IMDb RATING
4.6/10
5.3K
YOUR RATING
Both a journalist and a documentary filmmaker chase the story of a murder and its prime suspect.Both a journalist and a documentary filmmaker chase the story of a murder and its prime suspect.Both a journalist and a documentary filmmaker chase the story of a murder and its prime suspect.
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- 2 nominations total
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I am glad I gave this film a chance and watched it til the end as I was pleasantly surprised with how it framed the murder of Meredith Kercher and its media coverage. The film manages to portrait the multi-dimensional aspects of the media, student life in Italy, and the various people affected by this crime. Most important and touching was that Meredith Kercher was given a human face and was not lost in the shadow of Amanda Knox's celebrity/villain representations provided in previous films/documentaries.
I have absolutely no idea how I came with the idea of watching this movie. As soon as it started I immediately understood that it was about the Amanda Knox case even though they use different names. So I thought it would be interesting to watch a movie about that. But what a disappointed that turned out to be. The story goes back and forth between the life of the journalists and the case itself. Difficult to follow and also extremely boring. Not that the actors were bad or so. They were all believable in their roles. But the story was just too boring and badly written. At one point I was battling not to fall asleep and at the end I just lost the battle. In a case like that I would normally just rewind until the part I fell asleep but with this movie I could not care less. I don't even want to know how it ended, too boring to waste anymore of my time with it.
The Amanda Knox saga, on which this is based, is an incredibly compelling real-life thriller. It has all the elements--xenophobia, exotic location, pretty people, legal saber-rattling, murder most foul, the irrationality of the enraged populace, wrongful conviction and a compelling heroine who wins in the end.
Now, how do you take THAT and make this incredibly dull, meandering film? I often criticize films that are "Hollywood-ed up," but here, they could have used some Hollywood attention to character development and pacing. The script is limp. The characters are laconic. Nothing much happens. The director has done better. The actors have done better. One day, someone will make a truly compelling film on this remarkable tale. This is not it.
Now, how do you take THAT and make this incredibly dull, meandering film? I often criticize films that are "Hollywood-ed up," but here, they could have used some Hollywood attention to character development and pacing. The script is limp. The characters are laconic. Nothing much happens. The director has done better. The actors have done better. One day, someone will make a truly compelling film on this remarkable tale. This is not it.
Barbie Latza Nadeau's novel based on a true event has been transformed (or mutated) into a screenplay by Paul Viragh and the result as directed by Michael Winterbottom is a fine scenic tour of Sienna, Italy – and little else.
The story is based on true events - a journalist (Kate Beckinsale) and a filmmaker (Daniel Brühl) lose themselves in a notorious murder case they are covering – the controversial case of a American student accused of murder (the victim in truth, one Meredith Kercher) in Italy. Somehow the story gets lost in translation but if you can get past the fact that this is more of a fantasy film than reportage portions of can be entertaining. It does allow a primarily Italian cast to look great and decorate the already visually stunning sites of Sienna.
The story is based on true events - a journalist (Kate Beckinsale) and a filmmaker (Daniel Brühl) lose themselves in a notorious murder case they are covering – the controversial case of a American student accused of murder (the victim in truth, one Meredith Kercher) in Italy. Somehow the story gets lost in translation but if you can get past the fact that this is more of a fantasy film than reportage portions of can be entertaining. It does allow a primarily Italian cast to look great and decorate the already visually stunning sites of Sienna.
Some will say that t is still too soon to be making a film about a murder case that shocked the World and they are arguably right. I did not know this was about that until I started watching it and will judge it as a film in its own rights. Anyway Daniel Bruhl plays a film maker who has had a run of bad luck and wants to make a film about the murder case and he teams up with a journalist played by Kate Beckinsale; she has been following the case from the start in Sienna.
The case is ongoing as the film develops and Bruhl's character gets completely immersed and for those that followed the case there will be moments of déjà vu through out. There are many references to Dante's 'Divine Comedy' too and some rather awkward dream sequences.
Is it any god though? Well I was not disinterested at all but it was still not riveting. Everyone puts in a good performance although some are a bit stereo typed – especially some of the journalists. So it is above average but I could not get away from the fact that for some people this case is still a living hell and that cast a pall over any 'enjoyment' (if that is the right word) that I could get from this production – hence my rating but I would not try to dissuade anyone from seeing this especially if you are fan of either of the leading actors as they both serve their trade well.
The case is ongoing as the film develops and Bruhl's character gets completely immersed and for those that followed the case there will be moments of déjà vu through out. There are many references to Dante's 'Divine Comedy' too and some rather awkward dream sequences.
Is it any god though? Well I was not disinterested at all but it was still not riveting. Everyone puts in a good performance although some are a bit stereo typed – especially some of the journalists. So it is above average but I could not get away from the fact that for some people this case is still a living hell and that cast a pall over any 'enjoyment' (if that is the right word) that I could get from this production – hence my rating but I would not try to dissuade anyone from seeing this especially if you are fan of either of the leading actors as they both serve their trade well.
Did you know
- TriviaThe film is based on the real-life story of Amanda Knox who was accused of the murder of Meredith Kercher in 2007.
- GoofsAround 35 minutes into the movie, Melanie takes Thomas to party. When Thomas is entering the building he is carrying his brown leather bag containing personal stuff. At the party Melanie and Thomas are smoking weed and eventually are doing other drugs. The movie continues with Thomas leaving the party and going back to the crime scene, where he gets stabbed by Eduardo, which turns out to be dreamed by Thomas. Melanie takes Thomas to the washroom where Thomas has to throw up. After that both of them leave the party for good and Melanie walks Thomas back to the hotel. When both of them are passing a cathedral Thomas does not carry his bag.
- Quotes
Journalist: If you're gonna make a movie, make it a fiction. You cannot tell the truth unless you make it a fiction.
- ConnectionsReferences Casablanca (1942)
- SoundtracksIt Came to Pass
Written by Paul Lawler
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- The Face of an Angel
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- Gross worldwide
- $34,194
- Runtime1 hour 41 minutes
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- 2.35 : 1
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