IMDb RATING
4.7/10
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Alana and Rabin, two friends who were kidnapped by a monster. With no other choice, they had to fight by any means necessary.Alana and Rabin, two friends who were kidnapped by a monster. With no other choice, they had to fight by any means necessary.Alana and Rabin, two friends who were kidnapped by a monster. With no other choice, they had to fight by any means necessary.
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If you seen the US movie "The Boy Behind the Door" then you know what I am talking about. This is literally a replica with no dialogue. Not sure if they intended for this to be a remake or not but this version is terrible. I do give kudos to the girl in the movie, she can definitely go far with her acting when she gets older. The suspense in the beginning is good at times but then I'm like, this is giving me Deja vu because I've seen this already. This movie shouldn't have been made but I guess when there's nothing else to watch on a Friday night and you want to kill time then this is it lol...
I don't hate the idea of a film having no dialog. Monster is as simple as a concept as it gets, and realistically, dialog wouldn't be a major aspect of the story anyway. No, the biggest flaw with Monster isn't the LACK of sound, it's the EXCESS of sound.
I just saw Challengers and that was a movie where sound design and mixing were a major aspect of what made it great. This is an example of a movie where the sound design is truly awful. It was a droning, crackling score that initially had me wondering if my TV speakers were broken. (Thankfully, no...I moved to another TV to finish the movie and it was the same situation)
This droning score plays through the ENTIRETY of the movie and it's unbelievably annoying. Not to forget about the score, which is so melodramatic and intrusive that it veers into very corny territory. Music is so important because it can set or ruin a film's tone. Here, the over dramatic music and over use of a terrible score made this film feel cheaper than it needed to. The last time sound made me feel so negatively about a movie was probably Tenet.
As for non-auditory aspects, I think it's fair to warn people that Monster is a very dark movie that follows two children as they attempt to escape a child murderer. Given that...I do wish we did get SOME dialog. It's such a disturbing premise that some levity and humanity on screen would be welcome. Some explanation as to what's going on? What the larger story is here? Or even some of the motivations of the admittedly detestable adults we see in the film would add a layer of intrigue here aside from the relatively compact story we see on screen.
I generally like to support foreign films and go a bit easier on them, but I think Monster needed some tweaking to actually work. As of now, it's a forgettable and undercooked film.
I just saw Challengers and that was a movie where sound design and mixing were a major aspect of what made it great. This is an example of a movie where the sound design is truly awful. It was a droning, crackling score that initially had me wondering if my TV speakers were broken. (Thankfully, no...I moved to another TV to finish the movie and it was the same situation)
This droning score plays through the ENTIRETY of the movie and it's unbelievably annoying. Not to forget about the score, which is so melodramatic and intrusive that it veers into very corny territory. Music is so important because it can set or ruin a film's tone. Here, the over dramatic music and over use of a terrible score made this film feel cheaper than it needed to. The last time sound made me feel so negatively about a movie was probably Tenet.
As for non-auditory aspects, I think it's fair to warn people that Monster is a very dark movie that follows two children as they attempt to escape a child murderer. Given that...I do wish we did get SOME dialog. It's such a disturbing premise that some levity and humanity on screen would be welcome. Some explanation as to what's going on? What the larger story is here? Or even some of the motivations of the admittedly detestable adults we see in the film would add a layer of intrigue here aside from the relatively compact story we see on screen.
I generally like to support foreign films and go a bit easier on them, but I think Monster needed some tweaking to actually work. As of now, it's a forgettable and undercooked film.
I am a fan of the idea of having a film use no dialogue. (Characters only sometimes say the names of other characters, so at least the main actors are more likely to get fairly compensated as speaking parts.) I don't mind the campy fake blood as long as there is suspense and a good storyline. Cinematography definitely had good moments of creating suspense. Only twice in the film did I find myself in a moment that seemed laughable and took me out of my immersion. One was a "The Shinning" spoof of the "Here's Johnny" scene that played out impressively well, especially by a young child actress in the place of Duvall, but even in its abbreviated form, the scene is just too long to not be a bit dull and out-of-place. The other moment was when our main character stops herself from stealing some french-fries left behind by an antagonist and pouts. I can see how they intended to make this a moment of showing human-ness and generating pity for the child, but it instead came off as an out-of-place moment of levity. I can forgive those things however. The thing that really irked me was the stereotypes used to depict the "badguy" archtype; Joint-smoking, beer-drinking gamer playing violent MMO shooters late into the night, has long unkempt hair and a black baseball cap or hoody with open jacket and ripped jeans, sustaining on cup noodle and fast food, neglecting an otherwise gorgeous home that is taken for granted and absolutely infested with cockroaches. And let's not forget this is supposed to be a child predator. It's just hitting every checkmark for a bad stereotype. When we got our second villain in the story, things started to pick up with suspense.
It's no spoiler that this film doesn't contain any dialogue -- or maybe it is, but one that is given by Netflix themselves right from the onset. Not knowing this would have given the film more tension, something that this Indonesian made for television movie is sadly lacking.
No cliche is left untouched here. Repetitive scenes abound (the heroine hides under the bed, behind a door, in a cupboard, and this time and again). There is no surprising twist (oops, was that another spoiler?). There are no intricate plotlines to be unraveled. No attempt is made to give the capturer and his partner personality; the house with its bland interior doesn't even look like it's their own.
In conclusion, despite its rating this is essentially a children's movie, in both senses of the word, and childish at that. Would have been more effective when shortened to, let's say, twenty minutes.
No cliche is left untouched here. Repetitive scenes abound (the heroine hides under the bed, behind a door, in a cupboard, and this time and again). There is no surprising twist (oops, was that another spoiler?). There are no intricate plotlines to be unraveled. No attempt is made to give the capturer and his partner personality; the house with its bland interior doesn't even look like it's their own.
In conclusion, despite its rating this is essentially a children's movie, in both senses of the word, and childish at that. Would have been more effective when shortened to, let's say, twenty minutes.
Monster (2023) is a remake of the 2020 movie "The Boy Behind The Door" and while that movie was nothing spectacular but pretty decent, this one is just an absolute mess. Two children are being abducted and wake up in a secluded cabin with their captor lingering around. After the little girl manages to free herself prepare to shake your head continually. The decisions made in this movie are absolutely terrible. While you could excuse the children for being young and not knowing better this does not apply to the villains. There are so many scenes where the Threat doesn't even feel real because of these decisions made. The movie also doesn't have dialogue which does not contribute in making this any better. The movie had some decently tense situations and there was a small potential hidden somewhere in this, however the overall execution is rather laughably. [4,5/10]
Did you know
- TriviaThough the film claims to have no dialogue, some characters call out the names of other characters. Other than that, there is no conversation at all.
- ConnectionsRemake of The Boy Behind the Door (2020)
Details
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- Also known as
- Kapının Ardında
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- Runtime
- 1h 26m(86 min)
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- Aspect ratio
- 2.35 : 1
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