Cargo

A father comes to in his car, strapped into the seat next to him his wife has become infected but in the back seat his baby daughter is fine. With a zone nearby known to be safe from infection, the father sets out to ensure safety for his baby girl no matter what the cost.

As Theo has already said, the zombie horror genre is a pretty regular one in the genre of short films and, although I personally get scared quite easily by them, it is a genre that can easily feel tired and overused. It is to Cargo's credit then, that it creates something that works really well and doesn't rely on the usual jump scares or clichés of the genre. Here our setting is a zombie apocalypse but really the film is about love of a father for his child and this aspect is what keeps the interest and ultimately moves. The simple idea is delivered without any dialogue but yet the determination and the fact that the father never thinks of himself is really nicely shown.

If I had a complaint it would be that the music is a bit too obviously tragic and the final shots of sitting on the hill with the baby is a little corny, but the concept delivers the feels even if the specifics such as these are not what I would have liked. The genre is used to deliver something more than the norm and it is moving and memorable for what it does.

I recommend this film to viewers who are interested in character development, great cinematography, a well written script, and a solid meaningful ending. Please don't come into this movie expecting The Walking Dead/ Zombieland type of action film because this isn't it.

With a solid opening(effective storytelling defined; aspiring filmmakers, take notes. Make a list of just how many things are communicated by the start of this, if you want protips), this brings us into the middle of a zombie apocalypse, with a man determined to save his infant. But there's one huge problem - he's already been bitten.

When there is no more room for new takes on this subgenre, the crap will overload it. And in that situation, maybe the best thing to do is to focus on the characters, and give the audience a small-scale, personal story. It has been said that the way to determine if a monster story is good or not, is whether the creature could be removed, or at the very least replaced, and there would still be something compelling there. This, like many classical tales, succeeds that test, where many fail.

The 6 and a half minute(without credits, 7 with) running time flies by. If anything, it starts out on a high note, and only gains in traction. It gets increasingly devastating as it goes. While you won't realize immediately "what is going on"(what the man is actually doing and why), once you do, it's a fantastic idea, and you cheer in an earnest way that few current productions inspire. Production values are excellent, everything feels real, the Romero-esque setting is entirely credible.

There is constant disturbing content and a little bloody, brutal violence in this. I recommend this to everyone who likes undead horror. 8/10

Cargo is a 7 minute movie, so It's difficult to discuss much about the film without giving away too much of the story. What I can say is that this (short film) was crafted by very skilled hands by people who take film making seriously. The acting, concept, directing, script, special effects are all top notch. While shot on what I'm sure was a shoe string budget, It is more polished then a great deal of the movies coming out of Hollywood these days. The story is about a Father and his infant daughter who find themselves in a very dire situation and some quick thinking and a lot of luck are going to be required to see any kind of semblance of a happy ending. The film is free of Nudity, foul language, violence (on screen), or adult situations. Individuals 13 and older should have no real issues with watching this 7 minute film. I give it 10/10 because it truly is an example of great film making.

A man awakens from a car crash to find that his wife has become a zombie . Exiting the car he rescues his baby daughter from the backseat then realises he has a bite mark which will almost certainly convert him in to being a zombie

Yet another film featuring a zombie apocalypse . You can understand why film makers keep visiting this sub genre of horror because it's relatively easy to stick a few extras on location with some make up and that's all you basically need . Like so many zombie shorts you feel you're watching a segment of a much longer feature and CARGO is no different . What this short does very well is bring a human element to the narrative . We know that the father has been bitten , that he has a baby to protect and our fears are for that baby should the father become one of the infected/undead . It possibly won't have a market outside the hard core horror market but it's nice to see a horror short that reflects upon the human element of a story