Hunter Dunne is a loving husband and father. But after a brutal attack one fall evening, his world is turned upside down, filled with nightmares and hallucinations, culminating in a horrific... Read allHunter Dunne is a loving husband and father. But after a brutal attack one fall evening, his world is turned upside down, filled with nightmares and hallucinations, culminating in a horrific confrontation on Halloween night.Hunter Dunne is a loving husband and father. But after a brutal attack one fall evening, his world is turned upside down, filled with nightmares and hallucinations, culminating in a horrific confrontation on Halloween night.
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This is a slow building film that becomes more and more fun as it goes. It's light film and was made during covid so it's a fun little film. The scenery is really beautiful and the colors of fall are gorgeous. You really feel the season and crisp air. Covid was a very lonely time for most and you can feel that with the character of Hunter. It feels isolated ,as it was during that time when it felt like everything was moving in a kind of slow motion. It has some very fun moments which will make you laugh. I mean absurd moments which are great. All in all this is a fun watch and will make you look forward to Halloween.
Went to see this in the Theater not really knowing what to expect. The movie clearly is low budget, but had some interesting people attached to it, so I gave it a chance. I am glad I did. The story follows a recently widowed man who lost his wife to Covid. As he is trying to adjust to this, his daughter leaves home to go to college. One fall night, as he is exercise walking, he is attacked by a huge wild animal who takes a chunk out of his arm. Over the next couple of weeks, the man starts to get sick, hallucinate, and have nightmares. None of this is reinventing the wheel, but where this movie really succeeds is in the claustrophobic feel it has. You feel like you are inside this guy's head. And the transformation seen though not high tech, is really disturbing for some reason. Scott Schiaffo (Clerks 1-3) does a particularly good job as the widowed man's psychiatrist Dr. Larry. For a small low budget movie, it is quit a formidable entry into Werewolf lore. Give it a look.
FULL MOON FEVER feels like a high school play or home movie. It has been shown regionally to family and friends and the first showing was called a "premiere" and while this sort of thing can have loopy charms, this simply wasn't very good. It was made independently on a shoestring.
The "film" is written by, directed and stars David Lee Madison. A big part of the trouble is he's not real good at any of those jobs. This is a standard werewolf tale with all the familiar cliches, borrowing a few bits and pieces from BAD MOON and other older films like THE BOY WHO CRIED WEREWOLF. It mostly resembles that last one which is a pretty cheesy werewolf flick us monster kids know from watching Dr. "There Will Be Fright" Shock on WPHL. The main character has the same sort of family as that last one, except he's got a daughter played by the Madison's real daughter. That sorta adds to the home movie feel about this thing.
Madison plays an average dude attacked by a werewolf who becomes one. That's really all there is to the story except for him trying to find out why and having ridiculous nightmares. The dreams stuff is all pretty cheesy and felt like a time filler. You've seen it all before and better, but that's not really fair since this really isn't a professional film with a bunch of no name actors in the cast. There are You Tube vlogs with amateurs pulling off better makeup effects than what is in here. The blood on screen looked fake and the dialogue is always super on the nose with a few clumsy lines that I would have laughed at but I was being polite. This film means no harm and was seemingly made by the people who made it to enjoy watching it with their friends and family who are in it.
There are a couple of actors with some actual pro credits in this, Marianne Hagan and Scott Schiaffo who also did the music. He plays an oddball shrink and if you close your eyes, he sounds like Dennis Hopper. He's pretty good and actually got some decent acting talent and worked with Kevin Smith a few times. I hope to see him working with Smith again or in better things. He deserves it and seems like a cool guy. Hagan delivers her lines believably which is made harder when she interacts with the non pros in the cast which includes David Madison, if that makes sense.
I don't know if this will play in theaters since it's a real cheap straight to video thing. It's pretty amateur and I'm guessing it'll show on Tubi on the screen that recommends other werewolf movies to watch if you watch one of the big ones like the one with Benecio Del Toro which is my fave and the GOAT. Seemed like some nice people got to feel like stars making these. One of the stars also runs a realty business and many of them work other jobs.
The "film" is written by, directed and stars David Lee Madison. A big part of the trouble is he's not real good at any of those jobs. This is a standard werewolf tale with all the familiar cliches, borrowing a few bits and pieces from BAD MOON and other older films like THE BOY WHO CRIED WEREWOLF. It mostly resembles that last one which is a pretty cheesy werewolf flick us monster kids know from watching Dr. "There Will Be Fright" Shock on WPHL. The main character has the same sort of family as that last one, except he's got a daughter played by the Madison's real daughter. That sorta adds to the home movie feel about this thing.
Madison plays an average dude attacked by a werewolf who becomes one. That's really all there is to the story except for him trying to find out why and having ridiculous nightmares. The dreams stuff is all pretty cheesy and felt like a time filler. You've seen it all before and better, but that's not really fair since this really isn't a professional film with a bunch of no name actors in the cast. There are You Tube vlogs with amateurs pulling off better makeup effects than what is in here. The blood on screen looked fake and the dialogue is always super on the nose with a few clumsy lines that I would have laughed at but I was being polite. This film means no harm and was seemingly made by the people who made it to enjoy watching it with their friends and family who are in it.
There are a couple of actors with some actual pro credits in this, Marianne Hagan and Scott Schiaffo who also did the music. He plays an oddball shrink and if you close your eyes, he sounds like Dennis Hopper. He's pretty good and actually got some decent acting talent and worked with Kevin Smith a few times. I hope to see him working with Smith again or in better things. He deserves it and seems like a cool guy. Hagan delivers her lines believably which is made harder when she interacts with the non pros in the cast which includes David Madison, if that makes sense.
I don't know if this will play in theaters since it's a real cheap straight to video thing. It's pretty amateur and I'm guessing it'll show on Tubi on the screen that recommends other werewolf movies to watch if you watch one of the big ones like the one with Benecio Del Toro which is my fave and the GOAT. Seemed like some nice people got to feel like stars making these. One of the stars also runs a realty business and many of them work other jobs.
Reading these reviews, Clearly people went into this thinking this was going to on the same level as a big budget blockbuster horror film. Instead they should be taking it for what it actually was which is a low budget campy solo production. As I can see i have an unpopular opinion but this was great. A bit slow on some areas and at some points a bit cheesy (something I actually enjoy most watching these) but the cinematography was absolutely incredible, as well as the filming locations. Honestly it was better than a lot of big budget films I have seen recently. The transformation scene was done beautifully. My suggestion for those of you going into watching it thinking it was meant to be more than what it was...find the humor in this film and actually enjoy it for what it is and the genre it's in. You will be much happier when you watch this. Learn to appreciate what was achieved by this one person and not an entire crew of people with millions of dollars instead of just hating on something for the sake of it.
This is the first time I've seen a movie by David Lee Madison. I thought it was cool to see something in a room with the guy who filmed it, and it was a fun movie.
The movie seemed to suffer from filming during covid, I wasn't told this, but you can kinda read between the lines for it. You don't see shots with a lot of people in it, and it creates a lonely feeling that does seem intentional when you consider the themes throughout the movie. It's definitely capturing the mindset of the creator from his experience during covid.
Where the film seemed most impacted though was that David Lee Madison was both the star and videographer, so shots with him in it were all on a tripod, without a lot of movement. Presumably, with this being filmed during quarantine, I believe a lot of these shots were done this way out of necessity though, and it is understandable. Though, there's a part of my brain conditioned to want far more cuts and camera angle changes, and camera movement. I do wish some establishing shots were cut a bit shorter though.
The film is acted mostly by David Lee Madison and his personal friends, and is kinda reminiscent of clerks. If you liked clerks, you'll probably enjoy this, if not, you probably won't. The pacing is similar and it too is about regular people living regular lives (except for the werewolf thing lol).
The scenes in the comic book shop are by far the best scenes, particularly the finale, because you have this movement and cutting you don't get when David is doing double duty. If you have a long shot from a tripod, your ability to edit is stunted, but the finale suffers none of these issues.
I see some one star reviews here, and I think they're not thinking of the film within the context of how it had to be filmed. For a film with very limited crew, David Lee Madison did pretty well. He filled most of the roles himself and told a unique werewolf story, which he executed in a time when most people weren't able to deliver anything at all.
Sure, I'd like to see a version of this made with more crew, cameras, and polish, but I'm happy with what I watched. Weirdly, seeing David make this under these constraints has motivated me to try and make something myself even. With helicopter footage and coreographers staging fights between actors that look like they were chiseled from stone, against CGI monsters that require teams of artists, it has always felt like making movies independently was just impossible.
All in all, it was a fun time watching this movie, and without the Hollywood polish, you can see the heart in this that's not in most movies. It's a guy with his family and friends, filming in an area far from the Hollywood sets, with the gear he had on hand from a career of making movies. It's a unique experience that's pretty good if seen through the propper lens. After watching it, you definitely feel like you know David Lee Madison a bit better, because it's clearly not filtered through the voice of some massive multimedia conglomerate.
I'm glad I saw it.
The movie seemed to suffer from filming during covid, I wasn't told this, but you can kinda read between the lines for it. You don't see shots with a lot of people in it, and it creates a lonely feeling that does seem intentional when you consider the themes throughout the movie. It's definitely capturing the mindset of the creator from his experience during covid.
Where the film seemed most impacted though was that David Lee Madison was both the star and videographer, so shots with him in it were all on a tripod, without a lot of movement. Presumably, with this being filmed during quarantine, I believe a lot of these shots were done this way out of necessity though, and it is understandable. Though, there's a part of my brain conditioned to want far more cuts and camera angle changes, and camera movement. I do wish some establishing shots were cut a bit shorter though.
The film is acted mostly by David Lee Madison and his personal friends, and is kinda reminiscent of clerks. If you liked clerks, you'll probably enjoy this, if not, you probably won't. The pacing is similar and it too is about regular people living regular lives (except for the werewolf thing lol).
The scenes in the comic book shop are by far the best scenes, particularly the finale, because you have this movement and cutting you don't get when David is doing double duty. If you have a long shot from a tripod, your ability to edit is stunted, but the finale suffers none of these issues.
I see some one star reviews here, and I think they're not thinking of the film within the context of how it had to be filmed. For a film with very limited crew, David Lee Madison did pretty well. He filled most of the roles himself and told a unique werewolf story, which he executed in a time when most people weren't able to deliver anything at all.
Sure, I'd like to see a version of this made with more crew, cameras, and polish, but I'm happy with what I watched. Weirdly, seeing David make this under these constraints has motivated me to try and make something myself even. With helicopter footage and coreographers staging fights between actors that look like they were chiseled from stone, against CGI monsters that require teams of artists, it has always felt like making movies independently was just impossible.
All in all, it was a fun time watching this movie, and without the Hollywood polish, you can see the heart in this that's not in most movies. It's a guy with his family and friends, filming in an area far from the Hollywood sets, with the gear he had on hand from a career of making movies. It's a unique experience that's pretty good if seen through the propper lens. After watching it, you definitely feel like you know David Lee Madison a bit better, because it's clearly not filtered through the voice of some massive multimedia conglomerate.
I'm glad I saw it.
Did you know
- Quotes
Hunter Dunne: And I'll tell you, these nightmares I'm having... THEY'RE SO HORRIFIC!
Details
Box office
- Budget
- $200,000 (estimated)
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