The Living

I saw this movie at a screening in Boston MA sponsored by Emerson college. I was impressed with the content of the film and how Jack Bryan the writer/director incorporates his characters and intertwines their lives into the dark depths of alcoholism and domestic violence. His choice of cast members was right on and I particularly liked his portrayal of the killer played by Chris Mulkey. I was surprised by the ending but not disappointed. This is a must see movie. I hope to have the opportunity to experience more works from this group of talented writers, directors, and producers along with all members who made this film what it is.

This movie is a superb combination of thriller and socially conscious film-making. I've never really seen a film that is as good. The acting is great all around. The characters are nuanced. The problem of domestic violence is subtly depicted. The courage of the filmmakers is obvious from the start. I highly recommend this film. My one reservation concerns the depiction of the killer as southern. But the portrayal of people wiling to forgive is truly amazing and impressive. So, I agree totally with this other review: I saw this movie at a screening in Boston MA sponsored by Emerson college. I was impressed with the content of the film and how Jack Bryan the writer/director incorporates his characters and intertwines their lives into the dark depths of alcoholism and domestic violence. His choice of cast members was right on and I particularly liked his portrayal of the killer played by Chris Mulkey. I was surprised by the ending but not disappointed. This is a must see movie. I hope to have the opportunity to experience more works from this group of talented writers, directors, and producers along with all members who made this film what it is.

I first met writer/director Jack Bryan at the Tallgrass Film Festival during a showing of Yojimbo. I ended up seeing his film "The Living" when it premiered that weekend. I was excited to see it, Jack seemed like a cool guy and I love Fran Kranz, but I had no idea I was in for such a treat. I'm not really sure if treat is the right word to use, this film is a lot of things, but it might be a little too dark to be considered a treat. The performances, writing, direction, and production design are all flawless. The story follows Teddy, an alcoholic that wakes up one morning after blacking out to discover that he had beat his wife. Fran Kranz plays as Teddy and gives the best performance of his career. Cast as the comedic relief in Cabin in the Woods and Dollhouse, it was refreshing to see him playing a serious role. Somehow, he's able to make a character that you're inclined to hate from the start lovable. While his brother in law is on a quest to hire a hit-man to kill him, Teddy is doing everything he can to make things up to his wife. Chris Mulkey plays as the hit-man and does an excellent job at being horrifying. Killing is something that comes casually to him. The rest of the cast put in excellent performances as well. If the movie comes to your area, it's more than worth the price of admission.

Kenny Wormald as Gordon carries this movie from start to finish. He shines in his role as the confused, spirit broken, son of Angella, brother of Molly, and trapped future-less stock clerk at a local grocery store.

Gordon feels defeated by his mother constantly pecking at him and belittling him. Gordon wants to stand up to his abusive brother-in-law but lacks the will and the drive. His mother fails to realize she has destroyed her son. Molly (his sister) and wife to Teddy only stands up for herself when pushed into a corner as shown by how her husband Teddy beat her and then Molly fights back. But she cannot stay away from Teddy at her mother's house because she see's her mother as more abusive psychologically than Teddy's physical abuse.

Fran Kranz as the husband Teddy is very smooth and likable in this role as he charmingly worms his way back into Molly's trust only to have Molly reject him again and again. BUT pay attention to the kitchen scene near the end of the movie! His true character is coming out when he gets Molly to 'get' something for him. And she does! She is now back into his control.

Chris Mulkey as Howard is one spooky dude! A terrible creature and Gordon doesn't realize this until it's too late and he then knows he's in over his head. Howard has complete control of him. The finest scene is in the restaurant conversation between Howard and Gordon .... it is here that Gordon actually gets Howard to philosophically question himself and his life. But he too is in over his head with his past life and he cannot escape it, his ship is sinking and he might as well go down with it. On the other hand Gordon must find a way off this sinking ship.

This film is perfect from start to finish! Bravo's to writer/director Jack Bryan and the entire cast. A must see film!

In rural Pennsylvania, Teddy (Fran Kranz) is beating up on his wife Molly (Jocelin Donahue) again. Her weak-kneed brother Gordon (Kenny Wormald) won't do much of anything. Gordon is browbeaten by their mother Angela (Joelle Carter) for his weakness. His work friend suggests hiring Howard (Chris Mulkey), a killer from Mississippi. As Gordon and Howard drive back to Pennsylvania, Howard's violence causes Gordon to reconsider.

There are two ways to consider these characters. They can be seen as complicated and deeply flawed humanity. They can also be seen as wrongly written and pathetically unredeemable. Molly's attachment to Teddy can be very disturbing but it's also not unreasonable. Plenty of abused women defend their abusers. Gordon's pathetic character can be very annoying. At the end of the movie, I wish that this was made by the Coen brothers. They would have injected some comedy and pathos which would make this tragedy somehow humorous and more compelling. I don't know much about this filmmaker. He doesn't have it.