Vermiglio

The film is a visual feast. Cinematographically, it's very good. The art director did a great job. This made the director's job much easier. Both interior and exterior shots are very successful. But I can't say the same for the script and acting. The script contains very disjointed stories and this makes it difficult to concentrate. The acting was too heavy for a cinema film. In many places I felt like I was watching a theatre rather than a cinema film. Overall, I can say it was a good film. But you won't lose much if you don't watch it. But if you have plenty of time, it is a watchable film Good luck.

VERMIGLIO (2024) Mauro Delpero's beautifully crafted drama about an Italian family during the waning days of WWII. They are a large (and still growing) family headed by a proud and vain schoolteacher Cesare (Tommaso Ragno) in their small village in the Alps. Pietro (Giuseppe De Domenico) a soft-spoken Sicilian soldier who has escaped the Germans at the front is hiding out in the Vermiglio township. He falls for the eldest daughter Lucia (Martina Scrinzi) . The romance momentarily is a ray of hope for the family even if they have their doubts about the wayward young man.

Delpero's script captures the trials and tribulations of the entire clan, including the children. The story is never rushed, yet never feels slow. Each individual is given respect by her writing and tender direction. Mikhail Krichman's burnished cinematography handsomely depicts their existence. The mountains give the exteriors a grandeur, but it's never merely picturesque. It's all part of the landscape for the villagers hardscrabble life during wartime.

VERMIGLIO shows that no matter how far away from the battlefield one may be, there are always repercussions both immediate and long-term. There is pain, secrets, loss and memory. As the movie eloquently states: Tears can be both a sign of sadness and sorrow - as well as hope and happiness.

Vermiglio (2024), directed by Maura Delpero, presents a quiet and reflective look at life in a remote mountain village in the Italian Alps during the final days of World War II. The story follows the arrival of Pietro, a deserter, into the family of the local teacher. As he becomes entangled in their lives, particularly falling in love with the teacher's eldest daughter, the village's delicate balance is disrupted, leading to a series of emotional upheavals.

The film's strength lies in its meticulous attention to historical detail and its authentic depiction of the time period. Delpero's anthropological approach to storytelling highlights the customs, traditions, and harsh realities of life in rural Italy during the war, with the seasons unfolding as a metaphor for the passing of time and the trials faced by the villagers. The cinematography, which captures the rugged beauty of the Trentino Alps, enhances the atmosphere, grounding the story in the physical and emotional isolation of the characters.

The performances are solid, with Tommaso Ragno and Roberta Rovelli providing strong portrayals of characters who, while deeply affected by the events around them, must endure their personal dramas in silence, shaped by the social and cultural constraints of the era. The theme of resignation permeates the narrative, as characters quietly endure their fates - from the young, pregnant widow to the daughter who feels "forced" into religious life. This pervasive sense of acceptance, however, diminishes the emotional connection one might feel with the characters. The lack of agency among the individuals, who silently bear their burdens without protest, creates an emotional distance that, at times, undercuts the film's impact.

While Vermiglio succeeds in painting a vivid picture of life in the post-war years, its slower pace and emotionally restrained characters may leave some viewers feeling disconnected. The weight of historical accuracy and social constraints, while authentic, can sometimes stifle the emotional depth that might have made the story more compelling.

Rating: 7/10. A reflective and historically rich film that captures the struggles of post-war life but is ultimately hindered by its emotional detachment.

Directed by Maura Delpero, "Vermiglio" made its debut at the Venice Film Festival in 2024, highlighting the director's unique storytelling approach and her skill in crafting intricate narratives. The film serves as a poignant examination of identity, belonging, and the complex relationships that shape our lives.

Set over a pivotal year and divided into four chapters, each representing a different season, this film is a visually stunning experience. In the waning days of World War II, a Sicilian deserter arrives in a secluded village in the Italian Alps, where he is taken in by a local schoolteacher who has three daughters. His presence will irrevocably change the dynamics of both the village and the family.

A notable aspect of the film is its cinematography, which beautifully captures the lush landscapes of the Italian countryside, adding emotional resonance to the story. Delpero's direction is both empathetic and perceptive, allowing the characters to develop naturally throughout the film. The performances, especially from the lead actress Martina Scrinzi, are powerful and layered, effectively portraying the protagonist's internal struggles. The film thoughtfully addresses themes of nostalgia and the quest for identity, encouraging viewers to contemplate their own notions of home and belonging.

Nevertheless, "Vermiglio" does have its shortcomings. At times, the pacing may feel inconsistent, with certain scenes extending longer than necessary, potentially challenging the audience's engagement. Furthermore, while the film's thematic exploration is praiseworthy, some viewers might perceive the narrative as somewhat predictable, missing the unexpected twists that could enhance its overall impact.

I found "Vermiglio" a very beautiful, unusual and yet highly relevant movie. This is cinema at its best. The acting is excellent and the narrative is very well constructed, highly touching and superbly conducted. This is one of the best movies I saw in recent years. I found the language extremely beautiful and the photography just amazing. The story of the family is highly plausible and the references to the social reality of the Trentino during and after the Great War appear truthful and deserves to be looked at as an experiment in social analysis. The respect with which the religious dimension is treated deserves my highest praise. In other words, besides being poetic and truly beautiful, «Vermiglio» brings us back to a world that is about to disappear in Europe. As non-Italian, I am now ready to visit the real Vermiglio and once being there reflect on the effects of this wonderful movie. It deserves to be seen by anyone that loves real cinema, that searches for the understanding of the human condition and, most importantly, does not abdicate of the aesthetic dimension of life in the world of today. The music is excellent and the sound of the «Miserere» sounded in a moment of deep sorrow in the family was deeply touching for me. I congratulate all those who participated and contributed to this beautiful work of art.