Sly: Stallone par Stallone

The articulate man behind Rambo and Rocky still suffers the wound of his father's abuse. Yet he has beaten that wound by having a fabulous career. This documentary just made me want to give Stallone a hug and tell him -'life is STILL GOOD, Stop and smell the roses!' In a capacity the dogged sadness about his failures seems theatrical too. Is he acting through his own biopic? Probably. I wanna send him to go watch Nyad, another flick on Netflix that talks to how life is really NOT over for people on their later years. It feels like the 'antidote' to Stallone moping. Where is his therapist? I love Sly but depression present here is just a disservice to his contributions.

As much as I loved this documentary on Sylvester Stallone, one of my absolute favorite in show business, I am a little bit disappointed by the run time. This clearly could have and deserves to be longer not just for the viewers, but also for the story, SLY.

It almost feels like every story was cut short, and could have been longer.

Sylvester Stallone achieved much against all odds, the story of his greatness is unprecedented and could have easily filled an 8 part docuseries. His family, love life, failures success, children, fame and fortune.

I'm glad I did watch this, will probably not re watch it though, cause it falls short in a lot of ways for me.

There is a three-part series for Arnold Schwarzenegger and only one part for Sylvester Stallone. It's kind of a shame, especially since his life is at least as exciting, if not the most exciting. In the '70s, Sylvester Stallone was doing poorly, very poorly. And to see that once is incredible. An honorable man, with an honorable story. An intimate look, albeit explained in a somewhat monotonous way. It feels like the same people always have their say when they talk about Stallone or think they have something to say about him. A straightforward film about a person who has so much more to say than this film. All in all, a nice overview but not worthy of a person like Stallone.

Sylvester Stallone executive produces -- meaning approves or disapproves -- the documentary examining his own life and work.

That's red flag number one. Even in an age of ubiquitous "documentaries" (they used to barely exist in the margins of filmmaking), such a project should aspire to illuminate its subject, warts and all.

Here, Sly makes an attempt at a mea culpa, lamenting how he should have spent more time with his family, yet inclusion of that family's story scarcely exists. I had no idea his son, Sage Stallone, had died in 2012 at age 36. And the only reference to that here are life dates shown on screen after the brief segment about Sage appearing in the ill-received Rocky V.

And what about Stallone's other son, Seargeoh? Yes, that's right, Stallone had two sons, and Seargeoh apparently was diagnosed with autism at the age of three. Not that the documentary reveals that -- Seargeoh is never even mentioned; I found out only by searching online, and only after an image of the actor Milo Ventimiglia (who plays Rocky's grown-up son in 2006's "Rocky Balboa") inexplicably appeared beside the name "Seargeoh Stallone" when I Googled it. Try it. You'll see.

The real Seargeoh, apparently, has lived most of his life with his mother, Sasha Czack, now Stallone's ex.

Okay, maybe it's to protect the privacy of his children, and that's fine. But it's a conspicuous absence in a documentary ostensibly about a man's life. Which it is, to a large extent, especially about his childhood, and how his physically abusive (Sly implies this, though never directly says it) and "brow-beating" father may have pushed him to seek external validation from an audience, or crowd.

But the picture really focuses on the work, the ups and downs of Stallone's career, his regrets and his massive successes, and the way his two big franchises, especially the Rocky narrative, are really mirrors for his own life and career. Where this gets the most interesting, at least for this viewer, was when Stallone described these two world-famous characters as ends of a spectrum. Rambo is the broken hero with no home who dies alone. Rocky embraces humanity, and family, and is in turn embraced. Stallone admits he's both characters.

In "Sly," I appreciated this emphasis on the work. I make my own living as a suspense writer, have worked in film, and in my own much smaller and less famous way, have experienced a lot of the frustrations and joys. Every artist does, really. This telling of Sly's life seems like a letter to all artists, that they may aspire to such greatness at their own peril. That even with great success they may, like Sly, be left searching for inspiration, hoping to slow life down, hoping for another good fight.

This documentary's looking at the life of Sylvester Stallone is not much more than an extended interview with a few contributions from contemporaries. It does though in the end give you a pretty clear insight into the mind of the man, who to me always seemed to want to come back to his familiar franchises too often, rather than take on something new. I found it interesting then that he largely seems to accept this point as he often found himself uncomfortable making films that were to a large degree outside his control and felt more at home with Rocky and Rambo as can be seen by the quite extraordinary array of rather self indulgent memorabilia in his home. It was also interesting that outside the franchises he controlled, in nearly all cases, he seemed to have needed to change every script, character or ending to suit his personal vision on what the film should say.

The man himself though seems to have been influenced, understandably, by a very rough childhood, controlled by a deeply unpleasant and seemingly jealous father who treated his children appallingly. That said it seems to have toughened and shaped Stallone who ultimately now seems a pleasant person comfortable with life and the most important things in it. In the end you simply have to admire how this guy has dragged himself from nothing and built himself into such an American icon.