Suburban Screams

Please stop talking trash about John Carpenter's Suburban Screams! It's a decent series! Ok! Carpenter it's not the same as in the 70's or 80's but it' s Carpenter at 75 years old! Cronenberg or Argento are not better! Please give the master some support! Do you want him to make nothing?

He is involved in:

• Comic books;
• videogames ( toxic commando);
• music;
• and now tv series.

The man is one of the best directors ever! Please show some respect! Is clint eastwood making better movies? Hell no!

So in this terrible world we live in it's very good to have something new from a master to see. Thank you Mr. Carpenter and Sandy King.

6.5/10

This really reminds me of "Unsolved Mysteries" just minus the unsolved mysteries. The style is very reminiscent of that, and that's probably why I enjoyed it moreso than the show itself. The stories being told weren't the most interesting or exciting, nor were the people telling them, but the reenactment videos were well done & kept my interest enough that I continued to binge watch the entire series in a day.

There's nothing new or groundbreaking here, and it's not anything so exciting or great that I'd tell someone to rush to watch it, but if you enjoyed watching Unsolved Mysteries and/or are interested in people telling personal ghost stories, it worth the watch.

Title: Suburban Screams: Unmasking the Horrors of Small Towns

Introduction: John Carpenter's documentary, "Suburban Screams," delves into the unsettling underbelly of seemingly idyllic small towns, unearthing true tales of terror that occurred within their confines. This thought-provoking exploration challenges the viewer's perception of safety and reveals the macabre secrets lurking beneath the surface of suburban tranquility.

Summary: "Suburban Screams" takes viewers on a chilling journey through a series of meticulously researched and narrated stories. John Carpenter, known for his mastery in the horror genre, brings his expertise to the realm of non-fiction storytelling, creating a captivating and spine-tingling experience. The documentary explores multiple cases of horrifying events that took place in small towns, shattering the illusion of peaceful neighborhoods.

Carpenter's meticulous attention to detail is evident throughout the documentary, as he weaves together interviews with survivors, law enforcement officials, and experts to provide a comprehensive understanding of each case. The storytelling is masterfully executed, with suspenseful reenactments that heighten the tension and immerse the audience in the eerie atmosphere of these suburban nightmares.

The documentary covers a range of themes, including serial killers, unsolved mysteries, and paranormal occurrences. Through extensive research and careful curation, Carpenter presents a diverse selection of cases that offer a nuanced perspective on the dark side of small-town life. Each story is thoughtfully examined, drawing viewers into the psychological and emotional impact these events had on the communities involved.

One of the most commendable aspects of "Suburban Screams" is its ability to balance entertainment with sensitivity. Carpenter handles the subject matter with respect for the victims and their families, focusing on the human aspect of these tragedies rather than exploiting them for shock value. This approach resonates with the viewer and elevates the documentary beyond a mere compilation of horror stories.

Another noteworthy element is the documentary's visual aesthetic. Carpenter's signature style is evident in the atmospheric cinematography, which evokes a sense of foreboding and unease. The use of lighting, shadows, and haunting musical scores enhances the storytelling, immersing viewers in the dark undercurrents of these small towns.

While "Suburban Screams" excels in many aspects, some viewers may find the pacing to be uneven at times. The documentary's structure occasionally jumps between stories, which can disrupt the immersive experience. Additionally, certain cases may receive more attention than others, leaving some viewers craving a deeper exploration of certain.

The stories, from both the US and Canada, are set in idyllic locations away from the hustle-bustle of city life that would appeal to a more mature audience in general, and viewers like me geared toward a more quiet setting.

The horror is a mix up of gore, human inflicted and the supernatural. Though its somewhat watchable, what makes it irritable is the constant switching between the mock interviews and the story narrated through flashbacks. Ideally perhaps, it would have been better suited if they started off with a short mock interview preparing the viewers for the story ahead, before delving into it without further disruptions, and finally concluding with the continuation of the interview to sum it all up.

Biggest mystery... why would John Carpenter attach his name to such a terrible series??

This series is NOT horror. It's low-grade late-night-network-tv-true-crime suspense at best. Sure there are some scenes that are more gory than network tv would allow, but gore does not equal horror. If gore is surrounded by really atrocious acting and storytelling, it's just gore for the sake of gore. At no point would I classify this series as "horror". It's true crime with boosted gore for some scenes.

Most scary thing.. the earrings and flattop on the guy in the first episode - especially the earrings.. just odd. Makes ya wonder... does he not have any friends or family to tell him how stupid the earrings look? Or do his friends/family all lie to him about them??

I watched 3 episodes.... that's really all I could tolerate. 3 because I had to confirm more episodes were poor, not merely the premiere. The first three episodes are at the same D-grade level in acting, story, and direction, leading me to believe so are the rest of the episodes. I'm not a masochist. So, I didn't bother with the last 3 episodes.

It's rather boring and "cheap" in my opinion.

A low-rent, knock-off, pseudo "True Crime Stories" with a sort of misguided "supernatural" notion surrounding them. It's got heaps of D-level acting and story telling. I just couldn't get past the over-the-top-forced-drama trying to push suspense as much as possible. It's borderline clichéd and somewhat comical and is so poorly acted that it essentially works against what it's trying to achieve.

I think some reviewers are rating this series MUCH higher than it deserves merely because John Carpenter's name is attached to it. I've rated this series based upon what I saw.... and not based my rating on some sense of loyalty or nostalgia because Carpenter has done truly excellent work in the past. Even the most adept director, writer, producer can falter... as Carpenter has in this series.

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