Norte, la fin de l'Histoire
Original title: Norte, hangganan ng kasaysayan
IMDb RATING
7.5/10
2.4K
YOUR RATING
An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking... Read allAn embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.An embittered law student commits a brutal double murder; a family man takes the fall and is forced into a harsh prison sentence; a mother and her two children wander the countryside looking for some kind of redemption.
- Awards
- 10 wins & 17 nominations total
Moira Lang
- Prof. Moira
- (as Moira)
Featured reviews
Niemand bleibt hier. Who said that?
A narrator in images widening the knowledge of the other side of the world. Incredible suction and depth in some pictures. Deeply related with Andrei Tarkovsky and Béla Tarr. And Jacques Tati?
But most of the time the images co-exist with a story. Sometimes even words. And expressions. Lav Diaz fumbles in terms of dialogue and instruction of actors. Sometimes it slips into the conventional.
Norte: Hangganan ng Kasaysayan (Norte, the End of History) clocking in at 250 minutes is utterly breathtaking in scope and visually remains a staggeringly beautiful, poetic masterpiece. On a symbolic level, it is a transcendent story of exploration, self-discovery and redemption, realistically portraying the strength, and equal fragility, of the human condition. The film elaborately investigates the relationship between man and his socio-political circumstances - in this case the extreme poverty of the Philippines in correlation with brutal capitalism on the rise. Most importantly however it explores the spiritual relation between humanity and God.
Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.
Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.
Lav Diaz pushes the boundaries of the medium with this tour de force, visually and thematically, leading us on a long, contemplative journey of discovery. Through his deeply intimate approach and glorious camera-work he represents human frailty at its most basic, acting as a resolute, poetic meditation on the human condition.
Diaz's cerebral masterwork is nothing short of high art, proving him to be one of the true visionaries working in contemporary world cinema.
Lav Diaz is famous (or infamous) for long runtimes. This one isn't too long (for Diaz's standards) but it is quite long and stretchy. If it was cut down to say, a 3-hour runtime, the story would still be effectively told. Nonetheless, the film still managed to hold my attention. Throw me a movie with a countryside view, a laid-back province environment, a village by the sea, and a green scenery, and I will surely glue my eyes on it.
The movie revolves around the lives of 3 central characters, played by versatile and veteran supporting casts. These central characters I'm referring to are 1) Fabian- a genius turned lunatic 2) Joaquin- a family man indicted for a crime he never committed and 3) Elisa- the perfect example of a strong woman.
It's so hard to choose which of the three characters most affected us, or who most most realistically depicts how sad and cruel society is. Their lives are so colorful that in the turn of events, one can only ponder on how cruel can fate be.
I would give a special shout out to Sid Lucero, who plays Fabian in the movie. Fabian is an interesting character. He was a former law student whose intellect could have made him bar topnotcher. He likes talking about philosophy, conspiracies, politics, history--smart man. But I guess what he had in intellect, he lacked in rational thinking. He ran out of his mind because he was probably eaten by guilt. He was someone who can't control his emotions. And this led him to do crazy things. And this, ladies and gentleman, was very well acted by no less than Sid Lucero. I can't even think of someone else doing the role than him. Then again, Sid Lucero has already proved his versatility and craftsmanship that it's no longer a question.
At first I didn't know what's the relation between Norte and the movie. I found out later on that the film was shot in the northern most part of the island of Luzon in the Philippines. Thus, the "North". As to the "end of history" part, well, it could be both literal and metaphorical.
The movie has serious and deep themes which spices up the whole movie. There's murder, poverty, guilt, judgement, incest, hope, faith, longing, remorse...name it. All of these are depicted in the three lives connected to each other by fate.
The no. 1 strength this movie has to offer is the brilliant performances from the actors. They brought the whole story, which is already great by itself, even greater.
The movie revolves around the lives of 3 central characters, played by versatile and veteran supporting casts. These central characters I'm referring to are 1) Fabian- a genius turned lunatic 2) Joaquin- a family man indicted for a crime he never committed and 3) Elisa- the perfect example of a strong woman.
It's so hard to choose which of the three characters most affected us, or who most most realistically depicts how sad and cruel society is. Their lives are so colorful that in the turn of events, one can only ponder on how cruel can fate be.
I would give a special shout out to Sid Lucero, who plays Fabian in the movie. Fabian is an interesting character. He was a former law student whose intellect could have made him bar topnotcher. He likes talking about philosophy, conspiracies, politics, history--smart man. But I guess what he had in intellect, he lacked in rational thinking. He ran out of his mind because he was probably eaten by guilt. He was someone who can't control his emotions. And this led him to do crazy things. And this, ladies and gentleman, was very well acted by no less than Sid Lucero. I can't even think of someone else doing the role than him. Then again, Sid Lucero has already proved his versatility and craftsmanship that it's no longer a question.
At first I didn't know what's the relation between Norte and the movie. I found out later on that the film was shot in the northern most part of the island of Luzon in the Philippines. Thus, the "North". As to the "end of history" part, well, it could be both literal and metaphorical.
The movie has serious and deep themes which spices up the whole movie. There's murder, poverty, guilt, judgement, incest, hope, faith, longing, remorse...name it. All of these are depicted in the three lives connected to each other by fate.
The no. 1 strength this movie has to offer is the brilliant performances from the actors. They brought the whole story, which is already great by itself, even greater.
Diaz has an enormous sensibility when it comes to portraying the mood and emotions of his characters through his use of time and setting. There are plenty of scenes where you just get a feeling of tender humanity, of quiet loneliness and bare compassion. It's an experience anyone who appreciates slow and meditative films will appreciate.
However, when it comes to the plot, during the last hour of the film the story drifts into complete nonsense. Gratuitous violence, last-minute twists, and a pretentious vagueness which doesn't fit the straightforwardness of the rest of the story. Matter of fact, I'm sure that if you cut all of that and end the film at the moment that Joaquin and Eliza reunite, you get a much more coherent and engaging story. Sure, Diaz wanted to explore some more themes, he wanted to make it more complex than a simple story of resilience, redemption and love. But he failed completely, and as far as I'm concerned the "simple" Crime and Punishment plot was working wonderfully up to that point.
However, when it comes to the plot, during the last hour of the film the story drifts into complete nonsense. Gratuitous violence, last-minute twists, and a pretentious vagueness which doesn't fit the straightforwardness of the rest of the story. Matter of fact, I'm sure that if you cut all of that and end the film at the moment that Joaquin and Eliza reunite, you get a much more coherent and engaging story. Sure, Diaz wanted to explore some more themes, he wanted to make it more complex than a simple story of resilience, redemption and love. But he failed completely, and as far as I'm concerned the "simple" Crime and Punishment plot was working wonderfully up to that point.
Finally, a movie from my country that's in the same tier as "Parasite", "The Godfather", and all the other masterfully crafted movies out there.
I finally have faith in what my country makes now.
I finally have faith in what my country makes now.
Did you know
- TriviaRanked 9 (tied with L'inconnu du lac (2013)) in the ten best films of 2013 by the film magazine Sights & Sounds.
- ConnectionsFeatured in The Story of Film: A New Generation (2021)
- How long is Norte, the End of History?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Norte, the End of History
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $10,457
- Opening weekend US & Canada
- $2,164
- Jun 22, 2014
- Gross worldwide
- $10,457
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