The 7.39

How many ways are there to depict infidelity, on screen or on the page? Or romantic love, for that matter? Sometimes it seems that all possible shades of both have been covered, and repeated ad nauseum. Then there comes something like 'The 7.39', and one realizes the same old story can indeed be told in yet another way, which is both entertaining and insightful.

Two commuters - 'everyman' and 'everywoman' - are attracted to each other; the first part focuses on them and the tension is built up really effectively. The second part takes us through the repercussions of their actions, not in a moralistic way, but in a way that one feels sympathy for ALL the characters.

The resolution is unexpected -- I couldn't predict till the last minute how it was all going to end. To take a theme/plot that has been told a million times before, and then to tell in a way that the viewer holds her breath, eagerly anticipating the next turn in the course of events: that's the art of storytelling at its best. This has been compared to the great film 'Brief Encounter'; both deal with the very human theme of temptation, but I think 'The 7.39' also tells us something about the dilemma of the modern man/woman: is life any less complicated when the rules are relaxed?

This is a drama about two people who have a chance meeting on a train. Both are with other people and seemingly happy but the attraction between them is too strong to resist. It follows their relationship from the platonic to the inevitable fallout from the decisions they take.

In other hands this could have been a corny and cheesy mess however a brilliant cast and good direction means this is nothing but a success. It moves along at a good pace and never gets boring. I also liked the fact that it didn't paint the adulterers as awful people just normal people in a difficult situation.

The main cast are all top rate actors and they don't disappoint. David Morrissey is great as the guilty husband, the fantastic Sheridan Smith is beguiling as the younger woman and Olivia Colman superb as the spurned wife.

The 7.39 is a very good drama and well worth watching.

David Nicholls' reworking of the David Lean classic shifts the action from wartime Carnforth to contemporary London. Carl Matthews (David Morrissey) and Sally Thorn (Sheridan Smith) have a chance meeting, see each other on a regular basis on the 7.39 morning train from an unspecified suburb to the center of London, and fall in love. Unlike Trevor Howard and Celia Johnson in the earlier film, their love is not restricted to clandestine meetings in a station canteen, but develops into a full-blown affair. Nonetheless the outcome is much the same, as they realize that there is no future for either of them. The story is a familiar one, set against the backdrop of contemporary London - a teeming, high-tech city that alienates many of its citizens. John Alexander's direction vividly captures the heartlessness of contemporary urban life, with shots of a crowded train whose passengers seldom, if ever talk to one another, and interior shots of Carl's office, where the employees are separated from one another by glass screens. No one, it seems, has the time or the inclination to relate to one another. Thus it is perhaps inevitable that Carl and Sally should try to seek an alternative through love. Shot mainly in a series of shot/reverse shot sequences, THE 7.39 is an intense drama focusing on the characters' unspoken feelings: a close-up of Sally's tortured expression as she leaves Carl for the last time tells us far more about her pent-up emotions than dialog ever can. The casting is highly effective: Morrissey towers over Smith, suggesting that the couple are both physiognomically as well as emotionally ill-matched. Nonetheless they take full advantage of the affair while it lasts.

The 7:39 was shown over two nights and is a modern reworking of Brief Encounter which is was itself was re-jigged in 1984 as 'Falling in Love' when it starred Robert De Niro and Meryl Streep.

David Morrissey and Sheridan Smith meet during an early commute to London where they argue over a seat. In subsequent encounters during the morning rush hour, they form a friendship and later have a steamy affair.

David Morrissey is the middle aged, middle management worker in commercial property with a horrible boss. he hates the daily grind of going and coming back from work.

He is married to Olivia Coleman, they have two teenage children, one about to go to university. He finds that for the first time in years he has a buzz and a spring in his step because of the affair.

Sheridan Smith is a personal trainer engaged to get married but unsure as to whether to commit and this affair with an older man seems to provide a pleasant diversion.

Of course we have the predictable consequences with Morrissey not performing in his job effectively and getting fired, Coleman finding out about the affair and finally being confronted by Smith's boyfriend.

An enjoyable drama, light on its feet, not heavy handed. The workplace scenes were so true to life with the actor playing Morrissey's boss nailing the part of the slimy, douche-bag.

Just a shame the serial was a bit by the numbers.

I approached this movie thinking it can't be much --- and I'm glad to state I was wrong.

The story is easy to understand --- life can become a rut and then you find yourself stuck in a daily routine. The rewards become transparent and frustration can set in quickly.

Here we have two people, Carl & Sally, who come to cross purposes on a commuter train one morning. With an apology later from Carl the ice is broken between our two characters. They both find out through just daily talking that there is a common thread between them. A friendship develops and then more comes into their lives.

What's so marvelous about 'The 7:39' is how the relationship progresses and the brilliant ability of the writer and director to keep this old and over told story consistently fresh and lively, start to finish.

It's 2 hours long but it's worth the watching !!!