Sen Aydinlatirsin Geceyi

This one had a high rating so i was expecting it's good but it was even better than i expected. Of course, it's not for anyone. It works at many levels, one might think this is surreal and bizarre, but i think it's multilayered. It's more of symbolic/allegorical than surreal. There is depth here, it's a meaningful movie, daring and provocative. At times, it was even brilliant, i stood in awe watching some amazing scenes. It's obviously that the director & writer of this movie is intellectual but this is not some kind of artsy and pretentious movie. There is a strong fantasy element but simultaneously, it's grounded in reality.

A fragile and deeply flawed person and the struggles he faces in his life, after a tragic incident occured. A village so real and so magical simultaneously. Acts of violence, acts of love, tragedy and hope, mistakes and forgiveness.

Be patient at the beginning, this didn't start great but it was getting better by the minute.

A great (comedy?)/drama/fantasy movie.

This is a very special movie, truly not for everyone.

The director have an amazing imagination and surprises the viewer with countless visual effects.

The soundtrack plays an important role in building the final product.

A must see.

In a Marquezian town, while people are minding their daily business, extraordinary things happen to a man on a daily basis. Among daily struggles characters are filled with questions about life and death like many of us. When love and jealosy comes around, things get complicated and messy.

If you wanna have an evening "watching" some sonnes of Shakespeare in black&white while hearing the song Mreyte ya Mreyte in several scenes, here's your pick, don't miss!

Watched the movie in BIFFES 2013 (bangalore international film festival). The sheer brilliance of this fantasy movie can be credited to director, cinematographer and music director. The black and white medium of this fantasy movie adds more to its glory. This movie is not everybody's cup of tea, I Saw people walking out in middle or abruptly during screening. Mreyte ya mreyte (caramel) by Racha Rizk is mesmerizing and adds significantly to the viewing pleasure. The synopsis is given, so i wont go in detail about the story. The climax scene is wonderfully crafted and the performance by almost all the actors are excellent. Some scenes may seem violent, thats the only thing hard to over come. Watch it if you get a chance and you love fantasy movies, where a world has two moons and two suns with superhero kind of characters, yet lead a very ordinary life.

"There used to be a bird you shot, right? It's not there anymore, is it?" Cemal says. What would have happened if we had never existed? What would change? Does our existence in this world mean anything or should it? Philosophical questions abound in this movie. While watching Cemal, the audience feels as if they are being abstracted from their surroundings and constantly residing in the realm of thoughts as if they were Cemal himself. Superheroes have superpowers. But these superpowers don't create characters who live without worries or as if they've come to this world to have fun. Cemal has a concern, and this concern doesn't seem like it can be resolved with superpowers. These concerns are related to very basic things, the existence of life. This concern is about love and the delicate balance of love.

Cemal is a very contemplative and thoughtful character. His thoughtfulness is constantly reflected as worry to himself. He doubts small things, experiences his emotions. He is a person "created from worry." These worries push him towards inquiries that will develop him as a human while also causing him to engage in behaviors he does not want and will regret. He beats the woman he loves (Yasemin). Then he reads her poetry. Cemal is confused, his actions are contradictory. Just like all of us. Even if he could see inside the walls and pass through them, he would not be able to overcome the emotional wall with Yasemin, drowned in his worries and obsessions, which have taken over his entire life.

The cinematography of the film is important in understanding the characters' inner worlds. Cemal's scenes shot with a fixed camera show his eyes and what's behind them to the audience. The poetry scene on the balcony is a nod to Romeo and Juliet. Cemal, the guilty lover trying to win his wife's heart, reads poetry to her. Light shines on his face as if it is from Yasemin, her light giving meaning to his life, he can't do it without her, but his worries are also visible on his face. Cemal stands below the balcony, looking at Yasemin as if she were a goddess. A goddess he can never reach, a goddess who will "definitely" betray him or leave him.

Don't we all have a bit of Cemal in us, after all? Cemal "lives in the church in our ribs."