Inspired by Mulan, Hua Zhi, a brave and intelligent aristocratic girl, expected to live a quiet life, employs everything that she has learnt but never got to use to save her family when trag... Read allInspired by Mulan, Hua Zhi, a brave and intelligent aristocratic girl, expected to live a quiet life, employs everything that she has learnt but never got to use to save her family when tragedy strikes, taking away all their privileges.Inspired by Mulan, Hua Zhi, a brave and intelligent aristocratic girl, expected to live a quiet life, employs everything that she has learnt but never got to use to save her family when tragedy strikes, taking away all their privileges.
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It's a solid and easy to watch drama. Zhang Jing Yi, who plays the female lead Hua Zhi, did a fantastic job. Her portrayal of a calm, composed, and intelligent woman who endured many family hardships yet never gave up was spot on.
Hu Yitian, who plays the male lead Gu Yanxi, was a bit stiff in the first few episodes, but the more I watched, the more likable he became. The two main leads have good chemistry.
Hu Yitian, who plays the male lead Gu Yanxi, was a bit stiff in the first few episodes, but the more I watched, the more likable he became. The two main leads have good chemistry.
Some plot developments feel implausible; for instance, the female lead openly criticizes the king despite being fully aware of the risks involved. Given her past experiences-both her family's downfall and the troubles faced by her ex-fiancé's family-one would expect her to act with greater caution, especially under the rule of such an incompetent and manipulative monarch.
That said, I really enjoyed the development of the Hua family members. The relationships among the women of the Hua family, and the way they supported and worked together, were the strongest and most engaging aspects of the drama.
Overall, it's a lighthearted and easy drama to watch. The male lead, Hu Yi Tian, comes across as somewhat bland in the early episodes, but as the story progresses, I grew accustomed to his portrayal and eventually found his role quite charismatic.
That said, I really enjoyed the development of the Hua family members. The relationships among the women of the Hua family, and the way they supported and worked together, were the strongest and most engaging aspects of the drama.
Overall, it's a lighthearted and easy drama to watch. The male lead, Hu Yi Tian, comes across as somewhat bland in the early episodes, but as the story progresses, I grew accustomed to his portrayal and eventually found his role quite charismatic.
This historical Chinese drama has everything well-balanced and stays clear of annoying devious and jealous third parties and petty squabbles. It's very inspirational. 3 generations of males in a family were exiled to the cold north for hard labour by the emperor and left behind 3 generations of their women and children to fend for themselves in the imperial city. There are very sad moments and very joyful moments too. The struggles these ladies go through in ancient China will enrage you and our strong and fearless female lead will inspire you. The series is fast paced and doesn't have a dull moment with a good balance of family drama, romance, palace intrigues and fighting scenes. The opening and closing songs are very catchy and good too. Highly recommend to watch.
What a positive surprise. I wouldn't have thought that the ordeals of a fallen noble family could be this captivating. This show explores the hardships of the family's women and children after their clan's men got exiled. In order to overcome this situation, they have to face all of the intrigues and conflicts that could conveniently be ignored during a life of wealthy idleness, but now have to be dealt with in order to utilize everyone's strengths in order to make a living.
Xi Hua Zhi is presenting a healthy mix of different genres. Besides the obvious family drama it tells stories about emotional struggles, business acumen, leadership, politics and balances serious topics with humorous relief and martial arts action. Even (for a Chinese show) unusual topics like disabilities and emancipation are convincingly woven into the storytelling - not in a condescending way as it is the case in most modern tv shows from the west, but in a way that it comprehensively fits even into the setting in the ancient Eastern society. While not all characters presented are fleshed out well, many of them are. Almost every family member (including the maids and concubines) has her own storyline with struggles, and most of them see a healthy share of character development. While the two lead actors do a good job carrying the show, there are a couple of hidden gems in the side character casts that will really get you invested. Most notably the display of the mentally challenged Shaohua, the good-hearted but lazy Baoxia, the self-doubting but highly skilled Fudong, the virtuous Shen Qi or the industrious and resourceful Jin'e are the ones that, imho, stood out the most in terms of acting.
What keeps this show from being 'perfect' are mainly three things. First, a lot of the drama seems just a bit too artificial and constructed. While a lot of the bigger picture leading to the challenges of the family can be explained with politics and the deeply distrustful and hurt personality of the Emperor, some of the things happening 'on-the-side' and some family members' reactions to that seem a tiny bit over the top. Second, especially towards the end of the show, some of the events seem a bit rushed. It feels as if the first half of the books' stories (which I admittedly haven't read) get like 32 episodes of space and the show takes time to explore these moments with the characters, whereas the other half has to be squeezed into the remaining eight episodes. This makes the end seem a bit rushed and, unfortunately also accompanied by the not too uncommon stereotypes (as in: all the girls have to find a husband). There's few expections to this rule in the show, but eventually, I couldn't help but feel like it was forced and thus a bit of missed potential, especially compared to what the story had been telling until then. But does this make it a bad watch? Absolutely not!
Xi Hua Zhi is a great show with a healthy mix of genres, great storytelling and a memorable cast of characters. I'm sure I'm gonna watch it again someday.
Xi Hua Zhi is presenting a healthy mix of different genres. Besides the obvious family drama it tells stories about emotional struggles, business acumen, leadership, politics and balances serious topics with humorous relief and martial arts action. Even (for a Chinese show) unusual topics like disabilities and emancipation are convincingly woven into the storytelling - not in a condescending way as it is the case in most modern tv shows from the west, but in a way that it comprehensively fits even into the setting in the ancient Eastern society. While not all characters presented are fleshed out well, many of them are. Almost every family member (including the maids and concubines) has her own storyline with struggles, and most of them see a healthy share of character development. While the two lead actors do a good job carrying the show, there are a couple of hidden gems in the side character casts that will really get you invested. Most notably the display of the mentally challenged Shaohua, the good-hearted but lazy Baoxia, the self-doubting but highly skilled Fudong, the virtuous Shen Qi or the industrious and resourceful Jin'e are the ones that, imho, stood out the most in terms of acting.
What keeps this show from being 'perfect' are mainly three things. First, a lot of the drama seems just a bit too artificial and constructed. While a lot of the bigger picture leading to the challenges of the family can be explained with politics and the deeply distrustful and hurt personality of the Emperor, some of the things happening 'on-the-side' and some family members' reactions to that seem a tiny bit over the top. Second, especially towards the end of the show, some of the events seem a bit rushed. It feels as if the first half of the books' stories (which I admittedly haven't read) get like 32 episodes of space and the show takes time to explore these moments with the characters, whereas the other half has to be squeezed into the remaining eight episodes. This makes the end seem a bit rushed and, unfortunately also accompanied by the not too uncommon stereotypes (as in: all the girls have to find a husband). There's few expections to this rule in the show, but eventually, I couldn't help but feel like it was forced and thus a bit of missed potential, especially compared to what the story had been telling until then. But does this make it a bad watch? Absolutely not!
Xi Hua Zhi is a great show with a healthy mix of genres, great storytelling and a memorable cast of characters. I'm sure I'm gonna watch it again someday.
My goal in writing reviews is to tell the truth as best I can. This drama didn't work for me. The acting and storyline just didn't come up to the standard of other recent C-dramas, such as as TWELVE LETTERS, THIS THRIVING LAND, AND (especially) GUI DUI, also known as THE LONG WAY BACK.
The ML was fairly impassive throughout, and his lack of expression kept me from really relating to him. I'm not sure this was the right part for him. The secondary actors either over-acted or somehow weren't convincing.
The FL, as is often the case in many Chinese dramas, was portrayed as a morally incorruptible paragon of virtue, talent, and energy for the rest of us to admire. I wish I could persuade writers and directors that characters need to be authentic, to change and to grow-to overcome problems--but not to be perfect. Viewers want to see a fully fleshed out human being, not some idealized woman (usually it's a woman) who only exists in someone's imagination.
The endless quarrels, fighting and viciousness of the older Hua women were exhausting and uninteresting.
The ML was fairly impassive throughout, and his lack of expression kept me from really relating to him. I'm not sure this was the right part for him. The secondary actors either over-acted or somehow weren't convincing.
The FL, as is often the case in many Chinese dramas, was portrayed as a morally incorruptible paragon of virtue, talent, and energy for the rest of us to admire. I wish I could persuade writers and directors that characters need to be authentic, to change and to grow-to overcome problems--but not to be perfect. Viewers want to see a fully fleshed out human being, not some idealized woman (usually it's a woman) who only exists in someone's imagination.
The endless quarrels, fighting and viciousness of the older Hua women were exhausting and uninteresting.
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- TriviaIt is inspired by Hua Mulan with the heroine's family also having the same surname.
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- Blossoms in Adversity
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