IMDb RATING
6.1/10
3.9K
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Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy - though he is ill-prepared for her secrets as they quickly muddy t... Read allMarco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy - though he is ill-prepared for her secrets as they quickly muddy the waters.Marco returns to Paris after his brother-in-law's suicide, where he targets the man his sister believes caused the tragedy - though he is ill-prepared for her secrets as they quickly muddy the waters.
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Hard hitting, beautiful, feminist and intelligent, the film is not an easy watch. The story is not told in a straightforward way and things do not go the way we expect. Tough and torrid, the tale unfolds in many different ways before us and we struggle, as does the main protagonist, to deal with what turns out to be an almost labyrinthine problem - even though we are only really talking about a couple of guys, their women and some girls. So beautifully is this shot that there were occasions where I seemed to miss a plot point, so in awe of the way some 'ordinary' scene was portrayed, and I assume this was intentional, one of the various means by which we become side-tracked here until faced with the awful and final denouement.
BASTARDS focuses on the experiences of sea-captain Marco (Vincent Lindon), who returns from his ship to find his sister Sandra (Julie Bataille) in trouble. He moves into the apartment above rich business person Edouard (Michel Subor), whom Sandra holds responsible for her troubles. As Marco becomes more involved in the case, so he discovers to his cost that the intrigues are more complicated than he anticipated. Set in contemporary Paris, Claire Denis creates a claustrophobic thriller, full of close-ups and tight two-shots in which the protagonists' faces seldom fall out of view. This helps reinforce the film's principal theme, which is to show how actions often have unforeseen and unintended consequences. Although Marco believes he is doing the right thing, his actions are misunderstood to such an extent that Edouard moves away, taking Sandra's little son with him. Perhaps this is due to Sandra's penchant for not telling Marco the truth about herself and her life; but Denis seems to suggest that Marco fails to consider the ways in which his behavior might be viewed by others. We never know who the "bastards" of the film actually are; perhaps it's one of those terms of abuse that people apply to others, especially when they are in tight situations. The plot remains taut throughout, and there is an unexpected dénouement that deserves our attention. Definitely worth a watch.
An alienated man returns to Paris in heavy rainfall in an attempt to mend family affairs in the wake of a suicide and substantial monetary damage. He discovers that human hearts, including his own, are not as repairable as he would prefer. Director Claire Denis displays a mastery of imagery, detail, tension and emotion in a dark story that goes back and forth in time and patiently reveals secrets. The introverted characters of her story attempt to react with confidence and courage to the bleak circumstances, malevolent figures, and fears that hem them in, yet their trust and hope hang on a thread. The film is enthralling, dark and brooding.
In this French film noir, a ship captain leaves his post to get revenge on behalf of his sister whose family has faced recent tragedies.
This film is occasionally confusing but always intriguing thanks to the directing style of Claire Denis. At first, it is difficult to distinguish who's who partly because two characters look alike. There are also times it is hard to understand the motives and actions of the main character.
Still, the intrigue seems to work especially with a plot twist followed by one of those endings that is shocking because one would not have expected the film to end at that point. This is one of the few films that gets away with this device. - dbamateurcritic.
This film is occasionally confusing but always intriguing thanks to the directing style of Claire Denis. At first, it is difficult to distinguish who's who partly because two characters look alike. There are also times it is hard to understand the motives and actions of the main character.
Still, the intrigue seems to work especially with a plot twist followed by one of those endings that is shocking because one would not have expected the film to end at that point. This is one of the few films that gets away with this device. - dbamateurcritic.
A rambling script that jumps so often from one person to another; one scene to another; one plot structure to another that you're left wondering if this is a story or an exercise in the writers/director being enamored with their cleverness. The inconclusive and illogical, abrupt ending is further proof of the film makers' self-absorption. Excessive use of flash backs and constant, shifting brief moments with each character leaves the viewer caring less about the principal vehicle - the life of a young girl in a prostituting environment. I usually have high regards for French film studios efforts, especially with their crime/thriller movies, but in this case ... Final verdict - who cares!
Did you know
- TriviaThe title and film itself are inspired by Akira Kurosawa's movie Les salauds dorment en paix (1960) which in French was translated to 'Les Salauds Dorment en Paix.'
- GoofsThe car being crashed/towed is not the same as previously driven, but an older Audi model.
- ConnectionsFeatured in Film '72: Episode dated 11 February 2014 (2014)
- SoundtracksPut Your Love in Me (fade)
Performed by Les Salauds
- How long is Bastards?Powered by Alexa
Details
Box office
- Gross US & Canada
- $24,525
- Opening weekend US & Canada
- $4,432
- Oct 27, 2013
- Gross worldwide
- $439,935
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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