Razakar: The Silent Genocide of Hyderabad

This movie is very good much be watched by all many occasions you may feel disturb with atrocity shown in the movie but they have shown the truth and realty which faced by Hindu communities during the Nawab rule in hyderabad provenience which was not under rule of india until Sardar Vallabhai patel interfered sent the indian army and freed Hyderabad provenience from Nawab rule.

Movie is technical well directed and retaliation which Hindu community did against Razakars was depicted very well in movie so many emotional movements.

Very well executed movie as movie based on real events some may feel very disturbing but movie makers try to depict the truth.

Story about razakars and there cruelty on the Telangana people , how indian army fought against them and telangana people know about the history.

The movie was based on razakers.there story............

Must watch..........film.

Historical accuracy meets powerful storytelling

👉 Captivating portrayal of Hyderabad's tumultuous past

👉 Stellar performances that leave a lasting impact

👉 Emotionally charged scenes that resonate long after the credits roll

👉 A reminder of the resilience of human spirit amidst adversity

Watch Razakar and immerse yourself in this impactful narrative that sheds light on a lesser-known chapter of our shared history. Don't miss out on this cinematic gem! 🎥✨

#MovieReview #RazakarMovie #CinematicMasterpiece #HistoryEnthusiast #MustWatch.

Razakar: A Tribute to the Heroes of Hyderabad.

Razakar pays tribute to the heroes of Hyderabad, whose courage and sacrifice during the struggle for independence remain an integral part of Indian history. Directed with passion and authenticity, the film offers a compelling narrative that sheds light on the challenges faced by those who fought for freedom. It is a film that will leave a lasting impression on all who see it, inspiring them to embrace their own capacity for courage and compassion. Razakar carries a message of enduring significance. It challenges audiences to confront injustice and to stand up for what is right, drawing parallels between the struggles of the past and the present.

The narrative draws inspiration from actual events in the history of Telangana, depicting the hardships endured by its people under the Nizam's rule and the brutalities of the Razakars.

However, the presentation of the story appears to be biased and slightly altered for political and religious motives.

The screenplay features a handful of commendable scenes interspersed with numerous dull and lackluster segments.

The film ambitiously attempts to merge the gritty essence of realism with the vibrant energy of commercial cinema, yet it finds itself caught in the crossfire, not fully committing to either. This indecision is further intensified by an overreliance on violence, which, rather than adding depth or excitement, muddies the narrative's intent.

The production values do not meet the expected standards. Musically, background score is commendable.

From an acting perspective, Bobby Simha and Prema deliver decent performances.

The roles of Anasuya and Vedika in the film seem perplexing with their terrible acting.

Antagonist and the remaining cast members tend to overact.

The director, despite displaying an air of overconfidence in interviews, delivers a direction that is less than satisfactory.

Overall, the film is not that good.

Kasim rizvi acors action was peaks thought of him a real kasim rizvi came into his character and if he arrives in theather some body would have definitely hit him.he lived upto his role and the director showed us 90% near to reality what happened to people of telangana during rule of last nizam how many atrocities the aulads of razakars created and what did sardar patel and how indian army freed them it was depicted as it is before our live eyes how much the ancestors of present telangana people go throught to get independence. It also depicted the freedom fighters of telangana the jal jangal jameen movement and how they revolted and kicked the asses of Razakars and their nalayak aulads and how brutally they were taxed and young children and women were assaulted by suwar razakars.