Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.
- Awards
- 10 wins & 27 nominations total
Sahaarsh Shuklaa
- Goru
- (as Saharsh Kumar Shukla)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
10ankurlkw
Let me start by saying that this movie has everything right about it. From direction and cinematography to performances and music. The locations are breath taking.
Imtiaz Ali yet again delivers a "hat ke" love story. Its not exactly a love story but a tale of two people who want to get free and experience life. Both the characters have there own painful pasts and when they come together they let it all go and try to start it all over again.
Their journey is the theme of this movie. Alaya Bhatt and Randeep Hooda deliver power packed performances with a great supporting cast.
The movie forces us to think about the society we live in and how people struggle to lead a normal life. Be it a rich family or a poor villager. They have there own challenges.
I won't go more into the story line as that is something to be experienced.
This movie comes with a message and we are left to think what freedom and liberation means.
I will strongly recommend this one.
Imtiaz Ali yet again delivers a "hat ke" love story. Its not exactly a love story but a tale of two people who want to get free and experience life. Both the characters have there own painful pasts and when they come together they let it all go and try to start it all over again.
Their journey is the theme of this movie. Alaya Bhatt and Randeep Hooda deliver power packed performances with a great supporting cast.
The movie forces us to think about the society we live in and how people struggle to lead a normal life. Be it a rich family or a poor villager. They have there own challenges.
I won't go more into the story line as that is something to be experienced.
This movie comes with a message and we are left to think what freedom and liberation means.
I will strongly recommend this one.
'Highway' finds Imtiaz Ali at his best. The talented storyteller delivers a beautiful, tragic film that left me spell-bound. Here's a film that celebrates love & tragedy, with skill. Also, Alia Bhatt pitches in a brilliant performance in the central role.
'Highway' Synopsis: Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.
'Highway' is amongst Imtiaz Ali's finest works. His Screenplay is wonderful. It creates a world of diverse characters who eventually develop a bond. The protagonist, Veera, played by a sterling Alia Bhatt, is a character who finds freedom while being kidnapped, while the character of Mahabir, played by Randeep Hooda, is in search for love & respect. It's the diversity between these two-characters that makes this road-movie so engaging. Ali's direction is excellent. He's in top-form! Anil Mehta'a Cinematography captures every frame magnificently. Editing is crisp. Music by A.R Rahman is enchanting.
Performance-Wise: Alia Bhatt triumphs with 'Highway'. She delivers a brilliant, sterling performance as the vibrant yet haunted protagonist. She's the life of the film. Randeep Hooda is ever-impressive. He enacts his part with amazing understanding. The supporting cast lends good support.
On the whole, 'Highway' is near-perfection. A marvelous motion-picture!
'Highway' Synopsis: Right before her wedding, a young woman finds herself abducted and held for ransom. As the initial days pass, she begins to develop a strange bond with her kidnapper.
'Highway' is amongst Imtiaz Ali's finest works. His Screenplay is wonderful. It creates a world of diverse characters who eventually develop a bond. The protagonist, Veera, played by a sterling Alia Bhatt, is a character who finds freedom while being kidnapped, while the character of Mahabir, played by Randeep Hooda, is in search for love & respect. It's the diversity between these two-characters that makes this road-movie so engaging. Ali's direction is excellent. He's in top-form! Anil Mehta'a Cinematography captures every frame magnificently. Editing is crisp. Music by A.R Rahman is enchanting.
Performance-Wise: Alia Bhatt triumphs with 'Highway'. She delivers a brilliant, sterling performance as the vibrant yet haunted protagonist. She's the life of the film. Randeep Hooda is ever-impressive. He enacts his part with amazing understanding. The supporting cast lends good support.
On the whole, 'Highway' is near-perfection. A marvelous motion-picture!
I saw this first day first show with my family in a suburban theatre.
The movie is thought provoking and it deals with a social message.
Lovely cinematography with a power to heal, to nurture and free your soul.
It made me want to almost pack my bags and take off into the unknown, the joy of lying down beneath the stars, beside a river or even just driving through the snow-capped mountains is enticing to say the least.
Randeep Hooda is very underrated.
He gave a solid performance.
The direction n cinematography is top notch n the best part is the screenplay.
The ending is very shocking and so is the background story of the male lead character.
The movie is thought provoking and it deals with a social message.
Lovely cinematography with a power to heal, to nurture and free your soul.
It made me want to almost pack my bags and take off into the unknown, the joy of lying down beneath the stars, beside a river or even just driving through the snow-capped mountains is enticing to say the least.
Randeep Hooda is very underrated.
He gave a solid performance.
The direction n cinematography is top notch n the best part is the screenplay.
The ending is very shocking and so is the background story of the male lead character.
Well the movie is simple,realistic,beautifully shot,has nice music and is diligently acted.If you are looking for an out of the box movie,this movie is not for you. It is for those soul, who believe more in spiritual form of love rather than physical.It touches you at various level, though revolving around a linear storyline.The movie also touches upon various important social issues without being redundant and preachy such as child abuse,class difference etc.It also never appears to be overacted, though the scene in the second half where Alia confronts ghost of her past seems quite elongated.All in all a good clean family movie with a soulful core and a genuine message you can take back home.One of the best works of Imtiaz after Jab we Met ..one of the most soulful indeed.Though we all know practically in real life a lot of things are not possible ,but these movies sometimes gives us a hope to believe in good ...and in spiritual love.After all some movies are meant to make you oblivious about reality...for sometime.
IMHO...
Excellent... beautiful... superlative... three words i am very wary of using when describing a movie... the rarer i do it, the more importance it holds.
GET ON THIS HIGHWAY.
Ramesh Sippy had his Sholay, Alia Bhat has her HIGHWAY. This young actress, i never thought good of (i gave her Student of the Year a wide berth). Here she has kept me riveted for a good length of time with her facial contortions... her voice, her silence, her eyes, her dressing..... everything. her transformation from a cocooned girl to a free butterfly during the course of the movie is sublime. ill give her a perfect 12 out of 10. and she didn't have to resort to ANY skin show; no T&A here, pure genes at play. She shines. the movie belongs to her, and she excels.
the story is simple, the subplots un-complicated. be it the horny accomplice (well its essentially a kidnapping story), the good at heart sidekick, the adequately sinister/ curiously enigmatic randeep hooda (more on him later, he deserves a separate writeup), the camera work, the locations, the un-obtrusive soundtrack and music that grows on you. i found very little to complain about in the movie. probably Alia's Stockholm Syndrome kicked in too early into the movie, but im willing to overlook it.
Randeep Hooda has the kind of brooding, lingering, intense screen presence that you'd associate with say a Ajay Devgn. tough to find fault. the way he hisses his expletives, the snarling of a person with a repressed background, the slow unfolding of a soft core, the endearing body language and sheer rugged sexiness. WOW. from the rustic dialect, to the clothes, to the grime filled fingernails... the effort to live the character is commendable.
the background score and the songs, the overall tempo of the movie is very well complimented with the accompaniments. the purpose of good music is not to make its presence felt, but to ensure that its absence will hamper the narrative. That happens here. i don't remember a word of any song sung in the movie, but i know it was essential to drive the movie forward.
The locations depicted in the movie, the adept camera-work made me want to whip out my cell phone and take pictures of the screen. the mountains, the overhanging cliffs along the routes, the beautiful countryside (kashmir/ rajasthan, lovely roads)... the lenses have been taught to fall in love with the locations. Zero doubt about it.
watch the movie... Watch The Movie... WATCH THE MOVIE...
good acting, good direction, good camera-work, good story, a well handled sensitive subplot, brilliant characters... what else do you need?
Excellent... beautiful... superlative... three words i am very wary of using when describing a movie... the rarer i do it, the more importance it holds.
GET ON THIS HIGHWAY.
Ramesh Sippy had his Sholay, Alia Bhat has her HIGHWAY. This young actress, i never thought good of (i gave her Student of the Year a wide berth). Here she has kept me riveted for a good length of time with her facial contortions... her voice, her silence, her eyes, her dressing..... everything. her transformation from a cocooned girl to a free butterfly during the course of the movie is sublime. ill give her a perfect 12 out of 10. and she didn't have to resort to ANY skin show; no T&A here, pure genes at play. She shines. the movie belongs to her, and she excels.
the story is simple, the subplots un-complicated. be it the horny accomplice (well its essentially a kidnapping story), the good at heart sidekick, the adequately sinister/ curiously enigmatic randeep hooda (more on him later, he deserves a separate writeup), the camera work, the locations, the un-obtrusive soundtrack and music that grows on you. i found very little to complain about in the movie. probably Alia's Stockholm Syndrome kicked in too early into the movie, but im willing to overlook it.
Randeep Hooda has the kind of brooding, lingering, intense screen presence that you'd associate with say a Ajay Devgn. tough to find fault. the way he hisses his expletives, the snarling of a person with a repressed background, the slow unfolding of a soft core, the endearing body language and sheer rugged sexiness. WOW. from the rustic dialect, to the clothes, to the grime filled fingernails... the effort to live the character is commendable.
the background score and the songs, the overall tempo of the movie is very well complimented with the accompaniments. the purpose of good music is not to make its presence felt, but to ensure that its absence will hamper the narrative. That happens here. i don't remember a word of any song sung in the movie, but i know it was essential to drive the movie forward.
The locations depicted in the movie, the adept camera-work made me want to whip out my cell phone and take pictures of the screen. the mountains, the overhanging cliffs along the routes, the beautiful countryside (kashmir/ rajasthan, lovely roads)... the lenses have been taught to fall in love with the locations. Zero doubt about it.
watch the movie... Watch The Movie... WATCH THE MOVIE...
good acting, good direction, good camera-work, good story, a well handled sensitive subplot, brilliant characters... what else do you need?
Did you know
- TriviaThe book Veera Tripathi is holding towards the end of the movie is "Women Who Run With The Wolves: Contacting the Power of the Wild Woman" penned by Clarissa Pinkola Estes.
- Quotes
Veera Tripathi: I neither want to go back to the place from where you brought me, nor to the place where you are going to take me, but this road is very good, i don't want to leave it.
- ConnectionsFeatured in 60th Britannia Filmfare Awards (2015)
- How long is Highway?Powered by Alexa
Details
Box office
- Gross US & Canada
- $529,136
- Opening weekend US & Canada
- $326,654
- Feb 23, 2014
- Gross worldwide
- $858,783
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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