Lucy

This impressive comic-book style tale brought to big screen contains thought-provoking science-fiction , fantasy , noisy action , battles , thrills , violent fights and results to be pretty entertaining . Lucy (Scarlett Johansson) is a smart , feisty college student who suddenly finds herself involved into a horrific drug and human trafficking situation . Later on , her brain is permanently altered when the fantastic drug CPH4 is released in her body . Lucy being re-animated due to the incredible synthetic drug , getting superpowers , breathtaking force , fast healing and undergoing unimaginable changes. When she gets a kick to her abdomen, the drug starts to leak into her body , and she begins using more than 10% of her brain and finds that she has less than 24-48 hours to live . With her new abilities , as soon as Lucy comes to learn that not everything he learns can be trusted , subsequently executing a merciless revenge . She's a slain woman and when his memories flood back and recalls the man that killed him , she gets away of the facility hellbent on vengeance , only to discover that there's more to the conspiracy than she originally thought . Along the way , Lucy finds the one neuro-scientist and professor Norman (Morgan Freeman) who can help capture her super brain phenomenon for the world , before the nasty villain , Mr. Jang (Choi Min-sik) , kill her in the process. She has the Power ! . The average person uses 10% of their brain capacity. Imagine what she could do with 100%. Open your mind, expand your potential, evolve !.

Nail-biting superheroine flick with thrills , chills , plot twists , struggles , high body-count , moving scenes , dazzling production design and latest generation special effects . Based on the character created by Luc Besson himself and heavily influenced by Superheroes Comic Books . This is a dynamic , fast- paced , entertaining and fun movie . It packs a brief message about the extreme dangers of the drugs and science, as our starring gets a tremendous strength thanks to a peculiar drug , she becomes a superhuman , a killing machine , resulting in fateful consequences . But it was really made to appeal to wide range of audiences , so the plot wasn't so complex , but Scarlett Johansson as the prominently featured super-power heroine was absolutely believable , and there was no other actress at the time who could have played the role asides from her . Nohing more fun to watch than to see her running here and there while seeks vengeance going after the man who previously killed her , or at least, who he believes killed . It also helps that it usually has a relatively good storyline to go along with it . This show has one really good thing going for it and that was a perfectly cast . Scarlett Johansson is nice , playing in her usual style as the two-fisted , serious girl brought back to life by an advanced technology that gives him the ability of super human strength , it would spin to transform into a relentless superheroine , armed with a invincible force that can stop any bullet , while regenerating his vital organs. Being well accompanied by other fine actors , such as : Morgan Freeman as Professor Norman , Choi Min-sik of Old Boy , Choi Min-sik , Amr Waked , Julian Rhind-Tutt , Pilou Asbæk , among others.

It displays a stinging and rousing musical score by composer Eric Serra . As well as colorful and brilliant cinematography by cameraman Thierry Arbogast . The motion picture was professionally directed by Luc Besson , though it has some flaws , gaps and shortfalls . Lavishly produced by Eurocorps (Besson Production Company) and nicely made by Luc Besson with his ordinary visual pyrotechnics . Luc often casts Jean Reno (though here doesn't appear) and music always by Eric Serra . Besson is the greatest producer and director from France with hits as ¨Leon¨ , ¨Joan of Arc¨ , ¨The fifth element¨ , the ¨Taxi¨ series , ¨Big blue¨ , ¨Arthur and the Minimois¨ , ¨Nikita¨ and many others . Rating : Acceptable and passable, 6 . This is a highly amusing and frequently fun action-adventure romp with a witty script, sensational special effects and accceptable performances from main and support cast .

Lucy is a Bourne Identity meets Kill Bill meets Limitless romp auteured by Luc Besson, the man behind classics like Leon the Professional and La Femme Nikita. In one of the stranger wide releases in years, there is much reward given to those willing to give Lucy grace (ridiculous premise and over-the-top aspirations). It's flawed, but it's a brightly filmed and darkly themed scifi action thriller that delivers. Lucy posits the debatable notion that humans only use 10% brain capacity. Johansson plays the title character that goes from monotony to superhero when a new drug gives her the ability to use 100% of her brains power. Her capabilities aren't just big math problems and fast reading, but telekinesis, shape shifting and other comic-booky things. It's a fascinating if overly ambitious premise that Besson puts to great use, playing it out like a briskly paced, inventive TV pilot. The scifi is strong, with theories and declarations posited throughout and thematic exposition that works. The shining element here is Johansson, who continues her upward trajectory in a bombastic yet effective performance. Her progression from a nobody to the most powerful femme fatale in history is emotional, funny and relatively believable. It's great to see Besson bounce back after The Family to present what may be his magnum opus, touching on all of time and creation in under 90 minutes. Sure, some of the effects are cheap and goofy, but the editing is unique and tight, the violence and style are lively, and the storytelling is refreshing. Engaging and cool, Lucy is highly stylized scifi pulp of the highest order.

"Lucy," a high-concept sci-fi thriller from visionary French director Luc Besson, is a stimulating exploration of the human mind's potential. With its combination of slick action sequences, existential philosophizing, and dazzling visuals, it challenges and entertains in equal measure, pushing the boundaries of conventional cinema.

The plot follows Lucy (Scarlett Johansson), a woman accidentally caught in a dark deal who turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic. Besson has crafted a fascinating narrative that juxtaposes the gritty realism of crime syndicates with the abstract realm of cerebral possibilities.

Scarlett Johansson delivers a powerhouse performance, expertly navigating her character's transformation from a terrified victim to a superhuman entity. Her nuanced portrayal ensures Lucy remains empathetic even as she becomes increasingly detached from humanity.

Morgan Freeman lends gravitas as Professor Norman, a neuroscientist who serves as the narrative's anchor, grounding the escalating spectacle in a semblance of reality. His measured performance provides a necessary counterpoint to Johansson's increasingly otherworldly character.

Besson's direction is fluid and kinetic, imbuing the film with a frenetic energy that propels the narrative forward even as it dips into complex concepts. His choice to intercut documentary-style nature footage adds a unique flavor, creating intriguing parallels with the story unfolding on screen.

The cinematography and visual effects are dazzling, creating a vivid sensory experience that takes viewers on a roller coaster ride through time, space, and the human body. The mind-bending visual journey, coupled with Eric Serra's pulsating score, creates an intoxicating atmosphere that leaves viewers both thrilled and thoughtful.

However, "Lucy" isn't without its flaws. Its ambitious premise often teeters on the edge of becoming too esoteric, possibly alienating viewers expecting a more straightforward action thriller. Furthermore, its fast pace and lean runtime can leave certain aspects feeling underdeveloped, notably the film's antagonists.

Yet, despite these shortcomings, "Lucy" stands out as an audacious cinematic experience that dares to merge high-octane action with cerebral science fiction. It inspires a sense of awe and curiosity about human potential, prompting introspection about our place in the universe. It is a visual feast that stirs the mind and quickens the pulse, a cinematic cocktail of action and philosophy that leaves a lingering impression.

I went into watching this thinking "6.6; average but good enough for a night in" considering 22 jump street (which I stopped after the _painful_ first half hour) gets a 7.6 it makes me wonder about what the people rating movies on this site prefer.

This film is quick, intelligent and has a number of good actors in it; if you watch it to the end you'll appreciate it, because (in my mind) it does everything right. After this paragraph we'll probably be moving into (mild) spoiler territory, so if you've not watched it yet, or just don't give a flying uh.... seagull? (good job on your censorship IMDb, words are just words and they have their place); stop reading.

The whole 10% premise is false, I'll give it that along with the 'fact' that you somehow develop supernatural powers at higher than 10%; it's almost like someone saw the matrix, a supernatural film, an action film and thought "why not compress all of this into one film" as I've said in the title, if you're prepared to suspend disbelief, it works. If you want pure scifi with no (major) suspension of disbelief; it's best to look elsewhere. Though as I've said, the movie has all the things I like. Unwitting protagonist, pressure of time put on said protagonist, some scifi in between and the mind control powers of Morgan Freeman's voice (seriously, they should get some real scientists on that; it would accelerate brainwashing research tenfold).

From reading other reviews this film seems to be movie Marmite; you'll either love it or hate it.

Just like a human has been given priority to itself, this film do so, after have watched it feels human is infinite and can do anything and no any other species would be able to do so, this film start with a myth humans use very little part of its brain, and finely depicts what if a human will be able to use 100 percent of his brain, well no doubt this film is a metaphor but really funny and amusing, Great imagination, I salute directors thought, Everything is in a great sequence and should watch by everyone it's a great film.

One more thing none can imagine it's climax until it happens itself, great climax.

Thank you.