Shaun le mouton, le film

I know the title of this review sounds cliché and somewhat pandering, but this film truly is a delight for all well mannered (perhaps even ill tempered) audiences of all ages.

As other reviews have stated, the main character, Shaun the Sheep, is from the Wallace and Gromit short "A Close Shave", where in Shaun helps the duo overcome a mechanical threat of canine sorts.

This film propels Shaun (a star in his own series) into the biggest adventure he's ever had since "A Close Shave" way back in the mid 90s. Shaun leads his flock through a series of very funny misadventures to rescue a member of their farm-family, so to speak.

Everything here is pantomime, and hearkens back to the days of old before sound was added to film. This is, in spirit, a silent film in the sense that there's no dialogue, and all the communication is primarily done with showing the audience the story as opposed to telling it to us through dialogue. The gags are the usual clever Aardman offerings, but there's also some very witty use of classic silent era gags, yet with a very British flavor of understatement, which makes the comedy in this film all that much funnier.

Truly I hadn't laughed out loud at a comedy film in who knows how long, and it was something that was much welcome in our day and age of low brow humor. Regrettably there are a couple of flatulence gags (I'm guessing primarily for the kiddies) that didn't need to be. But most of the other humor is keen, dextrous in execution and inventive in concept, and very British in overall gist.

Finally, as with most of Aardman productions, there's a knack for demonstrating the villain who has more tech wizardry as an expression of brawn to make up for brain, or lack thereof. It is a running theme in some of Aardman Production's films, notably the Wallace and Gromit series, and should serve as a nice little, almost subliminal, message to young minds as they mature into full adults.

Again, very delightful and very fun.

Give it a shot. You won't be disappointed.

This was, for me anyway, the usual Saturday afternoon flick with my partner and son to pass an hour or two.

To be honest could have been any movie.

The movie started sedately enough but gathered pace and complexity with every minute ,throughout the audience was laughing out loud , adults and children alike (including me).

It had everything for kids and adults, some rude jokes, great references to adult movies. A multi-layered villain, heroes and comedic characters.

The animation was stunning but i stopped looking at the animation and got hooked on the story and characters, maybe that's the way it should be.

Definitely worth a hour or so of anybody's time.

For a while, I've held a belief that Aardman can do no wrong, and thankfully this latest example has kept up that belief and then some. It's actually rather difficult to write a review of this movie, because there's not a whole lot one can actually comment on. For instance, I can't say anything about voice acting, or script, because there is literally no dialogue. I mean, there are voice actors (for example Omid Djalili as Tramper the villain) but all they do is mumble (and in the case of the sheep actors, bleat) and stuff. I suppose this, then, serves as a testament to the sheer quality of Aardman's animation. In addition to it being fantastic that claymation can still find its way onto the screen today, it's also brilliant that such a film has found such capable animators; the animation is beautiful, and though you may think they may not be able to convey so much emotion with just facial expressions and mumbles, lo and behold, they do; from glee, to terror, to sadness, to panic, and many more, the characters they've created are absolutely brimming with emotion, and immensely watchable at the same time, and that just makes this movie all the more effective. Lack of a proper script also doesn't seem to trouble Aardman either; this movie is really goddamn funny. The physical comedy sequences, the highlight of which has to be the gleefully chaotic scene in a restaurant, are done to a tee, quite possibly the best Aardman has done them since Flushed Away, while Aardman's trademark sight gags, though not quite as strong as they were in previous offering The Pirates! (the Brian Blessed gag comes to mind), are ever-present and really quite amusing, however obvious or subtle they may be (for instance, "The Big City - twinned with Le Grande Ville, La Ciudad Grande"). My main gripe was that towards the end, which I won't spoil, things do get a bit too cheesy for my tastes, but the rest of the movie, and indeed most of the climactic sequences, more than make up for that. Shaun The Sheep: The Movie only serves to reinforce why I am such a huge fan of the Bristol lads to begin with, and while it is nowhere near as good as their first two features, it is definitely a worthy addition to their fine repertoire of work. If you're looking for some great entertainment on an afternoon, you could do a lot worse than this.

The very notion of Shaun The Sheep Movie sounds faintly ridiculous, as if the universe were playing a joke on movie-going audiences around the world. A hyper-intelligent sheep embarking on an epic adventure to save the farmer who shears off his wool every year? What utter claptrap. The film has next to no lines of intelligible dialogue and is based on a long-running TV show for kids? How ludicrous. Is anyone above the age of three actually expected to want to watch this film? And yet, there's plenty to recommend this charming, full-hearted gem from Aardman Animation - a studio so passionate and dedicated to its craft and characters that it literally animates entire worlds in exhaustingly tiny increments.

Everyone in Mossy Bottom Farm, including our titular hero (given 'voice' by Justin Fletcher), has settled into a dreary routine. One day, Shaun decides to shake things up a little. So he distracts sheepdog Bitzer and traps the Farmer (both voiced by John Sparkes) in a caravan, all in aid of allowing his entire flock to take a day off from their boring lives. But Shaun didn't account for a steep hill, a runaway caravan and a bout of amnesia. Soon, he and his buddies - with the help of Bitzer and stray pooch Slip (Tim Hands) - must hunt for the Farmer in the Big City, even as they try to keep out of the clutches of Trumper (Omid Djalili), a fearsome agent tasked with Animal Control.

It's easy to gripe about Shaun The Sheep's simple plot: this is hardly a complex film. Indeed, it lingers obstinately in the realm of entertainment for kids, even packing in the requisite learning points about friendship and not taking things for granted. The film can sometimes feel simplistic too, given its persistent lack of dialogue and its cheerfully frequent descent into slapstick comedy. There's very little of the cheeky satire here that makes Aardman's Wallace & Gromit franchise such a blast.

But Shaun The Sheep Movie is delightful in so many ways that it's just easier for everyone above a certain age to give in to their inner child. The characters may be fashioned out of clay and wood and painstakingly animated at an extremely slow speed, but the film itself positively crackles with energy. The narrative pokes fun at the concepts of fashion, incarceration and going viral, even as it bounces merrily through a host of hilarious gags. The soporific effect of sheep leaping over fences is mined for plenty of laughs, while the camera checks in with a particularly crazed inmate of Animal Control and an utterly charming Baa-bershop Quintet.

Quite a bit of thought has evidently been devoted to the development of the film's main characters - certainly more than you'd get in some Hollywood blockbusters. Shaun is a sweetly determined hero, refusing to leave any sheep - or human, or dog - behind, even as he cleans up a mess that is (strictly speaking) of his own making. The Farmer, too, gets a storyline that spices the comedy up with a hint of drama, as he stumbles into a new career through his forgotten but deeply-ingrained skill with shearing sheep. The lack of dialogue in the film also proves to be, quite frequently, a plus. Not only does it push the story in inventive directions, it allows the incredibly expressive characters to take centre stage - their hopes, dreams and fears communicated with barely a word spoken.

This all makes for a thoroughly charming experience at the cinema - Shaun The Sheep Movie isn't likely to make you dig deep or ponder long and hard about life, but it will almost certainly entertain you in breathtaking (and breathless!) fashion. In almost every aspect - from the deft character design to its incredibly catchy soundtrack, the film radiates a sweet, optimistic charm that will win over just about everybody who gives it a chance.

13 February 2015 Film of Choice at The Plaza Dorchester This Aftenoon - Shaun The Sheep. I would just like to point out that I was the only adult there without a child.....or maybe I was the only child without an adult!!!!!! Nick Park and his team have done it again. This was classic Aardman animation, with our old pal Shaun. Bored with his mundane life Shaun and his sheepy friends engineer a way to have a day off but all goes drastically wrong when the farmer ends up in the big city with memory loss. It's up to the animals to save him and what follows is a madcap series of events where nobody questions sheep dressed as humans or any of the antics that occur. Completely without dialogue the story is carried along by the excellent score and gesticulations and a gaggle of bleats, grunts and other indiscriminate noises. As we know animation these days caters for all ages and with various movie references included the adults were definitely laughing at different times to the children. Watching some good old stop motion animation is a very pleasant way to pass the time.