Alappuzha Gymkhana

A fantastic cinematic experience that masterfully balances laugh-out-loud humour with genuine adrenaline-pumping moments. While the narrative arc might not be the central focus, the sheer realism of the unfolding events is incredibly compelling, feeling less like a typical genre film and more like witnessing something that could actually happen in such a setting. I particularly loved how the absence of tired movie clichés contributed to this authentic feel. The cinematography, especially during the close-quarters action, was truly outstanding, making you feel the impact of every hit and placing you right beside the characters in the thick of it. This immersive visual storytelling is a major highlight. Ultimately, this is a thoroughly feel-good movie that deserves to be seen on the big screen at least once for its sheer visceral and entertaining qualities.

Alappuzha Gymkhana is simply worth watching. The cinematography in the boxing scenes and fights is superb. The music is good. The entire cast delivered a good performance. The movie starts off at a steady pace in the first hour and then becomes entertaining and engaging. The pre-climax and climax are peak moments. It's a comedy-sports movie, and the director has done a great job, reminiscent of Thallumala.

If you enjoyed Thallumala, you might appreciate this film's similar vibe.

Plot :: Jojo Johnson, David "DJ" John, Shifas "Valthu" Ahammed, Shifas "Cherthu" Ali, and Shanavas are five friends from Alappuzha who have just completed their 12th-grade board exams. While Shanavas passes, the rest of the group fails, leaving their prospects of college admission uncertain.

Boxing action choreography worked great. Excellent sound work to complement the action.

Naslen gave an outstanding performance.

Interesting scripting style. Director's movie - not an audience movie.

There is no specific story line as such. It is an experience. I was engaged pretty much all through the movie.

Boxing action brings in a lot of intensity but at the same time keeps a very safe distance from the ear clenching Marco. It is a pretty good balance. You can enjoy the violence without guilt.

Vishnu Vijay brings in some fresh music. The makers were just having fun. Cinematography, music, sound. There is no insight that the movie claims to lead the audience towards nor is there anything. However, in small scenes, there are interesting nuances that are conveyed.

It is a very bold movie - beating conventions. I am not sure if I enjoyed it as much as Thallumala. Soon after finishing Thallumala, I knew I would rewatch it. This one - I may.

Excellent performances from all the actors. Stylish. Vibe. Fun. Music.

It is experimental, and genuine.

Rating - 3.5/5

A well written and executed sports humour drama showing the struggles of teenage boys for building their life.

The plot of the story moves through the lives of few teenage boys who takes boxing as a medium to their college admissions and how boxing changes their outlook towards life forms the storyline.

Khalid Rahman has incorporated all the essential flavours to this movie for giving an entertaining experience to the viewers. The rapport among the boys and the families attitude with them were well portrayed by adding subtle humour elements in the screenplay. Khalid Rahman has kept the assurance alive among the audience expecting a good theatre experience. The boxing sequences and the mood set through the song Hatja was on point.

Naslen has given a natural performance in the movie as a boy next door. Ganapathi,Lukman,Franco,Sandeep,Baby Jean,Anagha Ravi & Shiva Hariharan also made convincing performances of their characters.

Jimshi Khalid has exceptionally shot the boxing sequences with Vishnu Vijay's music and BGM's elevating the vibe. Special mention to the editor Nishadh Yusuf(late) for giving a wholesome entertainer.

A good watchable fun entertainer and a go-to movie with family on this weekend.

Khalid Rahman is now officially the Anwar Rasheed of the mid-to-late 2000s, creating bonafide entertainers that'll strike a chord with every audience segment, one way or another. However, as opposed to Anwar Rasheed, who has moved on to production and directs only occasionally, Khalid Rahman is busy cracking bro-code with younger talents, this time around, dealing with an almost fully Gen Z cast. Yes, as many remarked, the plot is basic, and even the overall progression is somewhat minimal. Naslen, though getting the most screentime, is not a solo protagonist here. Each member of the ensemble has specific shoes to fill, both in terms of action, humour, and morale-building.

Not every moment of humour lands smoothly, but they keep getting better, with the second half turning into a truly Khalid Rahman flick. The boxing matches are incredibly shot, and stay unique, given the layering attributed to each character. There's a lot of Ryan Coogler-esque shot composition, especially during the boxing match scenes, where Jimshi Khalid's brilliant frames work in close quarters with the sparring opponents. Kramer Morgenthau's DP work in the last two Creed films also comes across as a significant inspiration; at least, some of the punches are executed like REAL PUNCHES.

I thought Vishnu Vijay went into GOD MODE with his background score, completely stripped away from what I heard in Pani, Pravinkoodu Shaappu, and of course, Thallumaala. They not only elevate all the boxing set pieces, but also manage to send a zappy fire straight into your veins with what unfurls during that final street fight that goes BONKERS! Again, this is the kind of film that benefits from the vibrant reel-ish edit style that Nishadh Yusuf (RIP) was known in the last few years for (..not Kanguva). Vishnu Govind does a fantastic job with the sound design.

Finally, the CAST. I like how all the boys (Naslen, Baby Jean, Sandeep, Ganapathi, Lukman, and the rest) had interesting arcs of their own, which reflected in their fight styles as well as the normal teenager personas (..um, all these dudes are well into their 20s, so kudos to their physical transformations!). Plus, it's not always that a side character's recovery during a boxing match results in a clapworthy "mass" moment. The girls (Noila Francy, Nanda Nishanth, and Anagha Ravi) are all solid too, but since they get comparatively less screentime, we get to know their characters only at a superficial level. I'd love to see more of each of them in Malayalam cinema going forward.

On the whole, I don't have many complaints about what the film offered as a theatrical experience. It's a festival winner by all means, because its Head Chef and team have cooked it with mostly the right ingredients in the right doses.