When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.When a team of explorers venture into the catacombs that lie beneath the streets of Paris, they uncover the dark secret that lies within this city of the dead.
- Director
- Writers
- Stars
- Awards
- 1 win & 6 nominations total
Hamid Djavadan
- Reza
- (as Hamidreza Javdan)
Emy Lévy
- Tour Guide
- (as Emy Levy)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Absolutely love this movie! It's a breath of fresh air from other found footage horror movies, especially with the whole archeological adventure spin on it. I loved that! It felt like Tomb Raider horror film about hell! Wicked cool!
And to understand completely what's going on, you need to read Dante's inferno\ Divine Comedy. It will fill in all the gaps of the film, especially the confusing parts and ending...
Awesome film... very scary.
This movie is just what you expect. A Blair Witch Project/ Tomb Raider crossover. And does that sound good on paper? No, but it actually ends up being pretty good. If you like Horror/ Action Films (and enjoy found footage) then this movie delivers.
As Above, So Below is a tense and claustrophobic found-footage horror film that effectively utilizes its haunting underground setting. Set in the Paris Catacombs, the film follows a group of explorers searching for the Philosopher's Stone, only to find themselves trapped in a psychological and supernatural nightmare.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
Director John Erick Dowdle crafts an immersive and eerie experience, blending mythology, alchemy, and psychological horror in a way that sets this film apart from standard found-footage fare. The catacombs provide a naturally unsettling backdrop, and the film's sense of disorientation and paranoia builds steadily. While some moments fall into familiar horror tropes and the shaky camerawork can be disorienting, the film succeeds in creating a genuinely unsettling atmosphere.
With its unique setting and creative approach to horror, As Above, So Below is a suspenseful and intriguing ride that delivers more than just jump scares.
I wasn't expecting much to be honest, as the whole found footage genre seems to have died a death, but this is surprisingly good. It begins in dramatic fashion, and for the most part doesn't let up, anyone that suffers with claustrophobia or a feeling of being trapped will appreciate the efforts of the film, or not. Some creepy scenes, I liked the part where the phone was ringing, that was atmospheric, as well as the push deeper into the cave. Perdita Weeks was excellent in the role.
This was rather good. 7/10
This was rather good. 7/10
First of all, there aren't a ton of good Horrors out there that are truly original. I'm not saying this movie is one of them, but that lack of originality shouldn't be the reason to give any movie a lower score. Bringing fresh ideas to the Horror genre is difficult, mostly because it's difficult to find new ways to scare people. There aren't a ton of moments that make you jump, but I think the genre isn't really about making people jump anymore. Audiences have gotten good at predicting when these moments happen.
Where this movie does well, along with the rest of my favorite horror movies, is atmosphere. For me, having a dark, creepy atmosphere is far more important to success in this genre than getting people to leap out of their seats. The shaky-cam, found-footage style isn't that much of an issue for me either. Actually, I think still does a good job portraying realism, despite being a bit disorienting and annoying.
Story-wise, I'd say it's pretty unique. How many other horrors involving descent into the earth to find historical relics can you think of off the top of your head? One, two maybe... How many horrors can you think of off the top of your head involving a haunted house, a possessed child or doll, exorcism, a guy with a mask, or a cabin in the woods? 100? Not to say this is bad, but I'll gladly welcome anything outside traditional horror settings and scenarios. It does dip into the realm of ridiculousness as some points, but nothing too over-the-top and far-fetched for the situation. The acting is good and the characters are believable for the most part. I would have cleaned up the final act a little bit more, but it was good enough to keep me satisfied.
Not sure what the critics are bashing it for. If there is anything to really complain about it's not this movie, but the genre itself. That being said, lower your expectations and you might like it. I'd give it a solid 7 out of 10.
Where this movie does well, along with the rest of my favorite horror movies, is atmosphere. For me, having a dark, creepy atmosphere is far more important to success in this genre than getting people to leap out of their seats. The shaky-cam, found-footage style isn't that much of an issue for me either. Actually, I think still does a good job portraying realism, despite being a bit disorienting and annoying.
Story-wise, I'd say it's pretty unique. How many other horrors involving descent into the earth to find historical relics can you think of off the top of your head? One, two maybe... How many horrors can you think of off the top of your head involving a haunted house, a possessed child or doll, exorcism, a guy with a mask, or a cabin in the woods? 100? Not to say this is bad, but I'll gladly welcome anything outside traditional horror settings and scenarios. It does dip into the realm of ridiculousness as some points, but nothing too over-the-top and far-fetched for the situation. The acting is good and the characters are believable for the most part. I would have cleaned up the final act a little bit more, but it was good enough to keep me satisfied.
Not sure what the critics are bashing it for. If there is anything to really complain about it's not this movie, but the genre itself. That being said, lower your expectations and you might like it. I'd give it a solid 7 out of 10.
Did you know
- TriviaThis was the first ever production that secured permission from the French government to film in the Paris catacombs, both in the public and in the off-limits area. They got permission the night before shooting began. The air and water quality in the catacombs were tested before shooting to make sure the cast and crew would not walk through battery acid. The only entrance to one of the catacombs' main locations was through the parking lot of an hospital. There was very little use of props. The film utilizes a set of narrow, winding tunnels of the Paris catacombs, complete with real mint skeletons creepily arranged centuries ago. There was no electricity, no bathrooms or cell phone service in the tunnels. Sometimes the cast and crew had water up to their waists, and some days they had to crawl around on all fours for an hour. Several scenes were lit up by the actors themselves with their head lamps. Director John Erick Dowdle said that the actors were shooting the film 90% of the time.
- GoofsThe poem on Flamel's stone shouldn't rhyme in English.
- Crazy creditsOn the last seconds of the end credits, you can hear a character saying "The only way out is down", followed by some of the noises heard on the catacombs earlier in the film.
- ConnectionsFeatured in FoundFlix: As Above So Below (2014) Ending Explained + Analysis (2017)
- SoundtracksSur La Planche 2013
Written by Sacha Got and Marlon Magnée
Performed by La Femme
Courtesy of Musique En Societe S.A.R.L.
By arrangement with Hyperion Music Services
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Así en la Tierra como en el infierno
- Filming locations
- Catacombes of Paris, Paris, France(Whole set)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $21,321,100
- Opening weekend US & Canada
- $8,632,820
- Aug 31, 2014
- Gross worldwide
- $41,898,409
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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