The Thirteenth Tale

the presence of Vanessa Redgrave could be a guarantee about this film. but it is more. because it is not only a beautiful film but a wise one. not victim of many easy solutions - useful for many Gothic stories - but delicate and precise, gentle and care to each obstacle. a movie who remembers many old stories. but it has courage to not be only one of them. the key is the intelligent performance of lead actresses. and the spirit of old world - tower of secrets, deaths and the best servants. but the secret remains the clash between feelings, past and future, the limits and shadows of characters as a puzzle. that seems be all. a movie who has not ambition to be remarkable. but it is really good.

Based on a best-selling Gothic novel, THE THIRTEENTH TALE contains all the virtues characteristic of contemporary BBC drama; lavish locations with plenty of exterior shots, ornately decorated interior shots, 'mood' lighting designed to create a spooky atmosphere, and a cast of well- known actors given full opportunity to show off their creative talents. In this particular piece, aging novelist Viola Winter (Vanessa Redgrave) enlists the services of little-known writer Margaret Lea (Olivia Colman) to recount her autobiography, including her Viola's mysterious childhood when her family home (Anglefield House) burned to the ground. However Viola is herself a writer of fiction, so we never quite know whether what she recounts is 'the truth' or not (if the truth exists, of course). Christopher Hampton's screenplay allows for plenty of exchanges between the protagonists, as well as creating a 'hall-of- mirrors' like effect in which nothing is what it seems to be. However the narrative of THE THIRTEENTH TALE does tend to sag; like many BBC dramas, the director James Kent seems too much concerned to create atmosphere through music and location shooting (both interior and exterior), both of which tend to impede the progress of the plot. The denouement, when it comes, is both predictable and un-scary. One is left with the feeling that the story could have been far more effectively recounted in a sixty-minute slot.

Arnold Schwarzenegger and Danny DeVito were twins. One inherited all the noble qualities, and the other... didn't. The twins in "The Thirteenth Tale" are rather less amusing. Madeleine Power is brilliant as the nine-year-old girls Emmeline and Adeline (Ella-Rose Wood skilfully doubles). One of these twins (under that cascade of gorgeous red hair) has the makings of a sociopath. You wouldn't want to be governess to this difficult duo, but Hester Barrow (Alexandra Roach) comes from the school of no-nonsense firmness. Also from a school of too clever by half rationality, leading to this "scientific" procedure - which you just know will not end well.

It's English Gothic. There's a whiff, nay, a stench of corruption within the tainted aristocratic blood, yea, in the befouled DNA. So mental instability is always going to be on the menu. The stolid servants (Janet Amsden as The Missus and Robert Pugh as John The Dig) ought to be secure enough - unless they get drawn into the cesspool.

If you want to enjoy this film, you'll need to accept the conventions. Some elements of the story are super-credible, other elements look cliched or artificially engineered. Is dying author Vida Winter (Vanessa Redgrave) trying to absolve some collective guilt by "confessing" to her chosen biographer Margaret Lea (Olivia Colman)? Lea doesn't come across as tough enough to be a professional biographer. But maybe it's Lea's vulnerability that keeps Winter talking, spilling the beans and spilling them in the right order for her fantastical narrative to keep us watching. A movie like this draws you in with its well made beginning; but whether you'll say at the end, "This was time well spent" is not specified on the manufacturer's warranty card.

'The Thirteenth Tale', a new BBC drama, tells the story of madness in an upper class family. There's a twist in the tale, but finding a way to convey it critically maims the dramatic structure: the story is told, entirely in hindsight, in a way that kills engagement, promoting the mundane story of the telling into the foreground over the potentially more interesting story that's actually being told. One can also note that this is the sort of tale where, however neglected or crazy its young protagonists are supposed to be, they never fail to look anything but ravishing. I found it psychologically unconvincing and essentially dull.

This is really one of my favorites I've seen throughout the year of 2013.

Cinematography 8/10: The cinematography is beautiful. Most of the shots and standpoints in this film were well done.

Characters 7/10: Throughout this film, the characters were well- developed, but not every character was interesting and had no real background.

Plot 9/10: This movie had a very good plot, there wasn't any plot holes from my perspective and it was an intriguing ride.

Cast 8/10: The cast was well-chosen and all had a very good performance. I've always been a fan of Vanessa Redgrave and this performance of hers as Vida Winter was incredibly well done.

Conclusion: This movie is great and I give it an 8.25/10.