I am located in reality.

The real tragedy of Black Coffee, however, isn't its depressing focus in the realm of cinema that tries to be of human interest but ends up being unrealistic and it isn't that its characters take a blow from a pound of rocks with as a tickle from a grain of salt. It's that this picture should actually be about black entrepreneurship. Why did we have to dive into Robert's relationship life? Couldn't we see him maybe open a coffee shop, fight competition, deal with backlash and dissent from family, and maybe have to gain moral and physical help from his cousin Julian? It could've been a beautiful parable and a great film to showcase the often underestimated black businessman and entrepreneur. Instead, we got one of the worst possible substitutes.

Starring: Darrin Dewitt Henson, Erica Hubbard, Christian Keyes, Gabriella Dennis, and Lamman Rucker. Directed by: Mark Harris.

In the opening scene, a loud klaxon sounds on Robert's alarm clock as he wakes up-- there's no ambiguity about the meaning of the titular metaphor of this film. Writer/producer Mark Harris uses positive messages of self-improvement, social responsibility, and hope to prompt his audience to change in this unconventional RomCom.

It's refreshing to finally see a movie that models positive, socially constructive values instead of all the stereotypes and derision found in nearly every big-studio film with black characters. Harris uses a direct approach to deliver his message -- the characters simply say what black folks should do to improve themselves. And Harris lets us know that he is fully aware of all of the racist techniques that mainstream Hollywood producers use to deride and oppress black people: black characters depicted in lower-socioeconomic positions; stereotypical behaviors; substandard grammar and pronunciation; no eye contact; and the promotion of anti-social values. Harris directly addresses these with counter-messaging for each one. And to drive home the point, the film reverses the usual Hollywood-typical roles of black and white people -- a white guy who delivers bad news to the protagonist; a white assistant who is deferential to a black businessman; a white patron at the bookstore being exceptionally rude; and the white guy pleading with the black protagonist for help at one point. In big-studio films all of those white characters would be cast with black actors instead.

One message promoted in the film that I have a disagreement with is the idea of economic segregation. Via this story, the filmmakers argue that black folks should only buy and sell to other black folks to improve their economic condition. Now I agree that buying $500 "swoosh" sneakers made by overseas slave labor or buying expensive gold chains from your local non-black-owned jewelry store is probably not a smart idea. But the tactic promoted by this film of complete segregation, while perhaps effective in the short term is ultimately unsustainable and doesn't get society to where it needs to be. However, the ideas of entrepreneurship, self-improvement, and mutual respect presented in the film are all good.

The writing was solid and the dialog was natural and believable. And the acting was well above average. Story-wise, this film broke somewhat from the RomCom formula in a way that was innovative and actually worked. Also, the characters who play the preexisting partners of the protagonists are treated with more respect, not just as disposable foils or antagonists, but as real people who have issues and are redeemable. Hollywood producers could take a lesson from this film and be a little more willing to step out of the RomCom formula rut.

But there were some serious technical issues with the film. Some of the exterior shots were overexposed and the filmmakers failed to maintain control over ambient noise in location shots. And the audio editing was really choppy. If they couldn't pick a venue where they had control over the noise, then they should have just shot the video and then had the talent come in and re-dub the lines and mix in any required ambient sound in post (which would probably require wider framing and more reaction shots because it's a labor-intensive process to try to sync a dub for more than a second or so against a closeup). Or better yet, shoot it in-studio against a green screen (where motorcycles and helicopters can't stomp on the actors' lines) and then add in whatever location you need later in post.

Overall though, this was a well-written and well-acted film that was somewhat direct at times, but had a positive, socially responsible message. It was clear that Harris didn't want to compromise his message in this film and the result was well worth it. (However, I noticed a later project by Harris, 'No Regrets', which seemed to slip into more Hollywood-style black stereotypes with substandard grammar and anti-social behavior by the black characters.)

Even with the technical flaws, I'm giving this a rating of 9/10 because the message it delivers is so positive.

Advisory: Promotion of drug use by the protagonists.

Rating: 9/10;

I rated this movie based on entertainment and the message it conveyed.

Me and my wife watched the movie and enjoyed it. It was hard for the first 20 or so minutes due to the dialogue and scenes. Movies I can't relate to are hard for me to watch. But the message was clear to me what the writer wanted to bring to the audience. With that being said, this movie is for everyone. Also there is a scene at the bookstore where they had the book 'The Law of Attraction' in the background positioned purposely for the audience to see (knowledge rule of thirds).

Knowing a little about film I can understand the critics in regards to the flow of the movie and lack of continuity. But I feel that is due to watching the film rather than watching the film so to say. This is a common habit of those who study all aspects of art of film.

All in all 8 out of 10! A must watch for everyone. It demonstrates what we need more of, positive black films.