A mother-of-two whose world is turned upside down when she agrees to let her nine-year-old daughter have a sleepover at her new best friend's house.A mother-of-two whose world is turned upside down when she agrees to let her nine-year-old daughter have a sleepover at her new best friend's house.A mother-of-two whose world is turned upside down when she agrees to let her nine-year-old daughter have a sleepover at her new best friend's house.
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I'm actually a bit lost for words on this one. It is so badly written, the story is ridiculous with characters doing things no real person would do, ever and the acting by the lead is so bad that it's hard to understand how this actress got the job. The whole production feels cheap and lacking any quality. How can this be on Disney? How did it get made? Who hired this writer who doesn't seem to have the most basic grasp of storytelling and cannot write dialogue that even vaguely approximates real life. One of the reviews says it's from the same team as those Harlen Coben dramas on Netflix and that makes sense as they are equally rubbish with unbelievable female characters and storylines, poor production values and terrible actors. 1/10 is generous.
Somewhere deep inside is a plot that has some merit but, with the exception of Holiday Grainger, the acting is so bad it's beyond laughable. One can only suspect that Disney+ signed it up unseen.
The performance of the distraught mother (Elisa) and the lead detective (D. I. Sinclair) are disgraceful but award winning by comparison to journalist (Selma) and her editor (Kaleb). Most of the others are bad but could easily blame diabolical direction.
Selma interviews without taking notes and receives photographic evidence via email which arrives within seconds and without having given her address.
Reactions are amateurish and situations contrived however, the worst part of all is that I watched all 5 episodes but in my defence, I had a wager on the ending.
The performance of the distraught mother (Elisa) and the lead detective (D. I. Sinclair) are disgraceful but award winning by comparison to journalist (Selma) and her editor (Kaleb). Most of the others are bad but could easily blame diabolical direction.
Selma interviews without taking notes and receives photographic evidence via email which arrives within seconds and without having given her address.
Reactions are amateurish and situations contrived however, the worst part of all is that I watched all 5 episodes but in my defence, I had a wager on the ending.
This mini-series is well-paced at 5 episodes, with a decent, well-written storyline.
Multiple twists and developments keep it engaging, with interesting emotional shifts as the series progresses.
The production seems to have been appropriately budgeted for with decent cast, brilliant scenary and good diversity of locations throughout.
Mod plays the role of the tenacious journalist really well, while I found some of Grainger's more dramatic scenes less than convincing. Gough's performance was brilliant throughout and she was able to showcase a good degree of range in this title.
I think this will age pretty well, and is definitely worth a watch in my view.
Multiple twists and developments keep it engaging, with interesting emotional shifts as the series progresses.
The production seems to have been appropriately budgeted for with decent cast, brilliant scenary and good diversity of locations throughout.
Mod plays the role of the tenacious journalist really well, while I found some of Grainger's more dramatic scenes less than convincing. Gough's performance was brilliant throughout and she was able to showcase a good degree of range in this title.
I think this will age pretty well, and is definitely worth a watch in my view.
The first episode had me hooked. Although not typically a fan of disjointed storytelling, I liked the way the show unfolded, which makes the final episode and the conclusion of the story that much more irritating. After the final episode, I kept checking back for another episode not believing that was the actual ending of the story.
The acting was good, particularly the leads. I found the detectives role in the story pretty terrible, I also didn't think the reporter editor interactions with him.
Overall, I liked the story, and the twists that unraveled through the disjointed storytelling. However, I just can't support the ending.
The acting was good, particularly the leads. I found the detectives role in the story pretty terrible, I also didn't think the reporter editor interactions with him.
Overall, I liked the story, and the twists that unraveled through the disjointed storytelling. However, I just can't support the ending.
Very well directed. The storyline is very interesting from both a criminal and a psychological perspective. The story unfolds gradually with unexpected twists and turns. The role of the journalist is pivotal, contributing significantly to the narrative. It portrays a rare yet challenging situation with a sense of realism, highlighting the complexities and nuances involved. The script adds depth to the characters, as well as to the changes in their relationships brought about by the pressure they experience. The actors deliver good performances, bringing depth and authenticity to their characters. Additionally, the plot is not only intriguing but also layered, keeping you engaged.
Did you know
- TriviaThe working title, "Playdate," was taken from Alex Dahl's novel, on which this adaptation is based.
- GoofsA car hits another car with enough force to roll it over, but the airbags don't deploy.
- How many seasons does The Stolen Girl have?Powered by Alexa
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