A petty thief desperate for work muscles into the world of crime journalism and becomes the star of his own story as he blurs the line between observer and participant.A petty thief desperate for work muscles into the world of crime journalism and becomes the star of his own story as he blurs the line between observer and participant.A petty thief desperate for work muscles into the world of crime journalism and becomes the star of his own story as he blurs the line between observer and participant.
- Nominated for 1 Oscar
- 46 wins & 126 nominations total
Marco Rodríguez
- Scrapyard Owner
- (as Marco Rodriguez)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Jake Gyllenhaal is the nightcrawler. A nightcrawler is a worm. Bloom, the character played here, is a sociopath. His ambitions and fixations far outweigh common morality. Let's face it, his cohorts in the business aren't much better than he is, but they have a kind of code, and they don't participate in enhancing the crime. When Bloom moves an accident victim for the first time in order to get a better shot, he crosses the line and stays on the other side. He is willing to do anything to get his way and he is a master at monotonous monologue when he is confronted. It's as if he is reading from a book. I heard an interview recently with Gyllenhaal and he recited some of this stuff from memory with almost no emotion. This is a terrific performance by one of our really good actors. The way he is able to slide into every situation unscathed and maintain that sardonic grin is really nonpareil. This is about the voyeurism of the audience which demands this hateful kind of portrayal.
This movie was both fun and terrifying. Jake Gyllenhaal's performance as Lou Bloom will certainly frighten you. He is brilliant when paired with the amazing monologue style rants written for him.
Lou Bloom is a driven man reminiscent of a sociopath who finds he has a talent as "nightcrawling" in that he takes videos of true crimes as they are happening to be broadcast on the news. His motivation and seeming lack of empathy allow him to break through and take the controversial images, and sell them with a strong aptitude for negotiation.
As a character, he grows more and more "motivated" and seems to learn his business in such a way to bring him amazing success, but to the determinant, perhaps, of his assistant and the victims of these crimes.
The writer/ director of this movie (making his directorial debut) certainly understands fear and comedy. The simplest scene was made into a laugh by the angles and cuts.
It's funny, and enjoyable, but still terrifying enough to feel like a real horror thriller.
Lou Bloom is a driven man reminiscent of a sociopath who finds he has a talent as "nightcrawling" in that he takes videos of true crimes as they are happening to be broadcast on the news. His motivation and seeming lack of empathy allow him to break through and take the controversial images, and sell them with a strong aptitude for negotiation.
As a character, he grows more and more "motivated" and seems to learn his business in such a way to bring him amazing success, but to the determinant, perhaps, of his assistant and the victims of these crimes.
The writer/ director of this movie (making his directorial debut) certainly understands fear and comedy. The simplest scene was made into a laugh by the angles and cuts.
It's funny, and enjoyable, but still terrifying enough to feel like a real horror thriller.
Lou Bloom (Jake Gyllenhaal) is an unemployed petty thieve in L.A. He encounters Joe Loder (Bill Paxton) who is filming a car crash. He decides to get into the business of freelance videography for the local news. He is unrestrained in his filming which is exactly what news director Nina Romina (Rene Russo) needs to raise her low ratings. Desperate Rick answers his ad to be his assistant. This is great acting from Gyllenhaal. His crazy eyes pull in the audience right away. In fact, it's shocking to see his gaunt figure. His mannerisms are really creepy. The story is driven by this great performance and the tension never lets up.
Once Jake Gyllenhaal signed on to do Nightcrawler I knew it would be a special film. The man has been producing nothing but gold lately and this is no different. Nightcrawler is an experience - it takes you on this journey through the grimy streets of LA, through the corrupt minds of media moguls, and everything is told through the eyes of seemingly charming slimeball reporter Louis Bloom (Jake Gyllenhaal).
Nightcrawler works on so many levels. The writing and direction is fantastic, which is especially impressive as it's the directorial debut by Dan Gilroy who takes on both duties. He had a clear vision of how he wanted to portray LA and the sleek, brooding yet slightly lackadaisical tone transfers perfectly onto the big screen. The acting is phenomenal - Gyllenhaal gives a performance that's the polar opposite from his character in Prisoners and he was on point for every second. He was the perfect casting choice to carry the movie.
The movie has a clear message on the media and how they abuse stories and reap the benefits regardless of who gets victimized. It's a message that has been told a million times before, but never quite like this. Nightcrawler throws you right into the gritty streets along with a hustling thief, Lou, who starts freelancing as a videographer of crime scenes and selling his footage to a news channel for money. We go along this journey with Lou and watch his transformation from being a sleazy but ambitious individual to becoming a manipulative, self-serving sociopath. Then you start to realize that he was like that all along. His charming charisma masked his true intentions, and this peek into his psyche is the most potent and disturbing aspect of the movie. It's a character study that encompasses an entire lifestyle, and told with enough elegance and wit to keep you on board the whole way.
There's a dark comedic tone present throughout. Lou's persistence and crass remarks to basically anyone he encounters provide some good laughs. He doesn't sugarcoat anything, he'll talk to anyone in order to get his way, and he has a sleazy smirk that never fails to get a reaction. Also Gyllenhaal's chemistry with Rene Russo (the news director) is palatable and their work dynamic becomes more of a gripping co-dependency as the movie progresses.
Nightcrawler is a must-watch for fans of cinema. It's a work of art from a directorial and writing standpoint, from an acting standpoint, and from a basic human nature standpoint. It really does a hell of a job at sucking you into this dark gloomy world to the point where you don't want to get out. It's intense, it's funny, it's thrilling, it's powerful, and most of all, it's real. Nightcrawler is simply sensational.
Nightcrawler works on so many levels. The writing and direction is fantastic, which is especially impressive as it's the directorial debut by Dan Gilroy who takes on both duties. He had a clear vision of how he wanted to portray LA and the sleek, brooding yet slightly lackadaisical tone transfers perfectly onto the big screen. The acting is phenomenal - Gyllenhaal gives a performance that's the polar opposite from his character in Prisoners and he was on point for every second. He was the perfect casting choice to carry the movie.
The movie has a clear message on the media and how they abuse stories and reap the benefits regardless of who gets victimized. It's a message that has been told a million times before, but never quite like this. Nightcrawler throws you right into the gritty streets along with a hustling thief, Lou, who starts freelancing as a videographer of crime scenes and selling his footage to a news channel for money. We go along this journey with Lou and watch his transformation from being a sleazy but ambitious individual to becoming a manipulative, self-serving sociopath. Then you start to realize that he was like that all along. His charming charisma masked his true intentions, and this peek into his psyche is the most potent and disturbing aspect of the movie. It's a character study that encompasses an entire lifestyle, and told with enough elegance and wit to keep you on board the whole way.
There's a dark comedic tone present throughout. Lou's persistence and crass remarks to basically anyone he encounters provide some good laughs. He doesn't sugarcoat anything, he'll talk to anyone in order to get his way, and he has a sleazy smirk that never fails to get a reaction. Also Gyllenhaal's chemistry with Rene Russo (the news director) is palatable and their work dynamic becomes more of a gripping co-dependency as the movie progresses.
Nightcrawler is a must-watch for fans of cinema. It's a work of art from a directorial and writing standpoint, from an acting standpoint, and from a basic human nature standpoint. It really does a hell of a job at sucking you into this dark gloomy world to the point where you don't want to get out. It's intense, it's funny, it's thrilling, it's powerful, and most of all, it's real. Nightcrawler is simply sensational.
Did you know
- TriviaJake Gyllenhaal lost 20 pounds for his role. This was Gyllenhaal's own idea, as he visualized Lou as a hungry coyote.
- GoofsWhen Lou first approaches the "Horror House" in a closeup shot, a crew member is seen in the background ducking out of frame behind the back of the house.
- Crazy creditsThough hardly perceivable, the moon continues to rise as credits roll.
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Primicia mortal
- Filming locations
- Chinatown Express - 252 S Western Ave, Los Angeles, California, USA(Murder Suspects in Restaurant)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $8,500,000 (estimated)
- Gross US & Canada
- $32,381,217
- Opening weekend US & Canada
- $10,441,000
- Nov 2, 2014
- Gross worldwide
- $47,425,835
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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