Moebiuseu

Most directors become less experimental or transgressive once they've made a name for themselves. Kim Ki-duk is one of the most notable exceptions. Being Korea's most notorious film maker isn't an easy accomplishment in the first place, given that no other country produces so many veritable authors of cinema. But being able to increase the radicality of one's cinematic language while maintaining the same themes is quite a feat indeed.

Kim's Golden Lion-winning previous work 'Pieta' was already almost silent; with 'Moebius' he has not only succeeded in making an entertaining silent film which isn't a reminiscence of a bygone era, but actually managed to push the limits of film as a medium a bit further ahead. The closest film which could compare is 'Themroc', not just because there's no dialog apart from lascivious or painful grunts, but because it almost seems to be a parody of that film's social critique: 'Moebius' quite on the contrary admits to its own silliness.

Many reviewers seem to take the symbols too seriously. The Buddha heads, knifes used for castration and masturbation and of course the body part which is the main plot device (as well as what the title may ironically refer to) - they may all mean something, but they certainly don't have to. There may be tons of allusions to Greek mythology, but it's entirely possible that this is just what you want - or do not want - to read into the film. If these metaphors were any clearer - then this would make 'Moebius' a lot less brilliant. I prefer to think that, as in many of Kim's previous films, it's the effect which is the meaning, and there's not much of a meaning hidden underneath the effect.

Which is why I think of 'Moebius' as one of this year's very few 'must-sees' - unless one suffers from castration anxiety.

Have you ever watched a film that brings your endurance to explicit (even sick!) blood and sex violence to its very limit while at the same time makes you laugh and depicts with smart (yet explicit!) cleverness one of the basic essentials of Buddhism?... No, I'm not trying to bring opposite worlds together, but Kim Ki-Duk did, in his film Moebius.

A truly masterpiece of cinema in its pure essence, compelling and with an stunning economy of resources: few settings, few actors, even the two female roles are played by the same actress (Eun-woo Lee) in an outstanding performance. Moebius tells a story with deep metaphysical symbolism using just images (there is no dialogs) and focusing exclusively and with dazzling clarity on the points important for the story and its meaning, namely the search for physical pleasure concomitant to the nature of every human being, and the main protagonist of this: a part of the male anatomy known as "penis".

Only after the last scene, when the young protagonist bows before Buddha, one can understand the whole meaning of the film, every piece fits then perfectly in the puzzle (emotional puzzle, we are not talking about crime and mystery here). Then we understand that pleasure (the main, maybe the only important one: sexual pleasure) comes always at a price in this world; pleasure involves pain one way or another. Not once in the film pleasure brings any kind of satisfaction or happiness, instead it causes distress, sorrow, guilt, pain, immediate or in the long term; many of the scenes in the film show the attainment of pleasure directly through pain, and with more pain as a consequence.

CAVEAT - SPOILER IN THIS LAST PARAGRAPH

But then, in the end, the young protagonist frees himself from this tie, through the most direct way: castration (well, there are actually several of these throughout the film, so WARNING for sensitive viewers!), and later, bowing before Buddha, he does something he had not done even once during the film: he SMILES, as Buddha did. He is released now from human passions, no longer slave of his desires, no longer subject to the inescapable search for pleasure of the physical body. He is now FREE

Moebiuseu. A completely wordless experience. So in line with that, my reveiw will be short.

Moebiuseu is a sexual exploration like no other. It stuns, and enlightens.

And it's not for the squeamish.

Wow! What a jolt of caffeine was this! I guarantee you that you will see quite a few scenes in 'Moebius' that you will not see anywhere else. Boy, are these Korean filmmakers getting daring.

I'll try my best not to lay any spoilers in this brief review because that would ruin the joy of discovery for you. Suffice it to say, Hollywood or Bollywood would never touch a script like this with a ten foot pole. As a matter of fact, I didn't know what I was getting into when I acquired this film. I figured, well, it's Korean horror so I should probably prepare myself.

I'm glad I saw this film; it really made my day. It is a must see because of its originality. I'm not going to say what makes it so unique, but you can tell from the high ratings it's received on IMDb that it's worth the price of admission.

I wanted to write a review so as to somehow share what I just have seen with someone (anyone). Even if it's just my text being passed on to you the apprehensive reader.

As what happens in Moebius, stays in Moebius & I wont be able to share this over the coffee machine at work tomorrow.

I've see some weird movies (swedish, french, Japanese, south American etc etc...). I didn't think I could be made to turn from the screen & put my hands over my eyes anymore. However "Ki-duk Kim" writer/director reached deep into that dark space within his twisted soul and pulled this bad boy up for all to ponder.

So lets get serious! It's not the rape, violence & dark nature of this movie that you haven't seen before. It's the haunting way all it's been put together. The reason why you'll keep watching is as far as art concerned, the director & the actors do a wonderful performance in portraying this darker than twisted narrative. In fact if they didn't perform it so well, you wouldn't be able to watch.

Minus a musical score or any verbal communication, every sound you hear, affects the hairs on the back of your neck. It's not a horror, however you get that cold feeling as your eyes take in it all in.

The movie isn't all gore and shock throughout. There are genuine moments of tenderness when father and son come together, bonding due to the tragedy of it all. Guilt and forgiveness are exchanged within a moments glance and you feel warm as you predict the Hollywood style happy ending. Boy meets girl and again the eyes exchange their words.

I'd like to tell you more, however I struggle to describe the journey ahead without giving it all away.

You'll be adding this to your list. A well told and chair pinning watch. However I won't be watching it again anytime soon. 6.8/10