A man and his girlfriend camp in the woods to capture firsthand evidence of Bigfoot.A man and his girlfriend camp in the woods to capture firsthand evidence of Bigfoot.A man and his girlfriend camp in the woods to capture firsthand evidence of Bigfoot.
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I cannot quite comprehend how one could go hunting for Big Foot yet be so ill-prepared to be in the wilderness. No knife, torches, bear spray, headlamps, no night vision camera, no interest in building a fire. This is the most frustrating movie to watch, not due to the slow burn nature but just the sheer idiocy and naivety of the main character. Incredulous.
From celebrated director Bobcat Goldthwait comes this edge of your seat horror that will make you think twice before going into the woods.
If one were to believe the blurbs on the cover of the DVD, they might think this was an amazing film. Some of the quotes are a bit hard to believe. How this happens can only be explained two ways: incredible cherry-picking (which all advertising does) and people's inability to separate their love for Goldthwait and his film.
Is the picture without merit? Not at all. There are some decent, though short, interviews with real people who want to talk about Bigfoot. The film also serves as something of a promotional tool for the town of Willow Creek (sales of Bigfoot Burgers will likely be going up). And there are a few suspenseful moments that could be legitimately scary. Oh, and some humor, too.
But the complaint people seem to have, again and again, is that this is just "Blair Witch Project" with the witch replaced by Bigfoot. Maybe that is a simplification, but it is a more than valid complaint. The plot, the use of found footage, the way the audience never really sees anything... if Goldthwait was not inspired by "Blair Witch", it is a remarkable coincidence.
There are worse ways to spend 80 minutes. But any horror fan that is looking for something fresh to rejuvenate the genre will probably not find it here.
If one were to believe the blurbs on the cover of the DVD, they might think this was an amazing film. Some of the quotes are a bit hard to believe. How this happens can only be explained two ways: incredible cherry-picking (which all advertising does) and people's inability to separate their love for Goldthwait and his film.
Is the picture without merit? Not at all. There are some decent, though short, interviews with real people who want to talk about Bigfoot. The film also serves as something of a promotional tool for the town of Willow Creek (sales of Bigfoot Burgers will likely be going up). And there are a few suspenseful moments that could be legitimately scary. Oh, and some humor, too.
But the complaint people seem to have, again and again, is that this is just "Blair Witch Project" with the witch replaced by Bigfoot. Maybe that is a simplification, but it is a more than valid complaint. The plot, the use of found footage, the way the audience never really sees anything... if Goldthwait was not inspired by "Blair Witch", it is a remarkable coincidence.
There are worse ways to spend 80 minutes. But any horror fan that is looking for something fresh to rejuvenate the genre will probably not find it here.
I admit that I like found footage films, or, rather, I find that story telling device compelling. Assuming it's done well. To do it well, your film relies heavily on acting first, then editing, then sound They all work well here.
Too often, these sorts of films have actors who don't know what to say, or how to say it, as they are expected to improvise and aren't confident how to be "natural". In this film, the actors are brilliantly natural and their chemistry is superb. They are a very believable as a couple and as people.
The goal itself is interesting, as I have rarely watched a Bigfoot movie, so I found that part of the film at interesting spin. But really, the slow burn here is what really makes me like this movie.
As with other films in which the protagonist is a wannabe filmmaker, there are lots of establishing shots with the local townsfolk to talk up the legend, and to get a sense of what is to come. It's all done pretty realistically, and, again, the actors dialogue/exchanges with each other are especially convincing.
Again, this film is very much about the slow burn of tension. This is very much exemplified in a scene near the end that lasts nearly twenty minutes for one continuous shot. And it's not boring. At all. The actors are brilliant in the scene, as is the sound. It's a highly effective scene and you really begin to get into the same dread of what's next as the characters due to the immersive nature of the scene.
Overall, I really liked it. I think the director did a great job in choice/direction of actors, and the overall story was not over the top. It's a great example of how found-footage should be done.
Though, the film doesn't actually try to tell you it's found footage, it's just that the only point of view is the camera(s) used by the characters. But I'll assume someone found the footage in that fictional universe at some point.
Too often, these sorts of films have actors who don't know what to say, or how to say it, as they are expected to improvise and aren't confident how to be "natural". In this film, the actors are brilliantly natural and their chemistry is superb. They are a very believable as a couple and as people.
The goal itself is interesting, as I have rarely watched a Bigfoot movie, so I found that part of the film at interesting spin. But really, the slow burn here is what really makes me like this movie.
As with other films in which the protagonist is a wannabe filmmaker, there are lots of establishing shots with the local townsfolk to talk up the legend, and to get a sense of what is to come. It's all done pretty realistically, and, again, the actors dialogue/exchanges with each other are especially convincing.
Again, this film is very much about the slow burn of tension. This is very much exemplified in a scene near the end that lasts nearly twenty minutes for one continuous shot. And it's not boring. At all. The actors are brilliant in the scene, as is the sound. It's a highly effective scene and you really begin to get into the same dread of what's next as the characters due to the immersive nature of the scene.
Overall, I really liked it. I think the director did a great job in choice/direction of actors, and the overall story was not over the top. It's a great example of how found-footage should be done.
Though, the film doesn't actually try to tell you it's found footage, it's just that the only point of view is the camera(s) used by the characters. But I'll assume someone found the footage in that fictional universe at some point.
Willow Creek is another Blair Witch Project rehash, but don't let that deter you. It's a different approach to minimalist found-footage horror, and it winds up being a truly frightening experience if you can make it past the first half. Not that the first half is poor - it's just a long setup to introduce you to these characters: Jim, the believer, and Kelly, the skeptic, on their hunt for the one and only Bigfoot. It's satirical in a way, watching Jim interview these townsfolk about Bigfoot sightings and you as a viewer knowing how ridiculous it all is, but that is what makes Willow Creek work so well. You're led to believe it's going to be a dumb satire on the Blair Witch Project for the first half of the film, which makes it all the more terrifying when things take a turn for the worse.
Rather than having jump scares and disturbing imagery, the scares in Willow Creek come almost entirely from sound. There's even a point where the main character shuts off the camera light so you can't see anything. All you can do is listen to the open wilderness: wood knocking from a distance, leaves crunching, ominous howls, getting closer and closer. It taps into everyone's innate fear of the unknown in the simplest and most effective way.
As far as minimalist horror goes, Willow Creek is right up there with Blair Witch, possibly even surpassing it. The only complaint I have aside from the overlong build up (which ends up paying off anyway) is the atrocious rock song that plays during the end credits. It takes the dreadful atmosphere you were experiencing moments before and slams your eardrums with this horrendous upbeat music. It can be a relief for some people, reminding us that it's only a movie, but I found it grating. However, this doesn't take away from the fact that Willow Creek is another reminder that found-footage can work with the right team in front and behind the camera. A perfect midnight horror movie.
Rather than having jump scares and disturbing imagery, the scares in Willow Creek come almost entirely from sound. There's even a point where the main character shuts off the camera light so you can't see anything. All you can do is listen to the open wilderness: wood knocking from a distance, leaves crunching, ominous howls, getting closer and closer. It taps into everyone's innate fear of the unknown in the simplest and most effective way.
As far as minimalist horror goes, Willow Creek is right up there with Blair Witch, possibly even surpassing it. The only complaint I have aside from the overlong build up (which ends up paying off anyway) is the atrocious rock song that plays during the end credits. It takes the dreadful atmosphere you were experiencing moments before and slams your eardrums with this horrendous upbeat music. It can be a relief for some people, reminding us that it's only a movie, but I found it grating. However, this doesn't take away from the fact that Willow Creek is another reminder that found-footage can work with the right team in front and behind the camera. A perfect midnight horror movie.
In my review for the mediocre found-footage/horror film 'Followed' I talked a bit about my dislike for how serial murderers are often portrayed in cinema. While Se7en was a good thriller, it epitomizes IMO the problem... Serial Killers murder for sex and power, and usually a bit of both. However, fart too often, movies seem to depict them as these brilliant psychopaths whose sole purpose in life is to get into a game of 'cat and mouse' with their equally brilliant adversary, that is, whatever detective Morgan Freedman might be playing in any given film.
What's frightening to me about serial killers is that for the most part they go undetected and often get away with multiple homicides for years. That, and to top it off, they blend in with the outside world very well. That is what Willow Creek gets right-there is a hint of realism here on top of the campy thrills that separates Willow Creek from your average slasher film.
This is one of the few movies that I actually felt a certain sense of dread for our hero's, Jim and Kelly-which is a big thing for me, as it takes a lot more than gore and a loud bump to make me jump.
I would like to also mention that I thought the actors did quite well-not only the killer, but the protagonists as well. I thought Jim was really likable, which is another surprise for this type of movie, which usually has very poor character construction.
Worth the watch.
What's frightening to me about serial killers is that for the most part they go undetected and often get away with multiple homicides for years. That, and to top it off, they blend in with the outside world very well. That is what Willow Creek gets right-there is a hint of realism here on top of the campy thrills that separates Willow Creek from your average slasher film.
This is one of the few movies that I actually felt a certain sense of dread for our hero's, Jim and Kelly-which is a big thing for me, as it takes a lot more than gore and a loud bump to make me jump.
I would like to also mention that I thought the actors did quite well-not only the killer, but the protagonists as well. I thought Jim was really likable, which is another surprise for this type of movie, which usually has very poor character construction.
Worth the watch.
Did you know
- TriviaBobcat Goldthwait did all the throaty noises for Bigfoot.
- GoofsPeter Jason is down as RPeter Jackson in the end credits.
- Quotes
Jim: Hi, I'm Jim Kessel. I'm here at the Trinity National Forest along Route 96 also known as The Bigfoot Byway. I'm here with my girlfriend Kelly Monteleone where we plan on retracing the famed 1967 Patterson Gimlin footage, and our search for Bigfoot.
[pause]
Jim: What's that face?
Kelly: Just... it's your thing, just make it about... you. You know, no girlfriend, my name, all that.
Jim: You don't want to be in the movie and now you're Stanley fuckin' Kubrick.
- ConnectionsFeatured in Willow Creek: The Making of Willow Creek (2014)
- SoundtracksSurf Song
Written and Performed by Matthew Kollar and the Angry Mob
Courtesy of Matt Kollar and the Angry Mob
- How long is Willow Creek?Powered by Alexa
Details
- Runtime1 hour 20 minutes
- Color
- Aspect ratio
- 1.78 : 1
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