40 Acres

40 Acres is advanced in how it treats familial, racial, and interpersonal traumas. One could look at this film as an allegorical reflection on the devastation ravaged by North American colonists towards multiple communities (i.e. Indigenous Canadians and enslaved Africans) and, while this is necessary to feel the full weight of these survivors' journeys, the genre bending and fast-paced sequences are so well-tailored that the thrills alone can carry the film.

These are survivors in the truest sense of the word, and it's not killing or laboring in the fields that gives them a hard time, it's learning how to build the trust to let others in.

I saw a preview for this movie a couple of months ago and made a point of making sure I saw it when it released. I'm so glad I did because this movie is easily one of the best Canadian productions I've ever seen.

R. T. Thorne really nailed this one, and left me leaving the theatre with a sense of pride that a Canadian filmmaker, and an almost all Canadian cast could make something so entertaining.

The casting was excellent! Everyone brought their own touches to an already excellent script. It was easy to care for every member of the family. Danielle Deadwyler is quickly becoming one of my favorite actresses and she nails it here as the overprotective Mom.

The cinematography was great, the title cards between the different sections of the film was a nice touch. All in all, this movie is worth the price of admission.

Bravo to everyone in the cast. I can't wait to see more from each and every one of them.

40 Acres is a new Canadian, post apocalyptic......farm thriller?

The basic plot follows a family living on an isolated farm in the middle of rural Canada, several years after a mushroom pandemic, civil war and other weird stuff.

Society has fallen, and there are cannibals and raiders everywhere. A family of mixed ethnicity are now surviving, growing food on their farm, which is super important, all animals are now wiped out and farmland is a super hot commodity.

The movie is handsomely shot but it bounces around from dark humour, horror, a military movie, a family religious movie and a coming of age movie, oh and kidnapping movie.

It's almost like the director said to the writers "Hey you have all of this stuff in here. What kind of movie should this actually be?" And then they all said "Yes."

This is a textbook example of throwing everything but the kitchen sink at the wall, but what sticks actually does kind of work.

The movie is unique in that when it's the turn...things get worse for the characters....and then it gets worse......and then it gets worse...before being tied up in a nice little bow at the end.

At the end of the day, if you gave me this film's budget and actors and told me to go with god, this isn't the movie that I would necessarily come up with, but I'm glad that someone took a stab at it. The result is a low to mid budget thriller that actually pulls it off. I saw this movie at a surprise screening, but I'm glad that I did.

In a time of famine, a cynical veteran isolates herself and her family from the rest of the world. Abiding by strict rules, the family prospers, while others succumb to the famine or are targeted by cannibals. While she is okay with their way of life, her son is not and decides to test the limits of the rules, leaving the family fighting for survival.

This is not a typical end-of-the-world scenario. It does not involve zombies, a nuclear war, or an alien invasion. Like many end-of-the-world stories, it explores morality and human depravity. The family's race and history set the story apart from others. There is a good amount of well-choreographed action throughout, but some dialogue scenes are over-the-top and unnecessary. The story is predictable, even with a few unique aspects, making the one-hour and fifty-three-minute runtime feel long. This is definitely worth a stream when available.

Screen Unseen for June 16th was 40 Acres, and AMC advertised this film for Juneteenth. I was debating whether I wanted to see it or not, and then I received the open time frame to watch this movie.

The engagement was compelling enough to keep my attention. Still, my reason for engagement was trying to understand the world-building and consequential behaviors through the protagonist continued to be mind-blowing. In her motherly role, she should have soft elements, especially with the exposition of history in the flashback scenes. By the time we view the ending scenes, the emotional finale did not leave a heart-warming impact or a specific message of family.